It’s Swedish New Beat, and Industrial craze. TowLie and Dj Sling are making music together as Empfänger. Releasing first time on Lux Rec. The EP is wild, raw, body heating, uncompromising. Four tracks which explore the deepest, slowest physical feelings.
Afrobot cuts up four wavy 80’s tracks for darker times! A1 is a sleazy minimal wave banger of Ensemble Pittoresque, recorded in The Hague in ’84, now tripled in duration! After that we continue our trip from France to New York ending in the UK on the B-side. First track is a mix of a 7” b-side and a wrong speeder and a slowly pounding track with a twist is the one to finish with.
First release of the french young producer Adrien Van de Velde aka A Strange Wedding, Meta Romance is a three track EP offering a reflexion on slow trance through different modern style of music. Powerful beats are melted with hypnotic melodies, epic pads and tribal vocals to give a mystical yet contemporary vision of dance music.
Heat in two flavors! Check out the Zaïrian electronic dance floor banger ‘Nakombe Nga’ by Les Choc Stars. Comes with the dope, unheard Belgium new beat version on the flip… Co-curated with renowned record fiend John Gomez.
The second instalment of the ongoing Pubblicazione series serves up a triple-header of dark, intense and otherworldly experimental treats. On the A-side Italian artist Violet Poison invites us to “The Drome”, a place where druggy EBM arpeggio lines, throbbing synth motifs, discordant female vocal samples and thrusting industrial funk drums fight it out to the death. Over on the flipside, Diana Berti gives us a glimpse of her “Spider Pit”, an altogether more melodious and crystalline place laden with glistening synthesizer motifs, bustling machine percussion and raw arpeggio bass. To round things off, Opfer Der Hingabe channels the spirit of the Duratti Column on the slow and seductive bliss of “The Victim (1990)”. Progressive industrial to cinematic ambient, via new beat synth explorations.
The fifth collection in Slow Motions’s dance-floor only series is the aptly named Dance. Arriving in two different versions for those times when you need alternative vibes on the dance-floor, ‘Music’ is backed up by a slamming, jack-time remix from Marco Passarani.
From Conrad Schnitzler in the 1960s to the pioneers of Detroit techno in the 1980s, experimental sonic artists were often inspired by the metallic noises of industrial factories. Schnitzler wanted to recreate the sounds he heard in his apprenticeship as a locksmith with musical instruments, and the sons and daughters of the midwestern automobile-industry generation programmed the motown soul into Japanese electronic music equipment. With his new piece The Metal Beat EP, Credit 00 wants to get in line with this tradition of transforming factory sounds into music. Each of the three tracks reflects on the role of the human being in an industrial environment. The never-ending movement of the machine becomes the rhythm, while the melody embodies our forlorn voices in the vastness of the factory site. The blues played by machines–modern work songs for a post-industrial society.
The Hipodrome Of Music 