The world of Bestiole is like a giant disco ball, where she likes to dance all around and meet some friends to share some music : Roger Thornhill gave classic disco perfection, Hysteric sent a letter from the far east, or maybe from Italy, Turbo Boom-Boom chewed a funky bubblegum song to make a housy rolling track and Baerlz reworked a boogie track, just what it needed to have the righteous construction for the dancefloor.
Two edited monster jams that you actually need. A side adjusted by Berliner Discos affiliated Hanoben aka Benji DF, while B side is delivered by Eastern promise olta Karawane.
Vive la Void is the new solo project of Sanae Yamada, co-founder and keyboard player of Moon Duo. Yamada wrote and recorded the self-titled debut album over roughly a two-year period, during windows of downtime in Moon Duo’s substantial touring and recording schedule. The dense, shape-shifting atmospheres of the seven songs grew out of late-night basement experiments in the layering of synthesizer tracks, a process that also led to meditations on the changeable nature of memory and perception. The result is an undulating blend of ethereal swirl, low end thrumming, and electric crackle, buoyed by Yamada’s understated but captivating vocal melodies and her striking lyrics.
Charlois welcomes back label inaugurator Dollkraut, this time in company with De Ambassade. The label grants permission for them to share this 10” and create their own world, so they can coexist and share stories about lost love, condolence and isolation. On the A-side they come together in a dark room anthem about sex, lust and worship. It oozes with cold, heart-stabbing melancholia, yet carries the artists idiosyncratic warm and crunchy sound. The flip side scratches open the wounds left by the first song and sees Dollkraut drop his soft touch. What follows is a hypnotic voodoo track, summoning dark spirits with unsettling synths, shamanic vocals and tribal Jewish harp.
Garçon Taupe returns to Narrominded Records with ‘Kiklop EP’ featuring it’s typical mix of electro beats, eighties synths and acid. The B side offers some serious dance floor material with Dok, followed by the slower and dirtier title track.
Since 2014 the Innate blog has been delivering high quality “slow journalism”, serving up articles that shine a light on artists that have otherwise gone under the radar. Four years on, the Innate team has decided to launch their own label with the same stated aims, namely to showcase deep electronic music with warmth and soul, produced by unheralded heroes old and new. The label’s first release – a four-track, multi-artist missive – offers a neat summary of what listeners can expect to hear in the months and years ahead. Tracks by Gilbert, Mark Hand, Lerosa and Innate founder Owain K.
Casey Tucker is up to bat once again for Love Notes from Brooklyn. This time, though, it’s a more complete three track artist EP on offer. The music, of course, encapsulates everything that’s great about Casey’s sound: the lush pads, the crispy percussion, the emotional strings, and the dance-floor destroying basslines. Alternative Faction utilizes one such dancefloor destroying bassline to create a real fist pumping moment in the title track; That Time of Year uses a wriggly acid synth line over the aforementioned emotional strings, and to great effect; and New Mission ends the EP in a unwavering fashion; with heartstring-tugging, terk jerking, emotional pads over an acid line in signature Casey Tucker fashion.
Compiled by soFa, the second installment in this recent series ties together eighteen artists, each venturing down their own musical path, to produce an audio atlas that transverses not only styles but also cultures and continents. Disparate musicians come from far and wide have been brought together across two slabs of beautifully mastered vinyl and, somehow, someway, found a jittering, skittering and juddering balance. Tracks from Puma & Dolphin and Khidja conjure up images of thick jungle scenes as tribal rhythm patterns hypnotise and mesmerise alongside shamanic samples. The heady exotic aromas and tactile textures of the East are on display with Zatua traipsing through baked dunes and deserts before arriving to the shamanic organized chaos that is Bear Bones, Lay Low. Darker moods loom and lurk, skulking in the alleys of Konsistent or in T-woc’s lurid tones. These duskier elements are countered by the brightness of Velvet C’s future disco sounds or the laser synthwork of Rony & Suzy. The buzzing Chicago inspired sounds of Weird Dust, the dawning pulses of Twoonky and the triumphal charges of Föhn blur the lines between mystical places and the cruel reality of the modern world.
Jonny 5 returns and wandering inner and outta self he presents 3 bombas. Bengali Dub will change lives. Simha will charge high fives. Tum Tum will…well it just rocks Jonny ommmmm takeovers.
The franchise goes one cut deeper as Parasols AKA Ali Renault and Antoni Maiovvi team up on this dark as hell during an eclipse set of grime soaked grease sleazers. Parasols throws forth two sharp as blades numbers with a guest appearance by the one and only Unit Black Flight with his first ever remix. Antoni Maiovvi closes things with something from the vaults, the 808 and sub bass sleekness of Shivers, remixed by Black Metal EBM overlord Equitant. Guaranteed nightclub nightmares as we put on the gloves one more time.
The 105th record on Mathematics, freeform electronic artist Hieroglyphic Being aka Jamal Moss offers a selection of audio memoirs (Cosmic Bebop & Experimental House). ”The Language of Strings” features sonic madness, frequency enlightenment, & Hedonistic modulation.
Reptant joins Salt Mines for their second record, Illusory. A tech-ed out step into the sewers of acid, break-beat & deep house.
Warning: There are Boney bits in this burger. Against the granary. reaction music. Acidification causes sourness.
Making their debut on Crimes Of The Future are Betonkust & Innershades with ‘Forever In Boccaccio’ their homage to the legendary Belgian nightclub & neon lit club scene which no longer really exists. Made in January 2017 under grey Belgian skies, while listening to a lot of New Beat, Acid & Trance.
Pattern Repeat ready the next release on their self-titled label with two solid cuts of techno. The project which was started back in 2009 by the two Danish producers, Dennis Bøg, better known as Resoe, and Kenneth Christiansen owner of Echocord Records. A crawling filtered synth opens ‘009A’, murky kick drums and syncopated high-hats join it, to create a long winding warehouse melody, these are then exchanged for the hazy sounds of white noise of ‘009B’ packed with cold eerie drones, that are met by charged hums that fizz away and bring the release to a close.
Spazio Disponibile hits release number 13 in style with a collaborative effort between label co-founder Donato Dozzy and longtime friends Retina.it. It is a typically experimental release that features five weird and wonderful tracks, seeing the label taking yet another dip into the more leftfield areas of electronic music.
Module Werk continues his fine form of recent releases with another fresh sounding production for Lime Street Music. Slabs of raw drum patterns meet jittery acid and nervy cold synths resulting in four different trips for varying moods. Jeremiah R appears on remix duties and turns out a real late night driving track in his usual signature style.
The Hipodrome Of Music 