Datasal – Observatoriet / Besök [HNR047]

The word datasal paints inner pictures for most people growing up in Sweden during the 1990’s. The datasal (a classroom for computers) was an ordinary classroom with few changes to fit the school’s 10 newly leased computers. The room represented the change of times in Sweden during this period: the fixed institutions and the awaiting digital flood wave. The music of Datasal sounds captures the feeling of printing a downloaded picture of your favorite hockey player or music artist or the expectations building up as you wait for the modem to log in to interact with the thousands of users of the internet in 1995. The two tracks on this release manifests the excitement but also the bit of fright you felt connecting to the world in the mid 90’s – a time when the internet still was fun. The sound is built around repetitive sequencer loops and programmed beats where electric bass, electric guitar and flute improvise around a theme, creating a sound that is best described as cosmic flute house. Datasal is an harmonic reminder of a time where digital progress seemed less harmful than today.

listen

Datasal – Observatoriet / Besök [HNR047]

Tecwaa – Elysian On Moon Lake [HNRLP028]

Höga Nord Rekords kindly welcomes Tecwaa back to the label, following up his last full length-album “Beyond the Altai” with “Elysian on Moon Lake”. He is still exploring the intersections between house, electro, techno and dub and once again he manages to harness the analogue electronics in his machines to produce modern psychedelia. “Elysian On Moon Lake” is rawer, less airy and not as sparkling as his last album. This is a tighter, and slightly darker experience than Tecwaa’s previous work, maybe caused by being in quarantine for extensive time during production, letting some of the dreaminess aside for the harsher reality in a pandemic world. Still, you get a mind-altering experience in a lot of tracks since the album starts off in a lighter tone than how it later develops. Switching from the A- to the B-side works as a rite of passage going from dusk to night; the sun rays through the blinders are replaced by neon light dancing on the walls and ceiling.

listen

Tecwaa – Elysian On Moon Lake [HNRLP028]

Rudolf Abramov – Paracetamol / Clonex [HNR045]

Rudolf Abramov is taking a step in a different direction from his last release on Höga Nord Rekords. This 7” contains the works of deep mining in an old hard drive during the introversion of the pandemic quarantine. These two gems have been going under a bit of tasteful polishing before reaching the point of release and the result is a punk meets Stoner rock experience propelled by hard sequencers and drum machines.

listen

Rudolf Abramov – Paracetamol / Clonex [HNR045]

Timothy J. Fairplay – Free Andromeda [HNRLP027]

Gazing at the stars is looking at the past. The galaxies send you messages from thousands of light years away. That overwhelming feeling is present on Free Andromeda by Timothy J. Fairplay. An album grounded on earth while floating through eternity with a loose connection to the Milky way. This nine-track record is, as always with TJF a delicately balanced mix between dark and light, analogue and digital, vast space and tight basements. With an impressing collection of premium synthesizers and drum machines, TJF showcases some of the most exquisite electronically generated soundscapes heard on this side of 1984. His sound on Free Andromeda can be described as leftfield inspired by various John Carpenter- and Italian horror movie soundtracks together with some West German Kosmische Musik.

listen

Timothy J. Fairplay – Free Andromeda [HNRLP027]

Pink Skull – Taki Chrome / Strummer Maxxx [HNR040]

PINK SKULL - Taki Chrome

Imagine Andrew Weatherall producing Pere Ubu. The 7” Taki Chrome / Strummer Maxxx single by Pink Skull released on Höga Nord Rekords give a hint of how such a collaboration would sound. Mid seventies kraut rock á la “Neu 75” meet leftfield and sophisticated punk. The record has an organic warmth to it yet the excessive use of electronics: most instruments on the tracks are synthesizers and drum machines – all Moog, Korg and whatnot. In the warmth of the Pink Skull-sound you suddenly get a wash of cold, hard rain from all directions. These elements of surprise create edges in the round soundscape and brings chaos to the mix. This is of course all part of Julian Grefes (founder of Pink Skull) plan. Pink Skull propels you out of the quarantine like a shiny metal free bird released from its rusty cage.

listen

Pink Skull – Taki Chrome / Strummer Maxxx [HNR040]

VA – Höga Nord 100 – The Effect Will Last Forever [HNRBOX004]

VARIOUS - Hoga Nord 100: The Effect Will Last Forever

What better way to celebrate 100 releases than with a handmade box containing soul expanding music!? Höga Nord Rekords have reached an important goal and releases a rare box set containing all 12” from the HNRUK-series plus a new record from Birds, unique for this box. Except Birds, this compilation includes Dark Strands, High Boys, Vox Low, Timothy J. Fairplay, Fontän, Bird Of Paradise, Mythologen, Jamie Paton and Frak. This exclusive handmade box made in Norrmalms kartongfabrik in Stockholm, is a celebration to the Scandinavian Bronze age. You’ll find rock carvings like those on the artwork scattered over the land but mostly near Gothenburg, home of Höga Nord Rekords on the Swedish west coast. Archaeological evidence proves similarities in ornaments and pictures between the Nordic and European Bronze age, just like you find common features in the music released on our label. Though the acts in this compilation box come from all over Europe and beyond, they stem from an obscured and mysterious common source of escapism, purity and creativity.

listen

VA – Höga Nord 100 – The Effect Will Last Forever [HNRBOX004]

Modern Ruin – Unemployment Disco Line [HNRLP024]

MODERN RUIN - Unemployment Line Disco

With an Arturo Micro brute synthesizer put through psychedelic effects, Modern Ruin keeps the flame of Andrew Weatherall and Suicide burning through times of isolation and disarray. This Synth Wave/New Wave experience of an album, released on LP on Höga Nord Rekords, sums up 2020 with its dark and cold sound. The title speaks for itself: “Unemployment Disco Line” reflects the desperation in the sound and the reverb-drenched vocals in the back of the soundscape comes from deep within the Covid hole. Drawing influences from masters like the legends above, Rowland S. Howard, Johan Balance + Peter Christopherson et cetera, this debut album by Modern Ruin sums up four decades of underground club music and no matter how long this pandemic goes on we are in “Nothing Blues” until the dance floors open again.

listen

Modern Ruin – Unemployment Disco Line [HNRLP024]

Timothy J. Fairplay – Pathfinder Theme / UFOs Over China [HNR039]

Timothy J Fairplay is back on the label with a 7” single containing two tracks cut from a rock of uranium. “Pathfinder Theme” and “UFO’s Over China” might differ in sound and tempo but are connected by a radiant feeling. The two tracks bathes in a greenish/yellow bright toxic aura.

listen

Timothy J. Fairplay – Pathfinder Theme / UFOs Over China [HNR039]

VA – Upward at 33 1/3 Degrees – Höga Nord Rekords Singles Collection Vol.3 [HNRBOX003]

The Mothership has come! It has arrived in the form of the strictly limited collection box “Upwards at 33 1/3 Degrees” (50 copies), containing all singles released on the label between 2017 and 2020. The Höga Nord – galaxy resounds of all good between strict electro and loose jams, fluffy krautrock and moist world music to underwater techno and space funk. Although, what it is that defines the Höga Nord sound is not genres, instead it is, to cite Mathias Nilsson, founder of and boss for the label, music “strongly connected to fantasy, to the creative world.” The collection is an overview on Gothenburg’s underground music and on an international scene that breathes similar air as the local Swedish acts that Höga Nord Rekords has chosen to highlight.

listen

VA – Upward at 33 1/3 Degrees – Höga Nord Rekords Singles Collection Vol.3 [HNRBOX003]

Purple Desert Rain God – Invisible Matter / Bridge To Nowhere [HNR036]

PURPLE DESERT RAIN GOD - Invisible Matter

The psychedelia of Purple Desert Rain God is playful and innovative in a way that brings early Pink Floyd to mind, where classic blues elements were mixed with tape loops and tremolo/feedback guitars. But more than 50 years has passed since Barret’s trip through universe was caught on tape and the comparison stops there: Purple Desert Rain God is a new take on acid rock. Purple Desert Rain God is nature music and transcendental dance music and they overlap between genuine psychedelia and electronic music with filter sweeps on guitars and drums. Sudden bursts of drum fills brakes the monotonous groove and amplifies the feeling of lost control and the band often balances on what is considered a beat that is on time. However, they keep momentum and hammers the pulse on your eardrums, into your mind.

listen

Purple Desert Rain God – Invisible Matter / Bridge To Nowhere [HNR036]

Birds – Transcendental Phases / Tunnel Vision [HNR035]

Höga Nord Rekords presents Birds from London. Birds or Katie Wilkinson is relatively new as a producer but has been DJ-ing and playing in bands for the last nine years, marinating herself in interesting underground music. This 7”, Transcendental Phases / Tunnel Vision is her first release on Höga Nord Rekords. Birds is a declaration of love to electronic music and psychedelia.

listen

Birds – Transcendental Phases / Tunnel Vision [HNR035]

20 Albums from 2019

Yesterday we presented the preferences of our readers from last year, now this is a list of 20 albums from 2019 that made an impression on us.


We have three pure electro albums from E.R.P., Jeremiah R. and Plant43 and the new electro-synthy album of veteran David Carretta, his first solo album for ten years. On the darker side of the synth palette we have two EBM/synth-pop albums from Boy Harsher and Years Of Denial, the debut album of Kris Baha, the third album of Greek producer June, a new one from Jason Letkiewicz aka Steve Summers under his new moniker Opposing Currents and two more industrial albums from Autumns and Colombian Filmmaker.
On the other had we have two acid gems from DimDJ and Paranoid London, the first ever Gladio album, the second album from Mannequin boss Alessandro Adriani and an experimental/ambient album from veteran Function on Tresor.
So, here it is compiled in chronological order.
Continue reading “20 Albums from 2019”

20 Albums from 2019

Kanot – Bottenmannen [HNR032]

Kanot is Jesper Jarold and Anton Kolbe. With the help of Lindha Kallerdahl’s expressive vocals, Jarold and Kolbe weave an eclectic yet durable sonic textile. Call it music for psychadelic hiking, primitive dance beats or speculative folk music – most of all, it is unrestrained music, for the smartest and the dumbest kid in the classroom. In the dense, and at the same time airy production, some drums anchor themselves steadily into the ground while others lash out like reverberating rhythmic gunshots. The tones from Jesper’s guitar and fretless bass float like leaves on the Drangme Chhu River, at times almost drowning in effects only to resurface in surprising and skillfully chiseled melodies that could play forever.

listen

Kanot – Bottenmannen [HNR032]

Stiletti-Ana – Ab Ovo [HNR018]

Producer, drummer and sound engineer in all forms Stiletti-Ana aka Ilari Larjosto is known for his wide output in the world of cosmic, techno, leftfield, disco and ambient music. Stiletti-Ana keeps the main focus rather on timeless quality releases than searching for the hype. His new solo album “Ab Ovo” is the first full length Stiletti-Ana LP and represents his discoveries in the world of heavenly cinematic arpeggios, conga driven ambient and physical 3D drone compositions.

listen

Stiletti-Ana – Ab Ovo [HNR018]

Curses – Carcassonne [HNRBS003]

Luca Venezia, aka Curses, has with his Carcassonne-Mini LP, written and produced a cold wave dream filtered through how all the sci-fi movie soundtracks of the eighties should have sounded like; picture The Cure on a study visit in John Carpenters studio in 1983. This six-track Mini LP is his first release on Hoga Nord Rekords and features eighties influenced dark and expensive sounding electronic music. Luca Venezia also solves the task of putting vocal elements in the tracks with sharpness and precision; the heavy processed reverberating overdubs float in and out on a tastefully low level in the mix.

listen

Curses – Carcassonne [HNRBS003]

Minami Deutsch – Can’t Get There EP [HNRPIC010]

Minami Deutsch crushes negativity, sorrow, and depressive energy on their new Hoga Nord Rekords release, ‘Can’t get there’, a five-track EP. The Japanese psych-scene is being kept vital by picking up all the best influences from all the best psychedelic music and mixing that with a delicate touch of Japanese music tradition. On this EP, you hear all that you love and miss from the 70’s krautrock bands plus a cover on cult band Index’s song ‘Israeli blues’ from 1968. Also on this record are two remixes of the title track by HNR household names Jamie Paton and Mythologen. Listening to this, you get the feeling of leaving half your brain in a Volkswagen down an endless Autobahn in 1972 and one-half lost in the astral plane as boundless light, above space and time.

listen

Minami Deutsch – Can’t Get There EP [HNRPIC010]

Al Lover – Dark Matter Discothéque / Mark E. Moon [HNR030]

Hoga Nord Rekords have had the opportunity to work with Al Lover twice before during the last four years and now it’s time for the next step in the relationship between them, this time with the 7” single ‘Dark Matter Discotheque / Mark E. Moon’. In these tracks, Lover’s influences mainly stems from a decadent eighties New York or Paris and you can almost smell the heavy perfume mixed with indoors smoking get the feeling of sitting in a room with mirror walls.

listen

Al Lover – Dark Matter Discothéque / Mark E. Moon [HNR030]

Alpha Stone – Stereophonic Pop Art Music [HNALP002]

Pete ‘Bassman’ Bain, one of the founding members of the UK cult psych rock band Spacemen 3, formed Alpha Stone after Spacemen 3 and his other band The Darkside split up in the mid-nineties. In 1996 the band recorded the album ‘Stereophonic Pop Art Music’ and it was released on Bomp! Records on Compact Disc. The album hasn’t had a ‘proper’ vinyl release until now, 2018, when Hoga Nord Rekords continues their collaboration with Pete Bassman by releasing the album. You can clearly hear that Pete Bassman was the driving force behind Alpha Stone; fuzz, synthesiser -sweeps, programmed drums and processed vocals are the cornerstones in Alpha Stone’s sound. Raga-like mantras, heard in Farmer C, lies track to track with more percussion driven grooves and psychedelic pop oriented songs. The album’s sound has obviously survived the 20+ years shelved in obscurity and proves the ‘Drugby’ sound still vital! It’s always hard to sum up a bands particular sound in a few words, but you could say that if you put guitar and bass, synthesisers, a drum machine, and Julian Copes record collection in the hands of an alien, you’ve got Alpha Stone.

listen

Alpha Stone – Stereophonic Pop Art Music [HNALP002]

Jamie Paton – Disk Memories [HNRUK008]

PATON, Jamie - Disk Memories

Jamie Paton makes music that could be described as ‘Leftfield techno’ or ‘Slowmotion house’. ‘Disk Memories’, his second release on Hoga Nord Rekords, is barren electronic music for the Brexit generation. Paton has established a dystopic electronic sound that aims straight at your frontal lobe, burns in your bones, and projects a lost Europe’s anxiety on the grey London skies. The music breathes of the cold 1980’s, a time of crisis in England’s history and a vibe to be recognize in today’s society: right-wing winds once again blows hard over the British Isles and Jamie Paton’s music catches the insecurity the wind carries with it.

listen

Jamie Paton – Disk Memories [HNRUK008]

Osynlige Mann – Airports / Exodus [HNR028]

Well renowned bass player extraordinaire, Osynlige Mann from Gothenburg releases long awaited new solo material on Hoga Nord Rekords. This 7inch contains high voltage material; ‘Airports’ and ‘Exodus’ brings tense seventies synth and early eighties electro to the table. The A-side ‘Airports’ is a Kraftwerk inspired elegy over the lumpenproletariat of the machines – aeroplanes. ‘No sleep for the big machines, no rest for the sad machines’. The B-side, ‘Exodus’ carries more obvious characteristics from Osynlige Mann’s other electronic projects.

listen

Osynlige Mann – Airports / Exodus [HNR028]