Carlos Nilmmns is back on Skylax with “Parisian Nights” 12 inch. His style is a mixture of refinement and smoky jazz infused House jams.
Carlos Nilmmns – Parisian Nights [WAR9]
warehouse classics
VA – Soul Of The Makossa Man [WAR5]
The Makossa Man is back after a hiatus of 18 years with timeless cover versions from Simoncino, F.T.G, Groove Boys Project & Carlos Nilmmns.
Hardrock Striker – Supreme Striker I [WAR4]
The Skylax affiliated Warehouse Classics series has always taken an authentically old-fashioned approach to the humble re-edit, serving up chopped and looped versions inspired by the loose, drum-machine heavy reworks of original Chicago house masters such as Ron Hardy and Frankie Knuckles. This fourth volume, the first from label boss Hardrock Striker, continues in this vein. Amongst the four tracks you’ll find a slamming early house gem (the clean kick drums, metallic hits and chiming melodies of “Mano a Mano”), a brilliantly teasted and tweaked Ready for the World revision (“Shyla”, where the French producer builds the drums before dropping into the vocals), and what sounds like a Paul Weller/Jam/Style Council rework (the undulating Balearic funk of “Precious Thang”).
Sir Leon Greg – Warehouse Classics #3 [WAR003]
Sir Leon Greg (another incarnation of Perseus Traxx) jams out then reinforces some edits of forgotten classics with a raw & personal analogue treatment for a devastating full effect on the dance floor, that is a far cry from the proliferation of over-produced squeaky-clean software edits. These are basic, raw ideas thrown down quickly and capturing the energy on 1/4” tape.
Sir Leon Greg – Warehouse Classics #1 [WAR001]
Warehouse Classics Vol.1 holds 4 killer tracks going from obscure disco to new wave, first popularized at the Music Box and rarely heard anywhere else. Sir Leon Greg (another incarnation of Perseus Traxx) jams out then reinforces some edits of forgotten classics with a raw & personal analogue treatment for a devastating full effect on the dance floor, that is a far cry from the proliferation of over-produced squeaky-clean software edits. These are basic, raw ideas thrown down quickly and capturing the energy on 1/4” tape before moving on to the next set of sounds. Musically, it’s as delightfully funky and uncomplicated as you’d expect, a mesh of disco tracks and heavy, effect laden, machine-funk.
The Hipodrome Of Music 