Rising from the core of the underground in Latin-America, the Buenos Aires duo makes its debut on Disidencia Records with a powerful 5 track EP which includes a remix by none other than Dutch synth wizard Legowelt. Pungent vocals, accurate distortion and fierce kicks surround beautiful and alluring melodies created throughout the whole record. Happy707 forges energetic beats accompanied by a meticulous flow of electro, wave and industrial sounds.
Filmmaker presents a new album named ‘Great Tribulations’, selfreleased on bandcamp.
The return of Texas heavy electronics, S.English is back on the label with a new 10 track tape of tense, metallic textured sci-fi slowbeat At this point English has honed in and perfected his own style of reaching some sort of unreal middle ground sitting between muslimgauze, s-core, and seico corp. Absolutely mindbending, headcrushing outsider electronics.
In your face new 8 track LP of vicious beat driven warehouse electronics from the L.I.E.S. boss, Ron Morelli. Straight and to the point, “Extinctionist” stands very much in line and continues further in the sonically unapologetic L.I.E.S. Records tradition of the last 15 years.
Lux Rec number 52 presents Abe Schwartz aka Giulio Parzino, a musician from Milano with strong ties to Zürich. Active since years in the industrial and cassette culture scene he delivers this time 7 astonishing emotional, danceable, yet potently noisy tracks.
Nicolas Balmer hails from Zürich and he is an integral part of the underground alternative music scene there since forever. This record was entirely written, produced and recorded by Nicolas at Zimmerlistrasse in Zürich, between the 21st and 29th of December 2023. A time where everything that could have happen just happened. He poured all that pain and drive into this. The heart is deceitful above all things and beyond cure.
After a long period of inactivity, during which he recharged his batteries for his return to music production, JG Outsider took up the challenge of recording his first solo album in this new phase of his musical career. EBM, industrial sounds, post-punk songs with his own vocals and high-level collaborations make up this work. It is undoubtedly a musically mature album that shows the identity of this chameleon-like artist with a career spanning more than 30 years. The album also includes great remixes by Nightcrawler Music and Spammerheads as well as a collaboration with Ruth García/From Hell.
Throughout the 1980s, Michael Antener, born and raised in Bern, Switzerland, initiated an array of sonic endeavours in the realm of industrial, dark, aggressive music. The triple vinyl release is all about documenting Michael Antener’s adventures during that intense 1980s period, comprising materials from vinyl records, cassettes, and live recordings, some of it unreleased. The release also includes a deep dive into Michael’s visual archive of posters, photos, and sleeve artworks. The disjointed, tumultuous body of work presented here marks the testament of a fringe musician who was disruptive and confrontational, keen to shock and alarm people (much to our liking), and who could easily have been lost in oblivion.
As the darkness creeps in from the depths of the north, the restless spirits of the underground rise from their eternal slumber. Like a chilling reckoning, the creatures of the night emerge from their graves, summoned by the pulsing rhythms and haunting melodies of Up Norths’s latest offering. This cassette tape release unleashes a malevolent force of EBM and dark electronics, conjuring an unholy alliance of sounds to possess your soul. Let the shadows consume you…”
MVQX bringing some fire from the Nothing Was There Records archives.
Years of Denial’s ‘Suicide Disco Vol. 2’ album is receiving a well-deserved remix treatment from some of the dearest and most important artists in their circle. Featuring The Hacker, NEVER & Maenad Veyl, Phase Fatale, Kris Baha, Velvet May, Codex Empire, Geistform & Years of Denial’s very own Supreme Low, some of the most influential figures in the genre are offering their unique takes on their favorite tracks from the album.
Dame Area unveil their highly anticipated fourth studio album, “Toda la verdad sobre Dame Area” (“The Whole Truth about Dame Area”), a collaboration with the renowned labels Mannequin Records and Humo Records. Formed in 2017 within the vibrant underground scene of Barcelona’s Màgia Roja club, Dame Area comprises the Italian-Catalan duo Silvia Konstance and Viktor Lux Crux. They fuse industrial-tribal polyrhythms with minimalist synth basslines, drawing profound inspiration from avant-garde masters such as Esplendor Geometrico, Throbbing Gristle, Suicide, Einstürzende Neubauten, Can, Coil, Swans, Big Black, and Wolf Eyes. This record represents a new phase in Dame Area’s discography. It’s a big step up in terms of sound, composition and ideas. This record it’s the perfect representation of what they have been playing live the last three years and what most people know them for.
The long-awaited return of the techno trance wizard Asymetric80 is finally here. You can once again expect his unique vision of what a dancefloor banger should be: powerful low drums and mesmerizing melodies dancing around the perfect bass to energize any dancefloor.
Filmmaker returns with a sefl released 4 tracks EP on his bandcamp page.
Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band’s earliest material. As originary Aussie industrial legends – although founder Tom Ellard would balk at being branded as such – Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and quietly infectious nursery-rhyme-esque melodies. In 1979 Ellard, Richard Fielding, and Andrew Wright abandoned the moniker Mr. and Mrs. No Smoking Sign and adopted the edgier name Severed Heads “to pretend to be an industrial band such as Surgical Penis Klinik & Throbbing Gristle.” Noise-rockers Rhythmx Chymx had placed an advertisement in a local shop looking for a band to share the costs of pressing an LP. The Heads set about recording a Dadaist racket on a pair of open reel dictaphones and a cassette deck using a TRS-80 computer, Kawai Synthesizer 100F and Korg Mini Pops drum machine. Ear Bitten was released in 1980; original copies now fetch obscene sums, in part due to most of Severed Heads’ copies perishing in a fire at Richard’s home. The band’s next endeavor was a cassette titled Side 2, a collection of free-form experiments fashioned as Ear Bitten’s second side. For this reissue, Dark Entries has collected both Ear Bitten and Side 2 on the first disc, presenting the album in its full form. Disc two includes the original first version of Ear Bitten, which was only unreleased because it was recorded in a format not suitable for pressing.
As the world got even worse in the past ten years, Mujahideen’s songs from 2014 about greed, vengeance, culture slaves and the human factor are more relevant than ever in 2024, as it seems that the world is trapped in a vicious circle, which summons new dawn of Fascism. Therefore, Dead Language still sounds like a prophecy of wrath accompanied by a shivering crossover of post punk, dub and industrial, inspired by bands like Suicide, P.I.L, The Fall, Mark Stewart & The Maffia, Section 25, Psychic TV, The Young Gods and The Chameleons, which offers a captivating but desperate introspection into the abyss of humankind.
Data Desire Disorder is Roberto Auser’s upcoming EP on the Dalmata Daniel label, part of their lathe-cut series. This four-track EP showcases Auser’s deep engagement with analog sound, blending noir, industrial, minimal synth, dark wave, and electro influences. Created largely during the lockdown era, it features vintage hardware and modular synths, crafting a sound that is both raw and meticulously detailed. Data Desire Disorder continues Auser’s exploration into dark, atmospheric soundscapes, offering a blend of cinematic tension and rhythmic pulse.
Nothing Was There Records presents The Owl: Untitled and Unknown Volume one.
Black Dot lands on Italo Moderni with a cult futuristic gem on vocals by Le Chocolat Noir and hardware wizard Christian Kroupa, three obscure killers bangers ready for the dancefloor, last but not least with an epic remix by the king Marcel Dettmann.
The Hipodrome Of Music 