Dalmata Daniel presents the new album by Dutch West Coast mid-veteran Roberto Auser. Auser (born Derk Reneman) has been into cinematic (or b-videomatic) electro for more than a decade now, with releases on Viewlexx, Pinkman, Gooiland Electro/Enfant Terrible and more, ranging from atmospheric and hypnotic to tight and grim, but always loaded with a vision of a storyteller. In a Dutch way, for sure. Though “Second Sun” is, again, an audiovisual trip, that’s not the primary concept here – it’s probably the purest album-like experience of Robert Auser so far, presenting most of his characteristics and sounds, and also new elements, still, all are coherent and organic parts of Reneman’s projective language of electronics.
After a heavy year that shocked the music scene all over the world, three fellow labels, Dalmata Daniel, EXILES and Farbwechsel joined forces to kick off 2021 with a massive 43-track compilation album. Contributed by 12z, Adam Krasz, AGA2L, A I W A, Alley Catss, Alpár, Carla Under Water – Máté Tulipán, CT Kidobó, David Harleydson, Dj Faktor X, FOR., Grabosky, ICR, Imre Kiss, J. Mono, Jeremiah Soft, Kobanya3000, Kokum, LAU, MA’AM, Maks, Marcibagoly, Max Sinclair, Mike Nylons, Microbeat, n o a h s t a s, Nemerov, Normal Tamas, Norwell, obwigszyh, OOO, Palmovka, Panoramic Barrier, Prince Matt, qvirk, ritual abuse, Roh Yugen, S Olbricht, Saint Leidal The 2nd, Sematic4, SILF, Sipowicz, SVR101, Tsering, Új Bála, Új Látásmód Fúzió, Wedding Acid Group This bold selection of contemporary Hungarian electronic music producers represents the three labels’ roster, including their core members and latest signings, alongside with other crews’ members and independent artists. The compilation ranges from experimental and ambient compositions across industrial, electro and acid bangers through the current techno sound of Budapest.
The compilation is available for download as name-your-price on bandcamp.
J. Mono is back on Dalmata Daniel with the Redate II release, an emotionally filled journey of 12 songs, recorded between 2015-2018, all showing deep thoughtfulness of composition, mastering soundwaves and harmonies. There are no cuts or edits, all songs are live recordings from J. Mono’s home studio. The songs vary in tempo and genre, a unique mix of acid, idm and electro with pulsating bass and drums. – all of them filled with a range of emotions, melancholy and inwardness.
Third number in the DDS split series sees Budapest duo SILF (alias Farbwechsel chief-operators Alpar & S Olbricht) and Den Haag-based pair Intergalactic Gary and Pasiphae join forces on a quartet of elusive, unpigeonholeable power moves. I-G and Pasiphae are back at it with two left-of-centre hybrids of futuristic techno on a whirring electro-industrial tip. An off-kilter jam percolating fine hints of spiritual elation and post-apocalyptic anxiety, “Microwaves” gets the ball rolling on a dichotomous note. To slo-scudding flocks of loud, bouncy kicks supersede skeins of brittle chimes and rattling drums, all woven together by subtle tectonic shifts of moody pads. A further hi-intensity affair, “Indistinct Chatter” drives that essential heavenly/nightmarish duplicity to higher spheres of consciousness. Fusing lighthearted, daydreaming tonalities with brooding, cavernous onslaughts from the depths, the track has us navigating in a zone of its own, deftly oscillating betwixt moments of mystique-imbued euphoria and darkling introspection. A choice exponent of the Hague-based dyad’s capacity at busting antiquated patterns and limitations. Having slept in the label’s vaults for a few seasons, the two tracks composing the B-side emerge from their slumber in all their time-proof bravura. An in-your-face trampler, the ten-minute long “Mono Miner” takes no byway to get its point across, all set to smash basements and warehouses by the dozen with its electrifying compound of 909-emulated gut churn and spinning synth arpeggios circling like birds of prey over your sore, rhythm-enslaved carcass. Closing the journey on a much softer, hazier vibe, “Aces” steers us towards a realm of ambient wonder, where slo-drip cascades of tapping percussions and elegiac synth waters flow into warm, glimmering summer beds. A most contrasting, tranquillising finale to an EP defined by its propensity to change colours and intensity throughout.
The world is shocked by the current COVID-19 situation, especially our scene worldwide. We spent the past few months like this and who knows when it will be back to normal.
So we decided to join this struggle and release this 16-track fundraising compilation in collaboration with old and new producers, who belong to our label across Europe and Hungary. All of us worked and participated in order to support one of the last community spaces in Budapest, called Gólya. With purchasing the V/A, all income goes directly to this place. Gólya is really important in the Budapest scene with its several different community profiles. One of them is a venue, that they operate with a really open-minded attitude, fair deals and welcome various musical genres, like ours. They are still closed, so every kind of funds are a big help for them to survive these weird times.
Two years after the drop of his latest solo effort, ‘Strangers’, Budapest cross-dimensional vibes trader Imre Kiss clocks in on Dalmata Daniel with the eagerly awaited followup to his widescreen, sci-fi ready sonic adventures. Here again, the Hungarian producer – who’s made a name for himself through discerning blends of kosmische-infused nostalgia and uplifting emotional apexes, takes us off to a world of sense-awakening wonders and hidden alien treasures, well supported in his quest by Den Haag’s legend Intergalactic Gary, up on the flip with a heat-seeking belter of a remix.
The talented producer, Cardopusher joins the Dalmata Daniel roster. Venezuelan born and now Barcelona based Luis Garban has a career deeply rooted in the breakcore scene. Leaving his early sound behind he gravitated towards classic club genres like house and techno. His offering for Dalmata Daniel, the ”Flesh Impact” EP is a collection of his best Acid-EBM oriented jams backed by a stellar techno body remix from the German Schwefelgelb duo.
DJ Overdose is back on Hungarian label Dalmata Daniel, this time sharing a record with a local old-school legend, Sematic4. Both sides are full of great tunes of hard-hitting electro, but both are a bit different in mood and sounds.
Dalmata Daniel continue their work with the 7th release in the main flow, and this time they assigned the new experiment to the Teslasonic lab. In this research, Teslasonic examined the case of ‘Quantum Paradox’ with the help of another well-known scientist: The Hacker.
Dalmata Daniel’s next up is a collaboration with the Bristol-born – weirdo disco guy’ Antoni Maiovvi and also a contribution of Heinrich Dressel who is an unavoidable column of Rome’s electronic music scene. Maiovvi’s Pleasure Model project is all about youth – replaced by Blade Runner-esque replicas. It aimed for presenting a persuasive world of fiber optic paranoia and technoid effacement. The tracks are driven by the characteristic haggard drum machine’s sound on side A with a melancholic or dark synth themes what becomes a dreamy melody in the – Prism Riot’ on side B. The remix by Heinrich Dressel is a turn back directly into the darkness, but it is faster and more like a film soundtrack with his own characteristics, of course. The whole EP has a strong vintage mood and sound.
On its third vinyl release Dalmata Daniel presents five originals of J.Mono with an additional remix made by DJ Overdose. Hailing from East-Central Hungary’s small town Lajosmizse, Lori Keresztes is the introverted songcrafter-synthjammer mastermind of the Budapest based underground favourite Wedding Acid Group trio. As J.Mono he stands alone leaning on his machines, making way for his internal world, heart and soul. His first solo release Zzz is troubled and playful at the same time, with moments of electro-acid vibes and post-wave-italo sensibility, tracks that are wonderfully dark even with a light shade of ebm or just softly layered ambient melancholic technoids that make us all the children of Aphex Twin’s SAW 85-92 for three minutes.
The 05 Poly 800 Loop EP was born in the name of the Dutch-Hungarian friendship when DJ Overdose collaborated with the Budapest based record label Dalmata Daniel, and Hungarian acts, S Olbricht & 12z. A wide range of styles release from dark and mid-tempo to hard-hitting electro. Just how we like it from mister Model Man. The EP also features two remixes both of which are complete reworks of the originals. S Olbricht transformed ‘Path To Wrath’ into a dark abstract techno wave that manages to end up light and romantic. Meanwhile 12z, the newest mascot of Nicolas Jaar’s ‘Other People’ label have made an experimental symphony from ‘Be(h)anger’ and this pathos covers the whole essence of this EP. A promising start for the Dalmata Daniel label.