One-of-a-kind acid tunes made by two scientists. Boston 168 are back on Andre Kronerts Odd Even with a new masterpiece. Phenomena consists of two EPs. Each one contains 4 flowing and breathing tracks for the world of acidicted humans. Sergio and Vincenzo got their own handwriting if it comes to techno and acid.
Italian producer Pearl River Sound has been crafting his unique blend of experimental electronics and banging acid for the last couple of years. On his debut tape for New York Haunted he drops 4 red hot tracks that will make your ears pop. Dancefloor acid with enough twists to keep you awake in the middle of the night.
Flight Recorder welcomes back this talented Russian producer for his third EP release consisting of five techno bangers.
Cignol fires up the blasters and sets a course for ‘Hidden Galaxies’ – a 303 fuelled electro trip into the outer reaches of the unknown universe. Delving through throbbing gristly bass lines, pounding, intricate ‘click clack’ drum programming and aquatic, electric cool.
Acid Fourniture is a journey into the darker recesses of Ceephax’s acidic mind. Simple 303 lines pulsate alongside sinister chords and detuned synths. Berlin Trip is a classic acid 4 to the floor track along the lines of Flow Coma by 808 State. Alligatored is a tight 808/303 groove made for the dancefloor. The Zone is a slower more introspective Acid, conjuring up lost warehouses and derelict minds. Alien Beacon takes a more electro acid slant, inspired by sinister lights in the sky and paranoia.
Three tracks previously available only on cassette compilations, now re-mastered by Rude66, expect a load of dark electro / wave / acid madness.
San Francisco label Left Hand Path’s latest record is a contemporary techno opus, featuring four tracks, each with a distinct sound and feel, designed to set off a dancefloor and invigorate your stereo. Cool dripping Electro cuts from Johnny Igaz aka Nackt.
Bitterfeld is most known for their production of drain-pipes, paper-roofing and it’s amazing chemical production industry but it’s a little known fact that Bitterfeld are also responsible for the production of amazing music. Some 900 years after the city’s foundation they’ve finally found the time to establish a music label to reflect the city’s rich musical heritage. The first release comes from Guy Contact. Expect chemical influenced electro, acid and house.
Geat electro compilation out of the city of Leipzig. Tracks by Robyrt Hecht & XY0815, Varum, Perm and Credit 00.
Highly anticipated full length album by Australian producer DyLAB. Heavy duty analogue acid and techno with a distorted and sometimes industrial edge. Some lengthy tracks that are made to play in your car and drive 140.
Another excursion for the genre independent Borft label. Celebrated artist Obergman delivers a six tracker record for fans of acid and electro. The release is initiated with the drexciyan styled electro track “Germination” with occasional strings that brings some light in the atmosphere of desolate landscapes, followed by the groovy electrotech melodic track “Unexpected Connection” The acid techno workout “Acid Healing” slowly builds with sweet melodic strings into floorfilling potential while the B-side begins with “Inflatable”. A Bass ridden driving acid techno track with ominous melodic stabs that works well when doing a build-up mix into more frenzy territory. The b2 track “Greenglow” explores rocking acid lines bonded by delicate smooth detroit styled strings. Last track of the record, “Universal Hologram”, is a strong beautiful electro track with great electric pulses, melancholic atmosphere and subtle strings.
Analogical Force welcomes Pye Corner Audio for its 10th release. 4-tracker of raw acid jams from the oppressive mind of Martin Jenkins, the man behind the operation. ‘Island of Ghosts’ includes a wild electro remix by Finnish duo Morphology. Needs no introduction: brutal and beautiful.
Berlin’s Mechatronica with a new VA compilation featuring The Exaltics, Drvg Cvltvre, Le Chocolat Noir and Kluentah. The Exaltics and Drvg Cvltvre pack the A-side with gritty, hypnotizing acid burners, relentlessly paced and bound to induce frenzy. On the flip, Le Chocolat Noir and Kluentah (50% of Hamburg duo Fallbeil) dive deep into analogue driven electro trips, culminating with Kluentah’s 9-minute journey ‘Nightliner’.
Acid Test continues their journey with the return of Achterbahn D’Amour. On their first proper release in three years, Jool & Iron Curtis patiently craft an intricate sound world – with the opening track, major-key pads hearken towards a bright future, hi-hats rustle like leaves and on “Dehaveland,” percussive elements fall into beautiful, random unison like factory machines staging an after hours dance. Samuel Van Dijk’s vaunted VC-118A project steps up for a remix, turning in a taut techno version that unfurls smoke pillars of ghostly ambience. The duo wraps up the four-tracker with an unexpected dreamy electro turn, “Don’t Talk To Me.” Throughout Acid Test 13, they remain in lockstep with the label’s ethos – to bend, hammer and flatten acid lines into new, imaginative shapes.
Dark Entries returns to the New Jersey basement studio of Smersh to unearth an 18-minute jam session from 1989, backed with two contemporary remixes. “Sideways” was taken from a cassette titled ‘100’, which refers to a 100-minute jam session the band recorded to tape on June 12, 1989 in Piscataway. A frenetic hybrid of techno and acid with driving EBM style beats, “Sideways” weaves intricate industrial noises with synth melodies that drift in and out of phase. On the flip are two fresh remixes by different aliases of prolific Ann Arbor producer Tadd Mullinix. As JTC, he expands the sound palette, adding organ stabs and lush pads, drawing on Detroit deep house and UK garage. The Charles Manier remix features chanted vocals on top of an array of pulsating synths, stark percussion, and post-punky guitar effects.
The Hipodrome Of Music 