Detroit’s own DJ 3000 returns with a futuristic techno-electro offering in the form of the Waiting in the Dark EP, featuring heavyweight remixes from electro pioneers Aux 88 and DJ Stingray 313. Set for a limited vinyl release, this project captures the essence of Motor City’s deep-rooted heritage while pushing sonic boundaries forward.
Detroit’s DJ 3000 is back with a fresh new release, the Immigrant Son EP on his own Motech label. “Immigrant Son” is a heartfelt celebration of family and deep-rooted traditions. The track “Gëzuar,” meaning “Cheers” in Albanian, blends traditional Albanian rhythms with the soulful essence of Detroit techno, creating a unique and compelling soundscape. Another standout track, “Kanuni (Traditë Mix),” draws inspiration from the Code of Lekë Dukagjini, further enriching the EP with historical and cultural depth. Smooth morphing Detroit synths and some theme’s that remind of his roots in Europe.
“The ‘Kashkaval EP’ marks DJ 3000’s fourth vinyl release, stemming from his acclaimed ‘Mezë’ album. This EP encapsulates DJ 3000’s evolution, weaving a narrative from his Albanian heritage to his current thriving career. ‘Kashkaval EP’ stands as his most intimate and comprehensive work to date, embodying a profound musical odyssey. It extends an invitation to all, urging them to partake in a celebration of diverse cultures and a symphony of sound that transcends geographical boundaries. Through meticulously crafted tracks, it guides listeners on a shared and cherished voyage, forging connections through the universal languages of music, culture, and food.
The Motech label has been building a high reputation of late but it’s actually been three years since co-owner, Detroit’s DJ 3000 (Franki Juncaj) released a 12inch of his own. Putting that to rights, he delivers ‘Take Me Away’ and featured is a deadly remix by Truncate.
DJ 3000 releases his fourth artist album ‘Besa’ on his own Motech label. Born and raised in the Detroit enclave of Hamtramck, DJ 3000 (aka Franki Juncaj) was inundated with both the sights and sounds of his neighborhood, a highly ethnic area of Detroit, as well as with the influence of the music of his parent’s native Albania. This diverse collection of influence has molded the current make-up of both DJ 3000 and the vision and direction of the sound that he is producing. ‘Besa’ expands his sound even further with a depth of electronic styles that collage to make his most cohesive work to date.Juncaj discovered the rich history of Detroit techno by going straight to the source.
DJ 3000 presents 10 Years of Motech (The Remixes) Part 2 EP ahead of the full length remix CD. Mark Broom adds a killer interpretation for an impressive opener. Next up is Kiko who doesn’t disappoint with his driving new rendition of DJ 3000s Defiant (MT-015), toughening up the original but still maintaining its funk-fuelled roots. The rest of the EP features a remix a track taken from Franki Juncas 2011 album Invisible Moods. Firstly, Ill Be Around gets the remix treatment from Detroits Luke Hess, delivers a moodier take on things, with deep pads and a grooving beat.
DJ 3000’s “Hotel Oasiz” is part of the new sound of Motech Records. Not that Motech ever predicated itself on an established sound in the first place, but DJ 3000 (Franki Juncaj) has expanded not only the range of his own style, but also the styles of those he chooses to appear on his remix EPs.
DJ 3000’s full length release “Galactic Caravan” on Motech Records was a well received record all on its own. Add 23 of the worlds most known and unknown producers to the mix and you come away with Galactic Caravan – The Remixes. There are remixes from names familiar to the Motech camp like Deviant who creates a beautiful downtempo mix of “Heritage”, as well as mixes by Gary Martin (“Darjeerling Sun”), Subotika (“Coat of Arms”), Shawn Snell (“Memory Almost Full”) and DJ Compufunk (“Emotional Sequence”). DJ 3000’s goal on the “Galactic Caravan” remix record was to not only allow his fellow label mates a chance to remix tracks from the record, but to also reach out to artists who’s work he both enjoys and respects. This led to an impressive stock of remixes from Detroit and across the world.
The Hipodrome Of Music 