Three years in the making, Symmetry – the project that began as a conceptual tangent between Glass Candy, Chromatics, Mirage, & Desire’s more abstract sides – finally sees its release this month. “Themes For An Imaginary Film” is two hours of claustrophobic cinematic bliss compiled for Painters, Writers, Photographers, Designers, Cruisers, Night Walkers, & Dreamers. Adrenaline drips thick like syrup across a horizon where memories become blurred scenes behind the windshield & yesterday’s faces fade as the road strobes to aggressive rhythms. Romantic melodies linger in the rearview mirror as chimera bells saturate the electric fog that’s slowly rolling in. Over the span of thirty-seven tracks, Symmetry embraces the elegance of European noir, cut with a lean & violent American razor. Directly in your face & breathing down your neck one minute, & escaping beyond the night sky the next. The attention given to color & detail on these recordings is more graphic than musical. More visual than aural. With no flashy virtuosity to clutter the mood, the album’s pulse thrives on the empty pockets of space left in the wake of throbbing bass & the faint flicker of electro candlelight. Minimal, strict, & always in motion, there’s an oppressive overtone throughout the record that winds itself tight as a clock. Johnny Jewel & Nat Walker (Chromatics & Desire) give us propulsive moments that are more rhythm based than Pop, & less reliant on a lyrical presence than their other projects. We hear elements through the veil & color of analog synthesizers & rhythm machines from the early 1970s, resulting in the suspenseful & patient territory pioneered by the hands of John Carpenter, Claudio Simonetti, Wendy Carlos, Klaus Schulze, & Krzysztof Komeda. Symmetry is not Pop. Stripped to its most primitive & visceral core, this is music written for picture. Your life is the film & this is the soundtrack.