Veyl introduces a new series called ‘Still Life’ inspired by photographs by Tomaso Lisca. For the first edition we’re thrilled to welcome Jensen Interceptor, Cardopusher and Lokier for an electro-heavy A side, while Morah, Randstad and Empire State fathom the depths of the more leftfield side of the label on the flip.
Switching within digital binaries, analogue flux, and all forms of degradation in between, a creature is kickstarted to life, as if awoken with locomotion’s full might. Helena Hauff delivers a mix for Tresor’s Kern series, lashing together a sound world with a potent barrage of industrial dance music. Helena Hauff and Morah, Umwelt, Machino, Galaxian and L.F.T. all contribute with five previously unreleased tracks, exclusive to the compilation. Rare titles are also featured, such as the late Curley Schoop’s “Mayhem” under the name Esoterik, “City Of Boom” by DJ Godfather & DJ Starski, Nasenbluten’s “Intellectual Killer“ and “After Dark” produced collaboratively by Andrea Parker and David Morley.
Free download compilation from Athenian outfit Phormix; including tracks by Anatolian Weapons, Baz Reznik, Celldod, DJ Loser, Fragedis, Morah, Outermost, Penelope’s Fiance, Unhuman and many more.
“Mirror Glaze Lavish” is Marc’s latest effort in trying to depict his cynical and disillusioned view of the present-day music scene, seen through a sonic magnifier that emphasizes its greatest controversies, by juxtaposing different electronic languages as a challenge to the current levelling artistic trends. The artist personality is nullified, standardized to a state of placid non-critical thinking. Everyday’s emptiness emerges as the structure of reality and only the cracks in it still lead to life. “Great souls suffer in silence”, once said Friedrich Schiller, but what if silence becomes an audible, danceable image? As if all these electro cuts, differently permeated with a balanced mix of playful darkness, were populated by eerie animals that cannot find peace with their habitat and keep dancing relentlessly until the very end of their miserable existence. Seen in this context, each of Marc’s tracks must be interpreted as an irreverent and poignant act of self-assertion vis-à-vis his contemporaries. Morah’s reinterpretation of “Celexxa” adds value to the original track, taking us for a dirty ride on a psycho-electro-charged rollercoaster.
Phormix presents the 4th collection of works from various artists. Waves leds the Night elevates the exploration of the minimalist aesthetics in the soundscapes of non-trivial patterns and surfaces the artists creativity in-hand with the monastic possibilities elevate imagination.
If you ask me, DT Camp is by far the best electronic music festival in Europe. The remote location is very beautiful, on the banks of an emerald-green lake, surrounded by the wild forests of Lithuania. The crowd is equally mixed with local and people coming from all corners of Europe, all in search for the same thing. A serious rave! The vibe there is unbelievable. Everybody is on the same page, thee is a great sense of unity and freedom. And on top of this, if the weather is nice you can bathe into the warm waters of the lake.
The fifth release of the label returns us to the first compilation universe. This time in orbit you can hear (as in the first release) the French producer Umwelt with the apocalyptic doom core track ‘Fallen Empire’. Also a collaboration of the Mosaique label owner Moralez and the legendary American EBM/ Hard Core artist The Horrorist. They were joined by a hypnotic composition from the Mannequin label owner Alessandro Adriani and accidentally surviving track (after the death of the artist’s music storage) from Greek artist Morah, who’s was released on Helena Hauf’s label Return To Disorder.
Lena Platonos is a Greek musician, pianist and music composer. Her third solo album, ‘Lepidoptera’ was produced in 1986 and reissued by Dark Entries in 2018. Inspired by a scientific book on butterflies she found in a trashcan one day, the compositions follow minimalistic motifs and carefully-staged soundscapes. Lena narrates each song in deadpan fashion, skillfully reciting her surreal Greek poetry. Now Dark Entries recruited 4 contemporary Greek producers to remix their favorite tracks from ‘Lepidoptera’. First up is ‘Cyaniris’ remixed by Anatolian Weapons who delivers an enchanted late-night journey through the New Wave forest. Next is ‘Araschnia Levana’ remixed by Pasiphae who speeds up the pace with machine driven melodic electro pulses. On the B-side we have June remixing ‘Cyaniris’ twirling the track into a complex deep sea dive with lush drum kicks and pads. Closing out the EP is a remix of ‘a Gee´a ´ Aporia Maturna’ by Morah who leads us to the underworld of Hades via sinister squelches and full-on apocalyptic rave breakdown.
June Records latest compilation welcomes new artists on the label, the Australian newcomer Lbeeze, Raum-Zeit (Toni Quiroga & Eindkrak), Mannequin Records’ boss Alessandro Adriani, Morah (Phormix), Penelope’s Fiance and Outermost & Venus Volcanism.
“The Vessels Of The Blood”, pumping and pumping the love and the pain and everything in between. You must never be alone. My name is Morah.
Public System presents a monster collection of the grubbiest, punked out lo fi deviant electronics from the true underground. Some names are more familiar, such as the excellent Templeyard Studios with the uneasy clatter of ”Take66”, while Buttechno brings a blistering array of tones to the forefront for some truly adventurous acid abstractions. There’s a lot of lesser known delights to revel in though, from the boxy beatdown of IXVLF, the darkwave electro thrust of Kluentah and the intricate percussive science of Meze. This may be dirty dance music for wayward souls, but there are some seriously fresh ideas lurking on this ludicrously valuable package.
Digital Tsunami presents this summer their 3rd rave camp in the wild Lithuania forests, with an insane line-up that makes us droll.
Athens based producer Morah returns to brokntoys for a full solo EP to showcase his DIY ethos across 6 tracks of unrefined, sinister electro suitable for murky dancefloors.
L.F.T., Marc Ash, Morah and Helena Hauff are combining forces to pollute the world with a little bit more banging industrial techno on the latest Return To Disorder release.
Formed in 1997, and inaugurated that year with a split 12” from newcomers and label founders, Solvent and Lowfish, this year Suction Records celebrates it’s 20th anniversary with the reintroduction of their famed Snow Robots series of compilations. While originally started as a North American answer to UK electronix labels like Rephlex, Skam and Warp Records, a sound that is still a staple of the current Suction Records catalog, Suction’s sound has also swerved into new territories, reflecting our love of dark ‘80s electronic music synthpop, EBM, and beyond…. Snow Robots Volume 4 features an international array of artists, from Suction Records mainstays like Digital Poodle, June, Celldöd, and Ceramic Hello (with their much sought after 1982 vocoder anthem), to label favourites appearing on Suction Records for the first time: Beau Wanzer, Morah, and one of Skanfrom/Sleeparchive’s lesser known aliases, Civil Defence Programme.
The twelfth Modal Analysis release brings Athens based Morah to the frontline of the label’s roster, along with the New York based, Vapauteen on the remix duties. Voltage EP carries 3 original tracks by the Greek electronic music producer, along with a very special reintrpretation by the American artist, also known as Shawn O’Sullivan. Aesthetics vary from slow and hypnotic rhythms to driving EBM riffs and harshly distorted percussions. Morah approaches the sound of Modal Analysis while maintaining his distinct charachter as a producer, using here field recordings and processed vocals.