
Future Past Techno from retro scientist Tom Carruthers. 4 tracks of jacked beats, bleeps, dark bass and soaring strings to rave till dawn like it’s 1989.

Future Past Techno from retro scientist Tom Carruthers. 4 tracks of jacked beats, bleeps, dark bass and soaring strings to rave till dawn like it’s 1989.


The French producer Infinity Night returns to Bordello a Parigi with ‘Le Temps Qui Passe’. Six slices of select synthesizer music make up the 12”, tracks lovingly crafted with Frederic Bergamaschi’s trademark analogue warmth.

A nocturnal ride through the magnetic waves of an imaginary club that never sleeps, where groove becomes ritual and the dancefloor an extension of the body. Francisco & Cosmo Dance – aka Francesco De Bellis and Cosimo Mandorino – orchestrate a mechanical and naif dance between man and machine, where synths chase each other and drum machines dictate tight, unrelenting beats. “Go Go Dance” is a concentrated dose of analog groove, electronic funk, no-wave pulses, and retro-futurism.

WRWTFWW Records releases Swiss cult band Grauzone’s recording of their April 12th 1980 live show at Gaskessel in their hometown of Bern. The 9-track album, documenting the very beginnings of the group, is available as a limited edition white vinyl LP in heavy 350gsm sleeve with special artwork by band member Stephan Eicher. Experience the early Grauzone days, live from Bern, Switzerland, with a concert recorded at legendary local venue Gaskessel, with Martin Eicher on guitar and vocals, Christian G.T. Trüssel on bass, Marco Repetto on drums, Stephan Eicher on synth, and Claudine Chirac on saxophone. The performance is a true time capsule of the early 80s underground, showcasing the punk side of Grauzone with renditions of songs that were never officially released, as well as future fan-favorite “Moskau”. A piece of Swiss music history, This limited release is a must have for all Grauzone fans and DIY archivists.

Another Perspective presents 4 Raw Electronic machine jams by Escoria Humana aka Rise Black.


A dark Italo compilation not for the faint of heart with the mystery, murder and madness of all that is Giallo. Serving as a soundtrack to a fictitious film Luna Rossa Johnny Jewel of Italians Do It Better fame laces the opening with the breathy arsenic laced ”Flesh” as Simple Symmetry’s ”Il Gatto Nero delivers a disco banger that even samples a cat’s heartbeat. Legowelt creeps into lens with ”Oberalp Catarsi under his Occult Orientated Crime moniker. Other suspects include Prefuse 73, Antoni Maovvi, Umberto, Makeup And Vanity Set and Om & Grails member Emil Amos. Lucky dip vinyl with base transparent blood base edition with a red moon marbled rare version.

Buckwheat Beat 4 The Primordial Cult
This spacey and atmospheric track pays tribute to the fallen heroes of the Muzik Box which tested and pushed dance music ideas for those who chose to UNDERSTAND the heritage and RESPECT the history these individuals created from their hearts..
Jakbeat is not to be trivialized.
Psycho PipeZ
Kincaid and The Jak come together showing massive respect to Marcus Mixx from the days of Saber Records in Chicago. with an homage of ”Psychousic” more twisted and mental for the dedicated freaks of oLd schoOL tracks!!!…

An Announcement Of A Miracle
This tune is about a specific idea..not using a 303 to make a timeless piece of Chicago Seriousness. The Jak & Nico Babylon lays out the foundation of vintage electronics righteously snapping Kode with an intense amount of energy and balance paying respect to the underground tribes. The sermon included throughout the song is about the truthful miracle in the lives of OUR humanity everyday.
listen, absorb and realize!
Roman Romance 4 The Drum Kidz
This is a honorable homage to Fred Brown from Rocking House Records (Chicago)..The Jak & Nico go head to head with this dark and melancholic slab of pure chicago created by hand…
Showin Ultra Respect.

Drum Major
this conceptual production from new klan member Nico Babylon creates a hypnotic electronic blueprint focused on vintage synths and syncopated movement of rhythmic dimensions and craftsmanship.
plainly said..this is the next level of jakbeat moving forward!
This Nasty Possession
The Jak collaborates with Nico on this uber old school formula from the days of chicago underground in the mid 80s along the timeline of gherkin/gene hunt era. everything u hear on this tune was created by hand…No samples were taken!

A cosmic fusion of deep funk, interstellar jazz, and avant-garde soundscapes, On Jupiter stands as one of Sun Ra’s most iconic releases. Recorded in 1979 during a prolific period at Variety Arts Studios in New York, this album captures the Arkestra at the height of their creative powers, blending futuristic improvisation with infectious rhythms and otherworldly textures. Sun Ra’s Variety Arts Studios sessions (1978-1982) were legendary—he recorded there two to three times a week, often after a late-night concert, gathering his musicians on West 46th Street at 10 a.m. for marathon sessions that stretched into the early morning. These recordings featured a core group of John Gilmore, Marshall Allen, Danny Thompson, Michael Ray, Tyrone Hill, Craig Harris, Luqman Ali, and Samarai Celestial, alongside rotating contributors, including guitarists Skeeter McFarland and Taylor Richardson, as well as bassist Victor Sproles and a young Knoël Scott on saxophone and vocals. Originally released on Sun Ra’s Saturn label, On Jupiter is a masterclass in cosmic jazz-funk. The album features the irresistibly funky “UFO”—recorded before the Sleeping Beauty sessions—alongside the hypnotic, groove-laden title track and the expansive “Seductive Fantasy”, a mesmerizing journey through space and sound. By the late 1970s, Sun Ra was embracing an even broader musical spectrum, incorporating soul, funk, and electronic fusion into the Arkestra’s evolving repertoire. As disco, punk, and hip-hop reshaped the cultural landscape, his “sub-underground” approach connected with a new wave of listeners. On Jupiter exemplifies this era—where deep basslines, swirling horns, spaced-out synthesizers, and Afro-futuristic chants collide to create a truly singular sound.

The late great Ron Hardy had as much influence on DJing and club culture as anyone before or since. It’s not just what he played, but how he played it that set the standard from his legendary residency at the Music Box – not least the fact that he often had the highs squealing out of his system because they were the frequencies that had most impact on him while he was high on heroin. His productions all reflect his approach in the booth, and this latest collection of classics is back with rising disco, rawness, low-slung funk and high-speed, feel-good disco bliss. This release features four monstruous edits straight from the basement.

Jacy, hailing from Bari in Italy, delivers four brand-new deep house gems — moody, timeless, and crafted for both heads and dancers alike. Blending warm pads, deep grooves, and hypnotic rhythms, Jacy brings a fresh take on classic house sounds while staying firmly rooted in the present. Each track carries his unmistakable signature — subtle, soulful, and built to last.

Reedale Rise has already made his mark with releases on Frustrated Funk and Delsin, but this latest release shows there’s a whole new side to his sound. If you think you know him, think again. He’s come through with three tracks of pure futuristic depth, all infused with Detroit influence. Envision Blade Runner-inspired machinery, deep house grooves and endless soul—this EP is a must for any true enthusiast. Detroit’s Big Strick lays down his iconic tough-soul-house swing on the remix, completing a record that channels the lost history of underwater alien civilisations.

Second release on Hot Street Records comes from Andy Perfetti. Another timeless masterpies on the high rising HOTMIX sublabel.

The third offering from Marco Passarani’s Studiomaster label heralds a significant return: M.Chrome. Absent since 1994 when it debuted on Alan Oldham’s Generator, this alias is resurrected to explore new sonic frontiers. While its roots subtly echo a certain legendary Detroit imprint, “Flare Rider” stands as a testament to evolution. This isn’t just an EP; it’s a series of compelling sonic narratives, guiding listeners through techno and house territories. Expect subtle acid inflections, deep cosmic voyages, and a powerful, melancholic harmonic core that defines its distinct planetary landscapes. Best experienced as the sun begins to rise and the vision of distant planets starts to fade.
We want to enjoy all the best that summer has to offer, so on July 2nd we’re hosting a backyard party in Sibiu. We’ll take care of the food, drinks, and music, and you bring the laughter, memorable stories, and dancing.
The location is secret, we will disclose it in the day of the event, and we have limited places for 30 people.

A long-dormant signal reactivates from Hamburg’s hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records, their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback. Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn’t invoked through distortion alone, but through method; in the album’s breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa.