
Jonny 5 returns and wandering inner and outta self he presents 3 bombas. Bengali Dub will change lives. Simha will charge high fives. Tum Tum will…well it just rocks Jonny ommmmm takeovers.

Jonny 5 returns and wandering inner and outta self he presents 3 bombas. Bengali Dub will change lives. Simha will charge high fives. Tum Tum will…well it just rocks Jonny ommmmm takeovers.

The franchise goes one cut deeper as Parasols AKA Ali Renault and Antoni Maiovvi team up on this dark as hell during an eclipse set of grime soaked grease sleazers. Parasols throws forth two sharp as blades numbers with a guest appearance by the one and only Unit Black Flight with his first ever remix. Antoni Maiovvi closes things with something from the vaults, the 808 and sub bass sleekness of Shivers, remixed by Black Metal EBM overlord Equitant. Guaranteed nightclub nightmares as we put on the gloves one more time.

Meo, pseudonym of Daniele Mei, is a cosmic dj from Rimini, Italy. Fine Corsa was his first record, released in 1985. In those days Meo was active in what was later considered to be the most famous Afro Dance Club in Italy: Melody Mecca. This release is an intensely creative hybrid of many styles and many colors. Even up until the present day this record continues to be very important in some preeminent European clubs.

Editions Gravats kick off the club-ready “Les Disques De La Bretagne” series with 8 tracks by Low Jack, a re-working of tracks from “Glacial Dancehalll 2” (split tape with Time Cow from Equiknoxx).

Jeremy Campbell and R. Zanzibar return as Out 2 with their debut full length, Showcase. Following their recent Moving EP, the duo expand their mix of New York off-kilter pop lyrical poetics riding over percussive desk-dub funk grooves.

Horton makes the scene. The caped rave wonder, alive and spitting since ’88. Pyschedelia set for anthemic mind expansion. ‘Eclectic Day’ a journey to the centre of Jupiter. ‘Smokin’ Roachin’ si bella bella. ‘The Box’ drummers gonna work it out.




Factor City presents the second and last 12” with remixes from Undo’s “Disconnect L.P”. It’s time now for Marvin & Guy and Zombies In Miami with two outstanding reworks of “The Arptist” and “Disconnect”. The fantastic italian duo Marvin & Guy take on “The Arptist” is an 11minutes lisergic journey through magic pads, sparkling arpeggios and distorted guitars. On the flip Zombies In Miami work there magic on “Disconnect” using the original pads and Undo’s voice to create a totally new track with their own trademark.

The third release on Midnight Drive takes us back to the heady days of 1984, New York City, while doing a re-issue job on this classic anthem by Clive Stevens.


Not that long ago, one had to introduce Llewellyn as Martin Enke’s House- and Disco-bound sideshow to his main-moniker Lake People. That’s kinda obsolete these days, as Llewellyn has been cranking out enough high quality material over the last months to be on everybody’s radar anyway. “San Junipero” is already his second proper EP release on Riotvan in less than one year, not counting compilation tracks and remixes. It is the successor to his “The Other Side Of You” EP, the actual “Other Side” so to say, if not his prime moment so far.

The sixth instalment of Slow Motion’s retro-futuristic international-sister label is the debut release of mysterious Russian producer Fakundo. This record sits at the heavier end of our musical spectrum and is brimming with hard-hitting electro swagger that conjures up a dystopian video-game underworld, the best bits of Alien Sex Fiend and comes atop a whole bunch of wobbly baselines. Not for the faint of heart this record is a total dance-floor destroyer.

Slow Motion’s 38th release comes courtesy of Berlin-based Gallo who you may know as part of Balearic Gabba Soundsystem. Joining the family for his debut solo release Gallo drops the tempo for three deep-cuts of blissful Balearica. Backed up with an acidic, chugging re-rub of ‘Faron’ from Fabrizio Mammarella which is perfect when the sun goes down, Orange Stripe arrives just in time for Summer. How to get the most of this track: combine it with blissful and dreamy beach-excursions or with a sunset aperitivo.

Robert Johnson resident Chinaski makes his Omnidisc debut with 4 power cuts on the Polyester Series sub-label. Including a remix by Shokh.


2018 is going to see the bond between Khidja & Malka Tuti strengthen, with the Romanian duo bringing forward their eclectic, cross-genre approach to electronic music. ‘Plot’ and ‘Am I Really Here’ are two dance-floor bangers, not hiding behind fashions and hype, the duo is pushing forward on both tracks, each with its own idea and story to tell.

Hunee presents a collection of his favorite dance floor cuts from the 70ties till modern times. Going from afro to disco to techno, ”Hunchin’ All Night” holds a wide spectrum of songs, tracks by the wonderful Boncana Maïga, Pat Thomas, Black Beat Niks, Kenny Larkin, Larry Heard, Mappa Mundi and many more. Hunee, aka Hun Choi, is a Korean Berliner who has been drawn in music since a very young age. After working in record stores and studying musicology he resided in Amsterdam, where he released his debut album Hunch Music. As a DJ he has always followed ‘a hunch’, which gave him wings to communicate the music he loves with crowds all over the world. With Hunchin’ All Night, Hunee expresses his relationship with the dance floor.

The Colorful World of Arp Frique is the exotic and super funky debut album of Niels Nieuborg. After his surprising, very well received debut release on Rush Hour, Arp Frique continues collaborating with Orlando Julius, Ed Motta, Americo Brito, Ronald Snijders and more. On this surprise debut album, he continues the same approach, delivering a scintillating set of tracks that gleefully join the dots between Afro-disco, jazz-funk, boogie, Caribbean reggae-disco, bossa-soul and the kind of up-tempo, synth-laden madness that defies easy categorization. Throughout, the presence of live drums, vocals and instrumentation gives the album a loose and fluid feel, as if what we’re listening to is not a fresh album, but rather a long lost African rarity from the turn of the ’80s.