A wide selection of Oriental Turkish funk music for listening and dancing. The tracks are ranging from traditional Turkish Folk to funky belly dance sound and from electrified bouzouki beats to exotic fuzzy riffs. Mostly traditional tracks are taken from the zourna & hanging drum playing style that is practiced in this kind of music and in fact it usually plays at the weddings. Here played with the western instruments including bass guitar, hammond organ and drum set.
This album is one of the best selling album in Turkey’s musical history. “Modern Oyun Havaları” which means “Modernised folk-dance Music” was first released in 1973 by Kent (Kent Ses ve Plak Endüstrisi). Esin Engin who was a singer, arranger and composer almost the youngest and one of the most outstanding musicians of Turkey. He was the first arranger who used both native and pop music instruments correctly without changing the characteristics of Turkish music’s rhythms and melodies. His albums were also the best-selling records among tourists from all over the world that came to see the priceless natural and historical treasures of Turkey. In this album, you’ll find a good selection of modernized hits of the most famous Turkish belly dance Wedding house melodies.
SIRS present on his bandcamp page a free download compilation including 14 of his cuts. Some of them more retouched, some less – always appreciating the original music. Original artist named in the download.
Evocative and spooky contemporary prog. Meine U Teksi has absolutely nailed it to fetishist levels. It sounds like the synths were the only thing keeping the castle warm the night this was recorded. The whole record it’s made even more unnerving by the fact that the 4th track doesn’t exist.
Roman artist Heinrich Dressel delivers a sparkling gaze into the future with the glistening ‘Lambda 2077’. Dressel cultivates a cinematic, cerebral experience throughout each track, delicately weaving a visceral soundscape. Growling arps and magnetic, synthesised moans flows throughout this record. Francisco opens things up with an electro-tinged, thunderous remix. Building upon the chordal gravitas of the original, the remix provides the release with an acidic percussive journey.
Arp Frique returns with a new album after a string of releases, leaving the cratediggers and dancefloor tastemakers with underground classics like Nos Magia, Voyage and Nyame Ye. On ”Analog People Digital World’ he embraces the digital coldness of Yamaha’s classic DX7 synthesizer to create a refreshing listening experience using only the FM synthesis-based sounds from this machine to find new heat for an analog world, reflecting on the digital revolution we are living through. The album features Ghanaian songstress Mariseya (Omampam, Jah Kingdom, Digital World, Roi Salomon), Cape Verdean OG Americo Brito (Go Now Wetiko) and Surinam funkstar Sumy, who joins the record on the opening track “Spiritual Masseuse”. Arp Frique closes the album with “Duncan Truffle”, a very intense and wobbling instrumental echoing Bootsy and Bernie Worrell on a solo exercise. Expect an analog-digital exploration of lofi funk, highlife, zouk and reggae.
Ma Spaventi makes a slick return to Slow Motion Records with the captivating ‘Tornerò’. Vocoded vocals, inviting synth swells and sonic expertise. Descending arps trickle into ‘Tornerò’ from the get-go. Vocoded vocals flutter through the masterful mix, weaving into inviting synth swells. Defined drums are firmly felt across this record.
Fringe Society makes a return to Wrong Era with his the album ‘The Art World’. We are invited into his delicately sculpted soundscape through abundantly transcendent tracks. This release transports you to one of Fringe Society’s mesmerising live sets and a dimly lit Mullholand overlook. ‘The Art World’ embodies his consistently slick approach to production and breathtaking sonic atmospheres. A true force to be reckoned with.
Terra Magica Rec. first 7’’ release „Chiqui Tan“ by the label heads Hektisch Sprengen DJs. The A-side hits the listener with some 1980s early Electronic-Downtempo-Cumbia-Colombian-Venezuelan-Tablemountain-Dub-Grooves. This reminiscence is leading to an extra full blown up 21st century Bass-Queen alert. And these HSDJ dials hit you into a stripped naked sample of Nigerian-Swedish DJ-dentist-mainstream-star Dr. Alban and his Eurotrash-90s-Pophouse-anthem “No Hash Hash, No Cocaine”. This is for sure no “Ottonormal”-90s-revival thing. On the flip side Hektisch’s haptic wood razzle move covers the classic 1994-Liquid-Deep-Netherlands-Trance-House-Track “Paper Moon” by 51 Days which back then sampled the rare 1972-MPB-Funk-Cover-Version of Carol Kings “Corazón”.
Finally the cult italo disco 12 from 1984 by Riccardo Cioni repressed in limited edition for the first time.
The Italian-Irish connection returns on Lunar Disko. Bari’s Armonics delivers yet another EP of Italo wonders. Three tracks of synthesizer magic from a fast rising master of the modern Italo-disco sound. Massimiliano Pagliara brings us on a cosmic trip with his ‘7-07AM’ remix of ‘Indigo Voyage’…a disco bomb for the early morning dancefloors.
Too Many Cars Records from north of France is back with four electro tracks from Betonkust and Franz Scala & Malkut.
Ma Spaventi is a wonderfully versatile artist. Over his decade-long career, the Italian musician has turned his capable hand to everything from ambient to techno. Once again, he is expanding his sound palette and challenging expectations with “Vicino Lontano”.
In a future that is closer than it may seem, a vessel is sent back to earth, to find out what caused the final demise of human kind. Reporting and recording their findings, Lords of the Future are sending us tunes of sad robots, lonely algorithms and artificial intelligence in moral conflict with itself.
Glasgow’s Seated Records return with more archival Scottish New Wave material; this time, in the form of Pop Wallpaper’s disco-not-disco interpretation of the Shuggie Otis classic, ”Strawberry Letter 23”. The Edinburgh band first released ”Strawberry Letter 23” in 1986 as a double A side 12” alongside original song, ”Nothing Can Call Me Back”.
‘Advanced Process’ presents itself as a distinguished LP, oozing with Marcello Giordani’s innate talent to evolve the classic Italo Disco sound into consistently ear catching productions of the future. Crisp, analog drum machines and glistening synthwork are a constant. Giordani captivates you with compelling arrangements and considered hints to electro in the likes of ‘Metamorphosis’. Powerful vocals from Fred Ventura and Ready In LED feature on the two alluring singles ‘Mysterious Calls (In The Night)’ and ‘Fase Rem’. Encapsulating, intelligent acid work is heard in ‘Forbidden Pleasures’. Marcello’s clear love for analogue authenticity is at the forefront of this LP. Crisp, analog drum machines and glistening synthwork are a constant.
The Hipodrome Of Music 