Following his Red Pyramid EP, L.F.T. returns to Mechatronica with fearless visions, Nils Fock on vocals and a cold-blooded Dollkraut remix on the flip.
From time to time I like to take a brief look at what our readers enjoyed the most and the end of the year is always a good time to do so. In order to do this I compile a top 3 of the most appreciated albums, compilations, mixes our readers liked in the last year.
As a cover for this year’s post I choose a map showing from where our visitors come and the first 10 places are the US, Germany, Romania, UK, Ukraine, The Netherlands, Spain, France, Russia and Italy.
Dez Williams returns to Mechatronica with a critical blend of deadly machine funk, hazy breaks and hi-octane electro, backed by L.F.T.’s menacing remix on the flip.
Elena Colombi’s Osàre! Editions presents its third vinyl release: Blood in the Grass, an EP of electro tinged new wave from Hamburg-based producer Johannes Haas, aka L.F.T. (Love, Fist, Tears), the title of which takes inspiration from a 1966 tapestry work by the late Swedish-Norwegian textile artist Hannah Ryggen (1894-1970). Prompted by Colombi and Haas meeting on the dancefloor of Golden Pudel, the eight tracks run the gamut of darkwave and punk sounds, with Haas utilising Korg MS20 and Roland SH101 synthesisers to meld mutant acid with slamming synth lines, ear-worm melodies and opaque lyrics that are left open to interpretation. The new wave aesthetic he draws inspiration from is most evident on tracks Die Geldsmachine, No Covenent and the glistening Chloe-Rose, and with its howling guitar riffs and driving energy geared for late nights, Manon is a rough and ready punk anthem and a tribute to Haas’ “gang” of favourite people in Hamburg.
Switching within digital binaries, analogue flux, and all forms of degradation in between, a creature is kickstarted to life, as if awoken with locomotion’s full might. Helena Hauff delivers a mix for Tresor’s Kern series, lashing together a sound world with a potent barrage of industrial dance music. Helena Hauff and Morah, Umwelt, Machino, Galaxian and L.F.T. all contribute with five previously unreleased tracks, exclusive to the compilation. Rare titles are also featured, such as the late Curley Schoop’s “Mayhem” under the name Esoterik, “City Of Boom” by DJ Godfather & DJ Starski, Nasenbluten’s “Intellectual Killer“ and “After Dark” produced collaboratively by Andrea Parker and David Morley.
If you’re currently lucky to be in a position to spare some funds, please consider making a charitable donation in your community to help fight the Covid-19 outbreak. Should you still have any additional good fortune left, we have put together an Aid EP, to help support the artists on our label, currently under financial pressure due to the massive amount of event and DJ gig cancellations – and to keep the lights on in our collective, which is heavily dependent on income from event production.
The Aid EP additionally enables us to provide a bit of work for our mastering engineer, also a DJ and producer, financially impacted by event cancellations. All sales will be split 50/50 between the artists and ourselves, after mastering costs have been recouped.
Stay healthy out there – and if you have the means, we encourage you to find ways to reach out and support those affected in your local communities.
Hamburg and Berlin coalesce as L.F.T. debuts on Mechatronica with a blood-soaked, club-ready blend of punked out electro, industrial, acid, techno and EBM cuts. Watch your spine.
Both noted for their powerful and inventive electro tunes, L.F.T. and Raymond D. Barre are two of the most interesting producers of the moment. On that new split EP, the punk sensitivity from Hamburg meets the braindance influence of the parisian : here are five fucked-up acid bombs for all the 303 trainspotters.
The Hamburg based producer L.F.T. turns to Eye For An Eye to release his awaited EP “Zerstore Eine Stadt”. A well crafted piece divided in 5 different moments that portrait the mind state of L.F.T. living in an industrial city with mechanical and optimized routines. Sharing the A side is the punchy and muscular “Alles Was Du Hasst “and “Atomic Enigma”, the last an introspective and misterious slow tempo ebm-ish piece. “Zersto?re Eine Stadt” featuring vocals from Rosaceae is an emotive piece expressed through distortion pedals, revealing the poetic side of rage and trauma. “I Don’t Like Your Party” plays around a playfully sinister melody and charmingly offbeat vocals that give this track a unique groove. “Dead Rat Under The Table” cools the whole EP down, ending it as intense and mesmerazing as it started.
Kluentah recrutes for the next number on Zement the underground prodigy L.F.T. straight out the sewer. All four tracks are neckbracking belter on its own class. Murderous acidlines and floorshaking basslines plus dirty drums that will blast your pants off.
New-ish Hamburg talent alert.! After releasing a track on the second RTTD compilation, L.F.T. returns with a full EP featuring his idiosyncratic synth-pop-electro-dirge.
L.F.T., Marc Ash, Morah and Helena Hauff are combining forces to pollute the world with a little bit more banging industrial techno on the latest Return To Disorder release.