Black Merlin – Control [BNR159]

Black Merlin continues to push his retro-aggressive style forward to now- his new EP ‘Control’ for Boysnoize Records. Power, discipline, CONTROL- the word itself is inseparable from the aesthetic mythos of industrial music, channeled so adeptly by Black Merlin across the 4 track release. The first two cuts, ‘Control’ and ‘Secondo,’ capture the neurotic, mechanical energy of a fantasy after-hours in a weapons factory- the kind of sci-fi meets political unrest wet dream that was Amiga-tracked through every undercut, black booted teenager’s imagination in the late 80’s. Production evoking the most dancefloor forward moments of Front 242, a sound both retro and contemporary but firmly planted in dark and aggressive EBM… Sound familiar for a BNR release these days We hope so.

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Black Merlin – Control [BNR159]

Black Merlin – Burn It / Experiments In The Dark [COMMONTHREAD004]

Treacle thick tech treats from Black Merlin on super-limited vinyl. Worked on an all-analogue set up, both “Burn It” and “Experiments In The Dark” take us back to the early ’90s when Black Strobe were smashing down European boundaries and Beltram was doing the same in the US. “Burn It” is the real crunchy groove-heavy cut while “Experiments In The Dark” takes us even deeper inside our own minds with an orgy of modem banter.

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Black Merlin – Burn It / Experiments In The Dark [COMMONTHREAD004]

Black Merlin – Amazing Exotics [COTF003]

For Crimes of The Future number 3 presents the ubiquitous Black Merlin, Trevor Horn heads to Berghain at 3am Friday and stays til Monday. Completing the release Timothy J. Fairplay and Scott Fraser remix together for the first time in the Adrian Tripod mode, taking amazing exotics back deep into early 1990’s New York and kicking it out bonesbreaks style.

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Black Merlin – Amazing Exotics [COTF003]

Black Merlin – Salute To The Light [NJ005]

A self-confessed fascination with 80s Music and film scores from the same era..George Thompson has an ability to approach music with a strong visual aesthetic which is a common theme in his work, first apparent in his role as part of the duo “Spectral Empire”, alongside Kyle Martin. Spectral Empire caught our ear many years ago. with their sound that evoking a world of abandoned battleships, psychedelic fog and possession by dark forces through a maze of industrial beats, metallic drones and heavy baselines. A trip to Dusseldorf in 2009 saw Thompson connect with the cities’ currently vibrant electronic scene, with artists such as Kriedler, Der Rauber und der Prinz, Music Cargo and Toulouse Low Trax inspiring Thompson to continue his sonic explorations and push him forwards as a solo artist, under the “Black Merlin” moniker. As “Black Merlin”, the brooding, dark, cinematic elements remain, juxtaposed by Thompson’s obsession with late-80’s FM Synthesis and expansive production of artist such as Trevor Horn and Blancmange. Black Merlin’s first solo release was on Andrew Weatherall’s vinyl-only label Bird Scarer in late 2012.

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Black Merlin – Salute To The Light [NJ005]

Black Merlin – Brunswick Drive [BS003]

Third release on Andrew Weatherall’s Bird Scarer label with some advanced disco influenced electronix by George Thompson part of Spectral Empire, also known as Black Merlin. Remix work delivered by Scott Fraser.

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Black Merlin – Brunswick Drive [BS003]