Max Schreiber is the more introspective guise of Mule Driver, reserved for drifting into fragile and haunted sonic territories. Variations on Memory Vol.2 deepens Schreiber’s exploration of collective sound and personal distortion. This time, fragments of lullabies and children’s songs resurface along side memorial songs – distorted by time, memory, and a quiet sense of unease. Schreiber treats these melodies not as sacred relics, but as raw material: vulnerable to noise, decay, and reinterpretation. Recorded in intuitive, often single-take sessions, the album challenges the listener’s sense of nostalgia. Sentimentality collapses into abstraction, and familiar tunes unravel into drifting soundscapes – like half-remembered scenes from a film that never existed. Variations on Memory Vol. 2 is less about what these songs once meant, and more about what they might conceal.
Back from the Rendez-vous at Rimini… All the Alden Tyrell classics finally available on vinyl again. Remastered by the man himself to make his tracks, that inspired a generation, ready for the next decade.
Strut present the first international release in over 30 years by legendary Afro-jazz group Oneness Of Juju with their new album “Made Through Ritual”. In 1975, the late DJ / producer and jazz distributor Jimmy Gray and James “Plunky” Branch joined a musical revolution, founding Black Fire Records and releasing the label’s debut album, the classic African Rhythms by Oneness of Juju. Now, Plunky brings this important musical relationship full circle with Made Through Ritual, produced by Plunky’s son Jamiah “Fire” Branch and Jimmy’s son Jamal Gray. The album takes a novel approach to beat culture. Working from demos created by Jamal using a selection of original jazz samples, Plunky took the tracks, replayed and re-interpreted the arrangements using live musicians. “The album explores the art of deconstruction and reconstruction in music – sampling, sequencing, and live improvisation merge with multi-track recording to craft intricate harmonies and arrangements,” explains Plunky. “The process became a ritualistic expression of creativity and transformation.” The resulting album is a fascinating listen. Opening with the meditative soul chant ‘Share This Love’ voiced by regular Oneness vocalist Charlayne “Chyp” Green, the album opens out into a series of jazz vignettes including the title track, ‘In Due Time’ and ‘Free Spirit’. The powerful album closer, ‘Children Of The Drum’ celebrates black culture and legacy through the poetry of Roscoe Burnem.
‘Casablanca’ first started as a party exploring the depths of Arabic grooves from Northern Africa and the Middle East, brought to life by two musical legends…Parisian digger Victor Kiswell, known for his journey through the world’s rarest records and influential NTS radio sets, and Dez Andrés, a Detroit native whose roots in the city’s hip-hop and house scene are matched by his love for soul, fun, and jazz. The two artists have stepped into the studio to bring the same energy and ethos from their party to this album.
Transpac delivers the fourteenth drop on Curtis Electronix presenting Infobahn LP, a seven-track odyssey that showcases their refined, perceptive approach to Electro. Throughout the record they blend elegance and precision through a carefully crafted sonic environment where every sound, frequency, and element serves a purpose. It effortlessly alternates between 4/4 dancefloor killers and beatless segments, creating a dynamic energy that balances weightlessness and density. This interplay of intensity and suspension makes this record unpredictable and striking. The seeming simplicity of the structure hides a deep, sophisticated exploration of sound, where atmospheric textures and production dig deep into the potentialities of space and frequency. Simplicity serves as a gateway through which the deepest complexities unfold.
WRWTFWW Records releases Swiss cult band Grauzone’s recording of their April 12th 1980 live show at Gaskessel in their hometown of Bern. The 9-track album, documenting the very beginnings of the group, is available as a limited edition white vinyl LP in heavy 350gsm sleeve with special artwork by band member Stephan Eicher. Experience the early Grauzone days, live from Bern, Switzerland, with a concert recorded at legendary local venue Gaskessel, with Martin Eicher on guitar and vocals, Christian G.T. Trüssel on bass, Marco Repetto on drums, Stephan Eicher on synth, and Claudine Chirac on saxophone. The performance is a true time capsule of the early 80s underground, showcasing the punk side of Grauzone with renditions of songs that were never officially released, as well as future fan-favorite “Moskau”. A piece of Swiss music history, This limited release is a must have for all Grauzone fans and DIY archivists.
A cosmic fusion of deep funk, interstellar jazz, and avant-garde soundscapes, On Jupiter stands as one of Sun Ra’s most iconic releases. Recorded in 1979 during a prolific period at Variety Arts Studios in New York, this album captures the Arkestra at the height of their creative powers, blending futuristic improvisation with infectious rhythms and otherworldly textures. Sun Ra’s Variety Arts Studios sessions (1978-1982) were legendary—he recorded there two to three times a week, often after a late-night concert, gathering his musicians on West 46th Street at 10 a.m. for marathon sessions that stretched into the early morning. These recordings featured a core group of John Gilmore, Marshall Allen, Danny Thompson, Michael Ray, Tyrone Hill, Craig Harris, Luqman Ali, and Samarai Celestial, alongside rotating contributors, including guitarists Skeeter McFarland and Taylor Richardson, as well as bassist Victor Sproles and a young Knoël Scott on saxophone and vocals. Originally released on Sun Ra’s Saturn label, On Jupiter is a masterclass in cosmic jazz-funk. The album features the irresistibly funky “UFO”—recorded before the Sleeping Beauty sessions—alongside the hypnotic, groove-laden title track and the expansive “Seductive Fantasy”, a mesmerizing journey through space and sound. By the late 1970s, Sun Ra was embracing an even broader musical spectrum, incorporating soul, funk, and electronic fusion into the Arkestra’s evolving repertoire. As disco, punk, and hip-hop reshaped the cultural landscape, his “sub-underground” approach connected with a new wave of listeners. On Jupiter exemplifies this era—where deep basslines, swirling horns, spaced-out synthesizers, and Afro-futuristic chants collide to create a truly singular sound.
A long-dormant signal reactivates from Hamburg’s hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records, their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback. Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn’t invoked through distortion alone, but through method; in the album’s breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa.
Mannequin Records presents Artificial Salvation, the long-awaited next chapter from Taiwan-born, Berlin-based artist Jing. A visceral journey into fragmented identity, post-human desire, and sonic disobedience, the album marks a bold evolution in Jing’s unmistakable language—where rhythm is weapon, voice is distortion, and silence is political. Known for her uncompromising DJ sets and past releases exploring industrial textures, field recordings, and haunting spoken word, Jing now delivers her most narrative-driven and confrontational work to date. Artificial Salvation lives at the intersection of club dystopia and spiritual unease: glitched-out techno structures collide with ghostly chants and collapsing machinery, echoing themes of surveillance, digital exile, and existential displacement. Crafted between Taipei and Berlin, the album draws from a palette both hyper-modern and deeply ancestral—melding broken beats, noise, and vocal manipulation into an unflinching statement of intent.
Kid Machine returns with his 7th album and features ten spaced out, robotic Italo-Disco / Electro dancefloor destroyers covering various cosmic vibes. Expect the usual catchy melodies, big slamming beats, chugging basslines, sci fi sounds and vocoders.
Composer and sound artist Ishai Adar unveils the original score for HBO’s Our Boys, now available digitally for the first time. The 2019 series dramatizes the harrowing events surrounding the 2014 abduction and murder of Palestinian teenager Mohammed Abu Khdeir in Jerusalem, offering an unflinching exploration of state power, communal trauma, and fractured identities. Adar’s score avoids conventional narrative cues, instead constructing a sonic architecture of electroacoustic dissonance and textural abstraction. The compositions conjure an imagined ensemble—acoustic instruments processed and mutated into something part-organic, part-synthetic, edged with overtones of drone and analog decay. The resulting sound captures a persistent sense of unease and interior tension, echoing the bleak interrogation rooms and shadowed urban landscapes that define the series.
Immediate Proximity – Niels Luinenburg (Delta Funktionen) and Diana Napirelly – are unleashing their fourth IMPROX release, a full-on DIY culmination of their three prior expeditions into the wildlands of futuristic electronics, a gloriously unhinged beast landing on digital platforms and gritty cassette tape.
Claudio PRC’s fifth album, Self Surrender, unfolds as a reflective journey of self-acceptance, a story embracing reality in its purest and most unfiltered form. Released via Delsin Records, this marks his first full-length album on the label, following the EP’s Rites of Passage (2021), Challenger Deep (2022) and Golden Scales (2024). The album explores different and more leftfield sonic corners, while remaining true to Claudio’s cavernous, deep, and spiritual essence. It’s a journey through different styles, with echoes of the past and contemporary influences merging.
The Black Lodge presents Elena Sizova’s new full-length digital album entitled “Muza” – an assemblage of dancefloor tracks, heady ambience and otherworldly experiments rooted deep in tradition yet expressed in fundamentally new ways, crossing over and dissolving any defined boundaries. As soon as you find yourself in familiar territory, Elena will surely take you in a new and undiscovered direction. A scientist from Belarus, Elena contributed earlier to our “Pestilent Expressions” Benefit Comp Series, though she’s best known for her earlier collaborations with Heinrich Muller aka Gerald Donald (Drexciya/Dopplereffekt) in Der Zyklus and Daughter Produkt. Remixes and remodeling provided by the legendary Heinrich Muller and Douglas Lee (An-i).
E-bony joins the Industrias Mekanikas family to present ‘Digital Dawn’, an album that defines his identity as an artist. Twelve tracks in which electro and techno intertwine to create a unique and personal sound. A sonic manifesto composed of twelve tracks that explore the darkest textures and the most hypnotic rhythms of underground electronic. In this work, E-bony is not alone. The talent of Noamm is woven into four of the tracks, adding an additional layer of complexity and experimentation.
Serenity in Keos unveils Carl Finlow’s latest LP, an immersive journey through haunting downtempo atmospheres and razor-sharp electro, venturing deep into uncharted sonic territory, where raw emotion meets pure innovation. A visionary artist with an unmistakable sound, Finlow a record that pushes boundaries and perfectly embodies the spirit of the label.
Apnea welcomes VC-118A to the label for the first time with his next album ‘Back To Life’. Across nine tracks on two 12”s, he delivers a potent mix of deep electronics, acid bleeps, mechanically crafted rhythms, and atmospheric dub infusions–pulling the listener into a hypnotic, meditative space. Driven by futuristic machine grooves and evolving textures, Back To Life moves between fluid, weightless passages and tightly constructed sequences, balancing structure with deep immersion. Each track unfolds with intention, guiding through shifting sonic landscapes that blur the line between motion and stillness.
”Arkeo is my most eclectic and techno-driven album to date. A fusion of my love for subterranean aesthetics and my deeply-rooted connection to Detroit’s underground music scene. While always keeping the dance floor in mind, this album also reflects something more personal: my spiritual journey and how it applies to my daily life.”
Arriving almost 35 years since he wowed the world with his game-changing debut, the Afterlife EP, Lift Off was inspired by Trent’s desire to ‘let the imagination speak for itself’ while exploring the diverse influences that have shaped his unique musical perspective. A departure from his previous album, 2022’s downtempo masterpiece as Warm, What Do The Stars Say To You, the 10-track set features a mixture of epic instrumentals, inspired collaborations and vocal cuts whose music was written with certain singers in mind. While it features music that ripples with the experienced producer’s familiar aural trademarks – rich rhythms, warm chords, impeccable instrumentation, inspired arrangements, and lashings of heady hand percussion – it also consciously explores a variety of sounds and tempos, in the process blurring the lines between dance music’s past, present and future. It’s a vision, in his words, of what dance music can become.