Originally released on Paris Records in 1985 Ruth’s LP sold just 50 copies and was relegated to obscurity until the track “Polaroïd/Roman/Photo” started appearing on bootlegs and compilations in the early 00’s, slowly becoming the cult synth pop classic it is nowadays. An original copy goes for upwards of £300 on ebay and Ruth are a shining light from an oft forgotten music scene that is becoming increasingly influential today.
Collection of no-wave and minimal synth acts from the Japanese post-punk scene. Most of the tracks presented here are reissued for the first time.
Edmund Xavier’s dark minimal wave project Horrid Red new EP on Soft Abuse. “Silent Party” features the group’s signature style of combining gloomy creepiness with an overall very danceable rhythm pattern, adding up to strangely irresistible party tunes, new wave & post-punk.
Spectrum Spools present the debut album by Brooklyn’s minimal synth trio Forma. This is a self-styled tribute – and testament – to the enduring power of kosmische. Sumptuously melodic, with flights of improvisational fancy nicely anchored by taut, repetitive drum structures, it’s hard not to fall in love with this record. What really distinguishes Forma from the million devotees of German electronic music is their bold and often unorthodox use of rhythm, at times tending towards metronomic Kraftwerkian synth-pop, at others towards something even more viscous and otherworldly. kraut-influenced analogue electronics.
New single on Mannequin Label featuring a real collaboration between Tobias Bernstrup and Martial Canterel, in a sense that Tobias sings on the Martial Canterel-tracks and vice versa.
Domestica produce a selection which gathers up and represents part of the original work during the most experimental era of Gary Ramon’s music career. The songs that Gary Ramon edited during the Modern Art era (from approximately 1982 to 1989) were basically from cassettes; most of his music didn’t take off outside of the English ‘Underground’ scene in the 80’s.
First single to be lifted off Xeno & Oaklander’s forthcoming new album ‘Sets and Lights’. Baroque electronic arpeggios and fast celebratory beats drive the surrealist scenario of ‘The Staircase’ in which a staircase continually leads to dead ends. The delicate ghostly female vocals mirror this eternal motion forwards and backwards and up and down. This dark tale takes flight into warm noise ornaments and glistening synth flourishes and comes right back to its core: minimal electronics. ‘Not Afraid’ is a more haunted and dark waltz which takes you to a private enchanted universe of silk, flowers, leather and lace, sheltered away from turbulence and doom.
This is the free CD-R “Confused House Vol.1” that was given for free with every order of the Steve Summers – Lucid Fingers EP from the site of Echovolt Records. It includes exclusive unreleased tracks from all his aliases and collaborations. Mixed by Steve Summers.
Science & Washington are two marvellous and catchy minimal wave tracks from synth pop duo Oppenheimer Analysis, Andy Oppenheimer and Martin Lloyd.
Very tidy compilation of excellent 80’s wave songs from some of the finest underground Belgian artists of that era.
Futility is a minimal-synth-wave project of Mr. Lacey and Mr. Frank with occasional help from Mr Nicolai. This is their debut and the 2nd release for Flexi Wave.
Debut single by the synth-wave duo Colouroïd, based in Stockholm Sweden delivering well-crafted 80’s minimal wave.
Minimal Wave takes an old sound in a new direction entirely, giving Futurisk’s classic ‘Lonely Streets’ a modern shake-up through a remix package from current artists – out now on MW’s sublabel reserved for new music and old favorites, Cititrax. Remixes by Prince Language, Chris Carter, Complexxion and Tom Furse.
“It’s been a while since the last podcast saw the light of day, so we would like to make it up to you, our fans and supporters with the first session that comes from Mick Wills, who has been with Nation for quite a while now, and even though he didn’t have the chance to shine with his productions yet, his Jock-Abilities are just as admirable.
This Session was recorded at Champagneria Berlin, in the heart of Kreuzberg, while Mick visited some friends of ours from a far away and haunted place, and they decided to throw a little shindig.
“Master of the Edit” Mick Wills dives deep into his record-box and fuses together a unique pastry of older and newer records, higher and lower, darker and lighter, Alpha and Omega!”
Lonesome Berlin is the long time coming first LP from this German guy solo project CCCANDY. After the debut 7’’ on Eat! and the tape on Neue Strassen, we now have a proper full-length featuring twelve dark minimal synth pop songs. This is the sounds of the old Europe during the Eighties, when the Berlin Wall was still real: cold and catchy at once, minimal yet groovy. Greyscale bedroom electronics.
Dark Entries is honored to present the highly limited second cassette by British duo Nagamatzu for the first time ever on vinyl. “Sacred Islands of the Mad” is a collection of eleven tracks recorded between December 1984 and March 1986. agamatzu began in 1982 after messing around with old tape machines and drum boxes, making numerous contributions to international compilations and erratically releasing their own cassettes. Their name comes from a character in JG Ballard’s “Atrocity Exhibition” and their music reflects his influence and incorporates carefully chosen samples from the Challenger shuttle disaster, Gregorian chants and films including “Dawn of the Dead” and “The Omen.” All the songs were recorded onto a Ferrograph reel to reel in a small room at their parent’s house and some of the backing rhythms and sequencers were recorded first onto cassette and then the band played along live. Nagamatzu’s instrumentals combine stuttering bass, guitar bursts and funeral keyboards draped over a dragging drum machine beat, calling to mind Clock DVA, Cabaret Voltaire and early New Order or Cocteau Twins. “Sacred Islands of the Mad” is a complex, textured tapestry of sound full of dark electronics, fresh harmonies and danceable rhythms.
The Hipodrome Of Music 