Balkan Taksim is a band known for raising a groovy-balkan storm with their intoxicating blend of sharp contemporary electronic music with Balkan psychsounds & vocals. Balkan Taksim is the corduroy-clad brainchild of Bucharest-based multi-instrumentalist/ artist Sașa-Liviu Stoianovici who, along with his electronica producer companion Alin Zăbrăuțeanu, is on a quest to inform, educate and entertain audiences around the globe about Balkan psych, roots and grooves. The project started by searching for something to link the sense of what has been with what will be. Sașa’s exploration of traditional music of the Balkans, ancient Romanian music and Slavic cultures led him to travel a lot through the region and work with local singers and musicians to record the traditional tunes he later reworked with contemporary electronica sounds, heavy bass and powerful beats. Their stylish electronic psychedelia and bass flow directly from their roots in Romania and the Balkans upstream to global dancefloors. A project that’s constantly evolving, exploring rhythms and sounds from every corner of the Balkans gently fused with electronic beats and tribal basslines. The debut album ‘Disko Telegraf’, recorded in its entirety in Sașa’s and Alin’s home studios in Bucharest during the last two years, is an emotional Balkan roller coaster which has its roots and preconception ideas many years ago when Sașa traveled alone through the Balkans, but especially through Anatolia.
Gülferiler is a Northern Cyprus Band that was based in London. It was founded by Süleyman Gülferi and his sons in early 1970’s. The band used to play traditional Turkish/Cyprus wedding folk songs at the Weddings. This is their only studio album.
Uzelli Kaset was established in 1971 by Muammer and Yavuz Uzelli in Frankfurt, Germany. Their music resonated not only with the longing that Gastarbeiter (guest workers) felt for the homelands and families they had left behind and the melancholy brought by their difficult living and working conditions in Germany, but also with the joy that welled up at village weddings on their days off, and the long car or train journeys home. Reaching the remotest corners of Germany as well as Turkey, Uzelli Kaset was soon more than just a music company; it became a companion to Turkish workers living far from home.
Aggelos Baltas is a veteran of the global electronic music scene, responsible for a handful of celebrated EBM 12”s as Dream Weapons, and a particularly heady and open-ended brand of krautrock as Fantastikoi Hxoi. His newest project, Anatolian Weapons, was conceived as a way to bring together these two seemingly mismatched concepts, with the polyrhythmic percussion and wailing tones of Greek folk music serving as their unlikely bonding agent. “To The Mother Of Gods” is Baltas’ debut album for Beats In Space. Created in tandem with Greek folk musician Seirios Savvaidis, it is a work of simultaneous collaboration and subtraction whose meticulous construction becomes more apparent with every listen. An album-length exploration of what happens when the principles of dance music are applied to pre-digital musical modalities. Savvidis contributed stems of ten songs, which Baltas deconstructs and rearranges with appreciation of the ancestry of their lineage and of the deceptively ancient eerie, droning qualities inherent in the style. Occasionally augmenting Savvaidis’ recordings with his own, Baltas treats these elements as if raw materials for an architectural process. It is a record of psychedelic folk music.
Fortuna Records deliver a stellar compilation of real-life magic created by immigrants from Yemen, in Tel Aviv, from the mid seventies to the early eighties. Ranging from extremely rare to previously unreleased, these tracks are a result of a unique scene which blended funk, soul, jazz & disco with traditional Yemenite rhythms & sounds. It cannot get more obscure than this.
The crown jewel of Koliphone Records, Grazia’s debut album is by far one of the most intriguing pieces of music to ever be recorded in Israel. Jaffa in the late sixties and early seventies had an exciting and exotic sound to offer, where folk musicians performed live at its taverns seven nights a week. It was far from the mainstream hit-parade of swinging Tel-Aviv but close enough geographically to attract listeners from across the Tel-Aviv-Jaffa metropolis.
Exploratory Lebanese imprint Annihaya presents a stunning debut album opus by Rabih Beaini aka Morphosis under his birth name. As Rabih was born in Lebanon it is fitting he shares ‘Albidaya’ – meaning “The Beginning” in Arabic – with a label from his home country, who provide acute context for its mixture of electronics, psych rock, folk and jazz. Impressively it was mostly recorded over the course of one day in 2012, wrangling myriad rhythms, tones and shapes from Rabih’s famous collection of vintage analog synthesizers and sequencers meshed with Eko Tiger Duo organ and guitar, and some assistance from Tommaso Cappellato on drums and Piero Bittolo Bon on woodwind and electronics (with additional credits to both Mike Huckaby and Donato Dozzy), and post-production done in Berlin and Rome.
Massive 7″ with two cuts, based on seventies turkish samples and edited into the tracks with additional Moog.