
Bitterfeld teams up with Leipzig’s Interviews to brings you a club ready record full of electro/EDM belters plus a hands in the air kraut revival killer for the B2.

Bitterfeld teams up with Leipzig’s Interviews to brings you a club ready record full of electro/EDM belters plus a hands in the air kraut revival killer for the B2.

Released in 1997, the sound of electro / techno came to a point where it had to evolve into a new and more grounded entity, keyed into funk / space & rooted origins that reflected an ever-changing landscape throughout Detroit and the ‘Aux-Quadrant’. The bouncy bass line soul of ‘Posatronix’ project emerges in silence among several platforms without hint of a proper biography or introduction. Now in 2018, we re-introduce these dance floor/ dj crate mainstays that have continued to be cherished classics from the very men that not only too rhythmically-funky electro by storm, but raised the bar and took matters into their own hands. 100% Mechanical Electronic Funk.

Second time around for D.I.E’s The Man You’ll Never See Part 2, a near legendary set of bustling, funk-fuelled electro cuts that first surfaced on Clone back in 2003. This new edition includes five of the EP’s six original tracks, replacing “Space Travel” with the similarly sought-after “Programming” – a Drexciya-esque workout rich in fizzing drum machine beats, rumbling sub-bass and deep space acid lines – which originally appeared on 2002’s Keep Hanging EP. It remains a superb set of tracks, all told, with the Motor City duo flitting between deep and melodious cuts (“Other People”), vocal-laced Cybotron tributes (“Keep Hanging”), decidedly intergalactic fare (“Out With Tha Old”) and quirky, glassy-eyed gems (“U Can’t See Us”).

LXRC33 is the second installment of the Unsung and Defeated series. Music comes from S S S S, another local act, based in Lucerne. Five industrial cinematic soundscapes, eerie noises building alarmed state of minds. From most subtle to crushing and pounding. A systematic suspense that transforms itself into a systematic destruction.

Cranky, dubbed-out electro fizz from Robert Bergman and TBZ, freshly percolated for the R=A 7” series. Dangerous voltage in the hot tub.


Mechatronica launches their new White series, dedicated to limited edition white label records across synth, wave, EBM and italo with a VA release featuring Inhalt, Violet Poison, Sneaker and Daniel Holt. Mechatronica White 1 opens with Sneaker’s gloomy remix of German synth-pop band Opus Leopard, followed by the electrifying instrumental version of ‘Alles’ – a relentlessly progressing piece of body music from San Francisco trio, Inhalt. On the flip, Violet Poison summons a fat, trippy EBM-leaning groove, before Daniel Holt finishes off the record with anthemic synths and a ticket to the cosmos on ‘Floating Mansions’.

Athens based producer Morah returns to brokntoys for a full solo EP to showcase his DIY ethos across 6 tracks of unrefined, sinister electro suitable for murky dancefloors.

Dark Entries and Sacred Bones team up to release the early discography of UK synth-punk and Deathrock label Outer Himmalayan Records. Between 1979 and 1982, Nick Blinko and Martin Cooper’s Outer Himmalayan Records released 7-inches by three short-lived bands – The Magits, Soft Drinks, and S-Haters – who would nonetheless cast a massive shadow on the UK’s burgeoning post-punk/anarcho punk scene. Outer Himmalayan Presents collects all of the music found on those original records, along with rare and unreleased tracks by all three bands. It’s a snapshot of a period of frenzied creativity by some of the UK’s most thrilling experimental punks.

Mannequin, Emotional Rescue and Blowpipe come together to release the music of Dutch post-punk, industrial outsiders Nexda, by releasing a collection of music drawn from all their single and EP vinyl releases, to offer a compelling album. Taken from two 12′ EPs, a split 7′ and a flexi 7′, all released in 1982, the music within Word & Numbers captures striking compositions, part of, but some way removed from their contemporary post-punk bands coming out of the Dutch Ultra’ scene of the time.

This is Cobra Club Records with their first ever release. The Marie EP, featuring two originals by The Hague youngsters Sterk Water sporting repetitive minimalism, Dutch lyrics, early 80’s electronica and lo-fi minimal wave on Marie and Zonder Te Voelen. Legowelt and Betonkust are on remix duties. West-coast legend Legowelt obviously closed his curtains for this pitch dark mix for Marie and Betonkust makes you want to put on your ugliest pair of sunglasses with his trancey translation of Zonder Te Voelen.

Meo, pseudonym of Daniele Mei, is a cosmic dj from Rimini, Italy. Fine Corsa was his first record, released in 1985. In those days Meo was active in what was later considered to be the most famous Afro Dance Club in Italy: Melody Mecca. This release is an intensely creative hybrid of many styles and many colors. Even up until the present day this record continues to be very important in some preeminent European clubs.

Editions Gravats kick off the club-ready “Les Disques De La Bretagne” series with 8 tracks by Low Jack, a re-working of tracks from “Glacial Dancehalll 2” (split tape with Time Cow from Equiknoxx).

Jeremy Campbell and R. Zanzibar return as Out 2 with their debut full length, Showcase. Following their recent Moving EP, the duo expand their mix of New York off-kilter pop lyrical poetics riding over percussive desk-dub funk grooves.

Horton makes the scene. The caped rave wonder, alive and spitting since ’88. Pyschedelia set for anthemic mind expansion. ‘Eclectic Day’ a journey to the centre of Jupiter. ‘Smokin’ Roachin’ si bella bella. ‘The Box’ drummers gonna work it out.

Drum Union is a new series documenting the different shades of Leftfield House. London based Tony Nwachukwu (aka Attica Blues aka Wah-Chu-Ku) provides a deep broken dub techno monster. Manuel Fischer presents a beat-driven disco-influenced track to make any dance-floor burn and Mitsubishi Galaxy, who are also known as Jack Pattern take us into a wavy trip to another dimension. Look Like rounds it up and is merging Afro-Cuban rhythms with modern Electronica soundshapes. A journey wider and deeper than most of the average 4/4 business.

Public Release adds another entry to its 2018 chapter with a four-track EP that engineers the intersection of gentle warm-up house of the Balearic genus and frosty chill-out. The 12-inch is the latest from Dylan Khotin-Foote, who goes by the mononym Khotin, a producer and DJ firmly planted at the epicenter of Vancouver’s lively, colorful dance music scene.