Passarani is a long term friend and klakson family member, a key figure in the European electronic since the early 90ies. His “The Dot And The Circle” Ep gives us a great taste of his unique blend of future funk, electro and deeper shades of techno.
Passarani – The Wildlife Of The Quieter Ones (2LP) [AUSLP015]
Passarani debuts on Aus with his sixth studio album, “The Wildlife Of The Quieter Ones”. Marco’s discography boasts releases on Libertine, Running Back, Peacefrog and Numbers, the diversity between each label show his versatility as as a producer, he’s seamlessly moved with the times and glides through each era with a zesty take on a timeless sound, his credentials speak for themselves and here you see a well seasoned producer at the top of his game.
Passarani – Dead and Alive [LIB18]
Libertine Records welcomes Marco Passarani for its 18th release, the Italian legend delivers 5 dope cuts between techno and electro, not to be missed.
Lerosa – Authority EP [LDR_24]
Lerosa returns to Lunar Disko with another excellent EP, taking us on another jaunt through the interstellar synth world of Leo Rosa. A 5 track EP which also features another distinguished remix from fellow Roman, Marco Passarani.
Passarani – Flash Zero [NRTL003]
Roman producer, DJ and label head Marco Passarani is back to duties with a new 12” on his own imprint Unrelatable. Marco’s explores advanced deep acid grooves balancing traditional approach with updated writing techniques, where analog and digital blend in consistent harmony. “Road to P’Jem” is a solid jam with old school Belgian techno flavor while “Katra’s groove” has a deep nocturnal touch thanks to suspended thrilling melody on top of a bubbling fm bass. The package is completed by the uptempo acid techno jams “HyperUno” and “HyperDos”.
Marco Passarani – EPM podcast #133
Marco Passarani – Les Yeux Orange #157
Passarani – Ignition [NRTL001]
Roman producer, DJ and label head Marco Passarani’s rich catalogue of releases fuse techno, boogie, electronica and funk into evocative soundscapes. Here, on “6489 Golevka,” a murmuring bass rises under sparkling synth stabs, while on “Mesosiderite,” an acid bassline provides a gentle undercurrent to a deluge of iridescent synth washes. On “Exit Velocity,” an energetic beat propels nostalgic crescendos of melody; while “Roche Limit” is an agitated jack track that tumbles together sampled vocals and a dystopic circus melody.
Tiger & Woods – A.O.D. [RBLP13]
What once started as an anonymous underground project with stamped white labels and a clever take on sampling, has since then unfolded to be one of the longest-running and most successful teams in current dance music. Nurtured by the sounds of the past and blessed with the techniques of today, the music of Tiger & Woods always kept evolving in and around the tropes of disco, house and boogie. Celebrating the 10th anniversary this year, Marco Passarani and Valerio Delphi managed to arrive at album number three. A.O.D. (adult oriented dance) is inspired by the faded buildings and images of discotheques on the Italian countryside, the romantic start and bittersweet endings of summer, beach life and the excitement of travelling through the landscape to get to aforementioned temples of dance and subsequently the morning after. Except for the 100% sample-free 1:00 am, everything on A.O.D. is based on a quiver of cleared samples from the Roman institution that is Claudio Donato and his Full Time and Goodymusic emporium. In Tiger & Woods hometown Rome, the often very electronic and futuristic sound of Italo Disco had a different twist. Much more boogie-based and influenced by the song-writing styles of New York City’s dance scene, it played in a league of its own. Tiger & Woods use these materials to take them apart, out of context and into contrasting areas. Molding something completely new, one gets fooled to recognize Sade songs that aren’t, pop music instrumentals and a reprise of memories that never existed. A ride through ones brain in a convertible with an Italian FM radio station playing in the background. Or to use less stiff poetry: a chill out album you can dance to or a dance album you can chill out to.
Passarani – W.O.W. [OFFEN010]
Offen Music presents ‘W.O.W’, Marco Passarani’s first solo album in 14 years. Passarani is one of the most influential artists from the Italian underground. Active since the ‘90s he was responsible for bringing rave sounds from Detroit and the UK in and out of Italy. The album puts together influences from proto-house, dystopic electronica and classic Detroit Techno, as Passarani says “I was trying to bring order to my creativity, going through the pieces of the puzzle that I’ve been lost in. Before, I could concentrate on some areas of the puzzle, while now I can see the final picture when I look at all those pieces”. Masterclass business from the Roman machine wizard – another special one for Dusseldorf’s OFFEN.
Francisco & Cosmo – Linea Beat Vol. 5 [SLOMO040]
The fifth collection in Slow Motions’s dance-floor only series is the aptly named Dance. Arriving in two different versions for those times when you need alternative vibes on the dance-floor, ‘Music’ is backed up by a slamming, jack-time remix from Marco Passarani.
Marco Passarani @ Lente Kabinet Festival 26.05.2018
Marco Passarani @ Dekmantel Selectors 26.08.2017
Intergalactic FM Festival 2017 @ The Hague 13-16.04.2017
Delphi / Marco & Val – Unleashed Tapes Vol. 1 [RBTW004]
A special treat from the Tiger’s lair with a different and darker twist, that seeks out the darker and more dodgy discotheques on the side streets and in the backyards, where the trough has no flush and the mirror balls have never been cleaned. Automatic rhythms and electronic dancing sound made years after the future.
Gerd Janson – Music For Autobahns [RH125]
Gerd Janson compiles an exciting ambient-not-ambient compilation that includes exclusive tracks by Âme, Move D, Quiet Village Marco Passarani, Roman Flügel and Tom Trago. “Music for Autobahns” is the result of asking Gerd Janson for a collection that starts where previous efforts left off. While Computer Incarnations for World Peace (his compilations for Sonar Kollektiv) concentrated on tipsy new wave music done by jazz-funkers or neo disco-ists, Autobahns has an
unintentionally strong leaning towards ambient not-ambient, kraut pleasers and codeine house, i.e. Industrial Ambient and Electrifying New Age. It’s all new and exclusive material by people who once or twice crossed paths with the compiler. You will hear Âme with their modular slambient concept sitting next to Amsterdam’s Tom Trago off peak time duties, Roman Flügel with an old DAT tape wunderkind that shares a side with Heidelberg’s very own Move D in love, outsider dance from CF & Daywalker alias Entro Senestre and Willie Burns as well as a greasy sounding Marco Passarani and finally Tensnake’s romantic pop appeal that is a counterpoint to Maxxi & Zeus (better known as Quiet Village) and their “Passion” for all beauties that lie beyond.
Marco Passarani – ROOF.FM 43
Marco Passarani – Colliding Stars Pt. 2 [RB099.2]
Sweet release by Marco Passarani who slowly and steadily continues to develope his own distinctive style that comes from jacking Chicago, beautiful Detroit techno and exciting electonica. Its rare that we hear artists that after so many years still keep shaping and fine tuning their music and keep their unique character.
Marco Passarani – Colliding Stars Pt.1 [RB099.1]
Marco Passarani delivers new original material since his brilliant Statostasi EP. The first one of a two part 12-Inch series is walking in the shoes of the future while wearing the fine cut trousers of the past. Here you you get it all, dear earthlings: Science-Fiction marathon tech-house, Male Martian mirror balls and SH-303 female robot acid.
Soul Designer – The Soul Is Back [3EEP201003]
After releasing an album on Fine Art, Fabrice Lig brings this great Third Ear release with remixes by Underground Resistance, Timeline (Mike Banks and Jon Dixon), Luke Slater, Marco Passarani and Fluxion!