Disco Modernism presents the imminent release of the 30th anniversary remix project of the most successful Fred Ventura single to date. Originally produced by godfathers of Italo disco Turatti and Chieregato and released on Gong records at the end of november 1984, this extremely limited deluxe gatefold package contains an amazing array of finely crafted remixes from amazing talents from across the globe.
Mi Ami is the five year old project of exotic punk-gone-House types Daniel Martin-McCormick (Ital) and Damon Palermo (Magic Touch). ‘Decade’ signifies a suitably decadent sea-change to their sound in keeping with respective solo projects. Basically they’ve ditched the guitars and drums for a hypnotic, electronic blend of Deep House and Disco filtered through their sly post-punk sensibilities, stretching their svelte, club-and-gig-toned laptop muscle over four extended groovers aimed squarely at the more misty, pie-eyed ends of the night. On ‘Horns’ Daniel’s snotty no-wave vox jar very nicely against cocoa-buttered Chicago simulations, while the luscious ‘Time Of Love’ coolly sidesteps their punk roots with smoothly tucked-in disco bass and a sense of debonaire, balearic Dub romance. Deeper yet, ‘Free Of life’ meditates on rippling congas and hyperreal reverbs looking for that Panorama Bar booking while ‘Bells’ sounds something like a long lost Virgo dub starring a cameo vocal from Zed off of the Police Academy films.
Mi Ami release some unrelenting electronic vibrancy 4 tracker EP. A melting, dystopian refraction of left-field new age, lush soundscapes and Italo daydreams overlapping with slaughtered dolphins and the heartbreak of “Hard Up.”
The Hipodrome Of Music 