Karamika is a studio creation from George Thompson (Black Merlin) and Gordon Pohl AKA Dussuldorf’s engineer supreme (Musiccargo / Kunstkopf / The Isolators…). This their second long player is a record full of mind games. Sounds leak from fractal-like holes, and are sedately trodden back into the cosmic fabric of the album. The noise of post cruise carpet.
New intergalactic trip delivered by Nebulae. 8 tracks covering a wide palette of dreamy and lushy textures, from melancholic idm to epic electro, all seasoned with a pinch of ambient.
“Dreams, as we all know, are very curious things: certain incidents in them are presented with quite uncanny vividness, each detail executed with the finishing touch of a jeweller, while others you leap across as though entirely unaware of, for instance, space and time. Dreams seem to be induced not by reason but by desire, not by the head but by the heart, and yet what clever tricks my reason has sometimes played on me in dreams!” says Fyodor Dostoevsky in his anti-hero novella “Notes from Underground” from 1864. Also, the three Hamburg based art lovers of the band Giraffe like to play on their dreams. Since 2017 the trio released their deeply collective reveries on one album called “June” and one EP called “Climate”. Both are featuring brief and epic sensitive shifting conversations between Charly Schppner on percussion, Sascha Demand on electric guitar and Jrgen Hall on synthesizers. “We compose and produce everything together. The ideas of each single member become better through the influences of the others.” they reveal about their meandering creative activity. The result is a sublime tension of itself: a psychoacoustic distillation of improvisation, composition and experiment in which clattering percussion, synthesized transcendence and dreamily electric guitar serialism transform into radical poetic journey music. For their new album “Shine & Dark” Giraffe built their music around acoustic drums, frame drums and electric percussions, that evoke spiritual jazz emotions and percussive ethnic vibes while dark synth layers and mesmerizing guitar microtonality dances around the rhythmic tension. Suspenseful wondrous story-telling, that opens a gate to an elaborated executed, multi-layered musical paradise, that is entirely induced by desire.
This Animistic Beliefs & Legowelt collaboration tape started out as a scene in Anna Bogomolova’& Dammes Kieft’s upcoming full length ‘Stroboscopes & Smokemachines’ documentary – a film in which they research the Dutch West Coast electronic music landscape. The scene however soon morphed into its own mini film – documenting the entire process on how this tape was conceived. Packed with Animistic Beliefs & Twilight Moose style electro, amateur space jazz ambient with a touch of G-funk and a very intense trip-infused hypnotic techno track. Written and produced by Linh Luu, Marvin Lalihatu and Danny Wolfers at the North Sea Institute For The Overmind.
For the second instance in their international parallel series, Into The Light Records treat us with seven lush, rich and warm recordings by currently Warsaw-based producers Sasha Zakrevska (Poly Chain) and Bartosz Kruczynski. Soon after releasing their debut albums – Baltic Beat’ and ‘Music For Candy Shops’ – and realizing similar interests and traits in their solo music, Zakrevska and Kruczynski sketched out a plan for an album and live performance. The record is to a large extent fashioned after the show, with most of the tracks performed live and edited down. ’Pulses’ is a result of hours spent in studio with a minimal set-up of Prophet ’08, Moog Sub 37 and Korg Minilogue; The work present their mutual attraction to minimal synth, repetitive arpeggios and drone music. A perfect blend of poly-rhythmic patterns, ambient textures and beat-less acid moments by one of the most fresh and unique collaborations.
‘Gulden Onversneden’ is the out-of-the-blue debut of Klein Volk, a cozy quatre-mains that used to brighten up birthdays and bedroom parties before it all got out of hand. The ten tracks of ‘Gulden Onversneden’ capture Klein Volk’s cherished naïveté during the drawling heatwave days of June 2018, when the world cup frenzy ravaged the streets, squares and minds of tiny Belgium – a brief window in time that diffracted everything unwaveringly into black, yellow and red.
Limited business from Light Sounds Dark. Very little info on this one, but quality ambient excursions from start to finish. Touching on post-punk textures and mildly orientalist tonalities
Light In The Attic’s Japan Archival Series continues with Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as Kankyō Ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi Ashikawa, who deserve a place alongside the indisputable giants of these genres.
‘This album was created over the course of 2017-2018 and is heavily influenced by descriptions of landscape and environment in the work of authors Shusaku Endo, J.G. Ballard and Cormac McCarthy. Fragments from a land that is a largely silent place. An ancient place. A non-place. A wilderness.’
‘Futuro’ is Not Waving’s sublime synth/ambient soundtrack to one of the world’s most intense art/theatre experiences: Sean Rogg’s radical immersive artwork ‘The Waldorf Project’ – fusing choreography, spatial design, music and performance into a cohesive experience.
“Sonder” is DYL’s second album, the first on vinyl and features 6 dark ambient tracks. This album is an open-ended story, which is edgy, dystopic and often disharmonic while progressing sonically throughout.
The ninth release on the Alpha Cutauri drum & space excursions comes from the Romanian artist DYL.
Mikron return to CPU with their second album ‘Severance’. The Corcoran brothers refine their critically acclaimed sound which has evolved to be more haunting than the last release. This album is a nostalgic affair with synthetic landscapes washing over you, before propelling you into the distant future. The ambient moments draw parallels with Boards of Canada, Burial and Selected Ambient Works Vol. 2.
Martina Lussi’s second album fuses together disparate sound sources with a disorienting quality that reflects the modern climate of dispersion and distraction. The Lucerne, Switzerland- based sound artist released her debut album ‘Selected Ambient’ on Hallow Ground in 2017, and now comes to Latency with a bold new set of themes and processes. The range of tools at her disposal spans field recordings, processed instrumentation, synthesised elements and snatches of human expression. The guitar is a recurring figure, subjected to a variety of treatments from heavy, sustained distortion to clean, pealing notes. Elsewhere the sound of sports crowds and choral singing merge, and patient beds of drones and noise melt into the sounds of industry and mechanics. The track titles manifest as a compositional game of deception complete with innuendos, empty phrases and claims – flirtations with perfume names and ironic assertions. From the volatile geopolitical climate to the changing nature of music consumption in the face of streaming and digital access, ‘Diffusion is a Force’ is a reflection on fractured times where familiar modes and models change their meaning with the ever-quickening pace of communication.
Given that the Axel Libeert-helmed Pablo’s Eye project has been running continuously since the late 1980s, it’s perhaps unsurprising that Stroom has found it hard to put out just one retrospective of the Belgian collective’s work. In fact, “Dark Matter” is the third (and final) part of a retrospective trilogy that has brilliantly shed new light on Libeert and company’s work. Experimental, atmospheric and largely creepy, the showcased material variously touches on high-minded percussion music, slowly shifting ambient, Berlin school soundscapes, neo-classical-tinged global fusion, smoky downtempo grooves, the kind of intensely paranoid fare we’d expect from Dominick Fernow, and scattergun electronic dub. More than anything, Pablo’s Eye is a temporary atmosphere, like a taste or a dream.
Anthony Naples returns with his second full length album, “Take Me With You”. Originally conceived as a D.J. mixtape dedicated to friends and the time spent with them in the morning hours after the parties over (or beginning) – it quickly morphed into a soft focused meditation on all things warm and intangible. “Take Me With You”‘s message is undoubtedly about escapism, given away by its happy-abductee cover art done by the legend Biscuit— but first and foremost it reflects on that lingering feeling one gets when walking away from the ones they love.
Mannequin Records starts a series of re-presses dedicated to the legendary Nocturnal Emissions, one of the best kept secrets of the industrial genre since the 1970s. Led by Nigel Ayers and Caroline K, the band was one of the first to use tape cutting, avant-garde art, and underground video works to create a stage experience that was being cultivated by like-minded artists like Throbbing Gristle, SPK and Cabaret Voltaire. Originally self released in 1988 on Earthly Delights, ‘Spiritflesh’ is a masterpiece and a major reference for the early drone/dark ambient minds.
From the whimsical resonance of the title piece, a sonic pathway through a verdant soundscape is laid. Gentle melodies caress and embrace before the road bends into shadows filled with dramatic twists and unseen dangers. Romantic moments are juxtaposed by triumphal chords and daring drums signalling immediate panic or outright victory. This is a woodland of divergent emotions, one where sounds give way to feelings and where Heinrich Dressel is the piper leading his followers through what can only be described as an unforgettable journey.
French duo Ligovskoï are to release Esam, their second artist album and first on Field Records. It features eight expertly crafted tracks that take the listener on a spacey and hypnotic journey towards inner bliss. Formed by Nikolaï Azonov and Valerio Selig in 2010, Ligovskoï once again draw on a sound palette that includes samples, synths, vocals, feedback, guitar and field recordings that merge in a painterly and romantic form of music. It recalls vast landscapes, abstract patterns and poetic movement. The title ‘Esam’ refers to a small, isolated mountain located on the moon, and the album is a journey to a similarly otherworldly landscape absent of human life. It features free improvisations, repetitive patterns and experimental materials that convey a wide range of emotions and styles from weightless shiny atmospheres to dark, heavy and swarming textures, leading the listener to deep contemplation. Esam is a transportive, thoughtful album that takes you deep into a unique musical world.
The Hipodrome Of Music 