
Emotive & gloomy synth-scapes that sound like a score to a movie that never was nor will be. Played and recorded on an Ipad. Analogue mastering by Guy Tavares.

Emotive & gloomy synth-scapes that sound like a score to a movie that never was nor will be. Played and recorded on an Ipad. Analogue mastering by Guy Tavares.

An Italian disco classic produced by one of Italy’s top disco pop entrepreneurs – Constantino Paolini – featuring the voice of Vesuvian actress and TV personality Patrizia Pellegrino. “Musica Spaziale” is a fast paced synthy disco number adorned with signorina Pellegrino’s silky smooth vocals, featuring lusty cosmic nuanced lyrics that arguably invite the listener to some form of astral bliss in the company of the blond starlet. A classic amongst collectors and specialists of the genre, made available to your record collections once again without having to sell any of your kidneys. In addition, also an extended edit, that patiently slows down the tempo but also extends this cosmic climax on the dancefloor in a manner respectful to the original masterpiece, allowing the dancers to savor every moment of this celestial voyage without all the rush of the 7″ version . Flip it and things get propelled in direction to some other acidic orbits with DJ Asshole’s tripped out downtempo 8′ intervention.

Groundbreaking release from the early 80’s produced with rather primitive synthesizers with as result “A Dog in the Night” a track with a thick sound, unusual for its time. Credited as “the sound of the future” in those days and sounding relevant today. The piece produced by Stefano Zito and arranged by Stefano Galante is after 40 years among the favorites of collectors and followers of Italo-Disco, being noted among the songs to be re-edited by Danilo Braca, the New York based Italian Dj known for his creativity.

Amsterdam based musician/producer Djosa (long time band member of Arp Frique & The Family) joins the Rush Hour Store Jams imprint with two uplifting songs. The legendary Ronald Snijders is featured on ”Vampiro” with whom he (together with Arp Frique) made the documentary Easy Man and the album The Nelson & Djosa Sessions.

Silicon Scally, the alias of electronic music producer Carl Finlow, released his critically acclaimed album ‘Mr Machine’ in 2002 on SCSI-AV. The album was a masterful blend of electro and sci-fi soundscapes, showcasing Finlow’s unique style and production prowess, which took the listener on a journey through a futuristic world of machines and technology. It ranks as one of the finest electro records of the early noughties. Fast-forward to 2023 and Sync 24’s Cultivated Electronics label is proud to present ‘Mr Machine PT 2’. Like its predecessor, the new album is filled with intricate synth melodies, driving rhythms, and pulsating basslines, all perfectly balanced to create an immersive listening experience. ‘Mr Machine PT 2’ once again showcases Finlow’s ability to not only create relentless beats for the dancefloor but also dynamic soundscapes that transport the listener to another world. Created using a mixture of both old analog gear and very modern plugins, both albums were written with a very strong emphasis on the machine aesthetic, reflecting the cutting edge of what was available at their respective times. Futuristic and timeless. The album will be released on triple-pack vinyl and digitally.

Credit 00 returns to Mechatronica with a mind-bending blend of past, present and future, carefully pieced together in a way that could come from no other. From the mind to the floor, from dark and cold machinefunk to blazed-out sun grooves, Credit 00 leaves no sonic traveler yearning.

Swedish producer Ola Obergman has been at the top of his game for over 20 years now, dropping superb electro on the finest labels. Last year he dropped a fantastic full-length album on Pariter, but now steps up to Infiltrate with a direct dance floor offering. ‘Norma Cluster’ pairs busy drums and bass with more atmospheric leads before ‘Invariant Hyperbola’ has a perfectly crisp boom-bap that is run through with synth sequences that get your head amongst the stars. ‘Sterile Neutrino’ is more raw and ragged with another irresistible rhythm and ‘Dragonfly44’ closes in a thoughtful fashion.

L.F.T. aka Johannes Haas is back on Mannequin Records with a brand new 6-tracks EP “Hollow Head”. Blessed by the vocal features of Rosaceae (the bloodthirsty breaktbeat ‘I Want To Be A Witch’), Nils Fock (the banging wave ‘Hörst Du Das’) and Petra Flurr (EBM anthem ‘Panzer Tanz’), L.F.T. music evokes a urge of dancing while simultaneously embracing a DIY aesthetic, creating a sonic universe where past, present, and future converge. The Hacker is joining the pack with his interpretation of ‘Panzer Tanz’, turning the track into a straight techno banger. L.F.T. is a visionary artist who takes listeners on a mesmerizing journey through a sonic landscape that fuses elements of electro and new wave aesthetics.

Birds aka Katie Wilkinson returns with “Into The Coral Sea / Ritualistic Healing” her third release on Höga Nord Rekords. Birds is a declaration of love to electronic music and psychedelia.

Blotter Trax was a collaboration between two storied artists, techno titan Magda and serial underground aggravator (and man of many aliases) Jay Ahern. Now they are back in updated and expanded form, a trio thanks to the addition of bassist Hannes Strobl. The band will release their far-sighted, funk-fuelled debut album, “Superconductor”. A pulsating, thrill-in-minute ride includes contributions from a swathe of notable guests (Nina Hynes, Ilhem Khodja and David Moss provided vocals, Shigeru Tanabu played guitar, Matthew Styles mixed the set and John Tejada mastered it). While rooted in electro and acid, the album is impressively low-slung, stylish and funky, with nods towards Blotter Trax’s mutual love of Arthur Russell, early ‘80s NYC downtown disco, leftfield new-wave pop and flash-fried punk-funk.

Ricardo Laine debuts on Pinkman with 10 tracks of cinematic new beat that are captivatingly packed with tension and high drama. From the opening synths of breakbeat-laden chugger ‘The High Tide’, an unnerving sense of dystopian dread builds from track to track and doesn’t let off until the very end. ‘Asleep In Their Myst’ is another chapter in the evolution of the mysterious Toronto-based artist Andre E-R – also known under the techno moniker R-oderick – and an emotionally charged reflection on self-discovery and shame. Filled with industrial jack and twisted electronics, the album is a wall-to-wall collection of club-ready compositions that are all killer, no filler.

Mathis Kolkoz (Blind Delon’s alma mater) joins forces with Pablo Bozzi and with Abu Nein’s voice Erica Li Lundqvist to release one of the most amazing synth-pop works listened in recent time. In between low beat electro, soft ebm and even modern new beat, Lost Highway sounds harsh but romantic with great rhythm patterns that make it impossible to stop dancing.

Ninechecker is an electro producer from Ontario, Canada, who released with Delsin and Central Processing Unit to name a few. Adding to his extensive releases belt, he delivers four stone cold new ones for electro-techno-breakbeat Orson. With its name maybe nodding to the generative creation of fantasy landscapes in 3D CGI software, highlights like ‘Magagun’ convey a weird kind of horrific calculator-nightmare (bloop freakouts aplenty) between the beats, all going to make this a stellarly exciting EP.

Klasse Wrecks’ Grafiti Tapes series continues on at its own pace with a new release from Antwerp based graffiti writer, tattoo artist and musician Redray. Aside from being active in the Belgium scene in the late 2000s, Redray is also enjoying great success as a tattoo artist, having co-founded Brabo’s Hand Tattoo in the center of Antwerp. For GT13 Redray turns in a charming 6 track mini-album, with all individual songs are produced by a limited pallet of sonic tools. A tried and tested combination of vocoder, 808 drum machine, keys and screwed samples of old funk and soul records provide the solid foundations. Comfortably sat in-between the genres of G-Funk and Screwed + Chopped Rap, Redray elevates the beats with catchy vocal hooks sung through a Roland SVC-350 vocoder. The result is some of the sleaziest and greasiest sauce to ever adorn a Grafiti Tape.

This is a Wetland Sailor aka Kiwisubzorus aka LostSoundBytes free album from 2015, released by French label Consternation.