
Skatebård @ Lente Kabinet Festival 2022



CAF? presents Gino Ritmo & Ricci Verace’s debut album: Night Shift (Part I). 808Hz’s Italo-sided project meets Ricci’s terrestrial and thirsty global wanderings to deliver a haze driven dance music, ranging from melo-synth-rides to harsher EBM-techno-strikes. Dark but warm at heart under the twilight.

The new Members Only 12” returns with more face melting & wall sweating psychedelic New Wave edits. The Worst Edits Vol 2 includes the 4 tracks “I Wanna Luv U Dirty”, “Perversion”, “Oh Oh Oh Ya” & ”Take It From The Top” originally recorded from 1999-2001. Real Chicago business.

This one has secretly been on the sticks of some of your favorite Balearic/Disco D.J.s for quite some time now. Guaranteed dancefloor ecstasy. Finally available for the first time, in season for Summer & festivals.

Narco Marco uses his hardware synthesizer for this project. Officially licensed cover version on side A and own song writing on the back.

Internationally recognized and much-loved festival from Japan, Rainbow Disco Club’s offshoot project ”Beyond Space And Time” record label presents their sophomore release. Their second compilation has been compiled by none other than Antal. Also known as the festival’s headliner and the man behind Amsterdam record shop/label Rush Hour, all 11 tracks are selected by Antal in a 2 x 12-inch + bonus 7-inch format. From local Dutch newcomers to ’80s Japanese cult music, rare grooves to danceable house music, and rare Caribbean soul, this compilation is a portrait of music enthusiast Antal Heitlager’s enormous collection and 30-year DJ career, a work of art that can be enjoyed by all music fans.

Marco Erroi – from Common Series camp – returns on his own XXXV Edits project with the number 8. Acid and TB-303 on the A side, 90s reminiscences on the B side. Included collaborations with Italians Robert Crash and The Mechanical Man.

Napoli has long been one of Italy’s most musically vibrant cities – a metropolis famed for colourful, atmospheric and vivid dance music, with a rich and diverse sonic history stretching back to the disco era. For the last 36 years, it has been home to Gigi Testa, a bona fide local hero whose work not only draws inspiration from Neapolitan music of the last four decades but also high-quality deep house and African music in all its forms. Testa has become the latest artist to contribute to the Rush Hour Store Jams series, delivering a four-track EP that takes his self-proclaimed world music-meets-club music approach in kaleidoscopic new directions. Inspired by a mixture of 1980s, post-boogie African music, the sounds of the Caribbean, Testa’s love for dance music from New York and his own Neapolitan musical roots, the Esoteric Paradise EP is an entertaining, each-catching collection of cuts the effortlessly blurs existing musical boundaries. Rich in synthesizer and drum machine sounds, it should delight all those who love melodic, tropical-tinged electronic music.

First released in 1981 in the wake of the muscular, robo-disco epics ‘Megatron Man’ and ‘Menergy’, ‘Get a Little’ has long been one of Patrick Cowley’s most underrated singles – or at least far-less celebrated. As this reissue proves, the track has lost none of its lustre over the years. A full-vocal number featuring a super-catchy chorus, the original mix (B1) and contemporaneous remix (B2) sit somewhere between electrofunk, Cowley’s own brand of electronic disco and what we’d now call Italo-disco. It’s a far-sighted sound that still sounds fresh all these years on. The A-side of this edition also boasts two contemporary updates from Alan Dixon, who adds subtly beefed-up house beats and a tidy nu-disco feel on both the ‘Love Attack’ and ‘DJ Friendly Mix’ variations.

Having previously produced two tidy remixes of overlooked Patrick Cowley gem ‘Get a Little’, Alan Dixon has returned to the late, great producer’s catalogue in order to rework another lesser-celebrated cut. This time round, he’s turned his hand to Megatron Man album track, ‘Lift Off’, a typically throbbing, muscular vocal number that sits somewhere between thrusting robo-disco, sparkling electrofunk and synth-pop. Dixon first adds a little low-end grunt on the re-edit style ‘Love Attack Mix’, before delivering a sturdier and easier-to-mix ‘DJ Friendly version’. On the flip you’ll find Cowley’s original and a rare, club-ready remix from the early ’80s.

The cult Members Only returns with Chicago don Jamal Moss on Worst Edits Vol.1. Culled from 20 year old VHS tapes restored using a baking method, these edits are real deal Chi-town badness with artistic psychedelic filtering of proto house & disco.

Local Suicide announce their long awaited debut album ‘Eros Anikate’ which will be released May 13th, 2022 via their own label Iptamenos Discos. The title translates to ‘love invincible’ and draws influence from a play written by Sophocles titled ‘Antigone’. The album holds true to the duo’s ‘technodisco’ sound that the couple has become so well known for and showcases their signature style of blending a retro feeling with a modern twist. In usual Local Suicide fashion, the duo’s debut album showcases tongue in cheek modern-day circumstances, mystical adventures, and moody baselines; all tied up with the promises of happy endings. You can instantly hear that this album comes from the duo’s hearts. Inspired by the travels and experiences they encountered throughout the pandemic, it’s also a love letter to the friends they met during their career – some of which are also featured on the album: Lee Stevens, Curses, The Hidden Cameras, Sissi Rada, Skelesys, Theus Mago, Hard Ton, Kalipo & Greek new wave legend Lena Platonos.

Starting 2022 right with the much-anticipated volume 2 in the Ordinary Dreams compilation series. This time Levelling up to a 12 track double disc physical release of end to end cuts from Planet Trip friends and family around the world. As always expect a deep sonic journey through dub, downtempo and reggae to the oddball, tribal and dream state mutations of house music. Contributions from an all star cast of heads including; Symptoms Of Love, Paula Tape, Jex Opolis, Mayurashka, Errortica, Good Block, Mogwaa, DJ Ray, Ivy Barkakti, the Romanian Eirwud Mudwasser and more.

Not much is known about the mysterious pop sensation Vumani or his short musical career. Originally from KwaZulu Natal he made his way to Johannesburg in the mid 80’s to follow his dream of becoming a recording artist. He was able to make that dream come true when talent scouts from Decibel Music came across the charismatic youngster. At the time Decibel was still a small fish trying to make waves and the label believed in Vumani they had found the star they were looking for. Being a label with mostly groups signed to the catalog they needed a Front Man to push into the growing demand for Solo Artists that were dominating the airwaves and catching the hearts of youngsters. In 1896, they released two singles by Vumani, Black Mampatile and Guy Fawkes. Both singles were received well and a few more tracks were later recorded to create the full album Isiqedakoma.

Past Due Records and Jerome Derradji are at it again! This time with the reissue of the superb and ultra rare EP by San Francisco’s Cordial: “Their First”. This record was produced by Bill Withers in 1979 and is a cult favorite amongst disco lovers worldwide. “Their First” includes the legendary disco cover of Antonio Carlos Jobim “Wave”.

Rush Hour Music invited Traxx in Amsterdam to Doka playing from start to end for 8 hours {150 person capacity/maximum vibes}
the demonstration for Doka was the 3rd exclusive edition of dirtyblends entitled: ⚙️🎛 TecHnique ⚙️ further showcasing musical blueprints of all rare chicago tracks both old and new, plus many NEW tracks unheard from dirtyblends along with raw disco, funk and edits all over and in between like the days of old in chicago diving deep into the ghosts of Ron Hardy at the Music Box, Liaisons Dangereuses at the Hacienda, NEW music from Nation and Kode plus INSANE unreleased treasures from Prince come together to raise the room’s musical temperature and awareness that was a self-evident spiritual experience, illumination, truth, emotional depth and suspension of time.
this demonstration has lots of new music to come from several releases we won’t announce just yet but what has been provided in this document is hours upon hours that is literally all over the rhythm 🎵 scales ⚖️
this was an intimate connection to the dance floor..

Big week for Manchester’s Red Laser, with label chief Il Bosco serving up the label’s first installment of Peraceamid. Terry Perace gets into some Typhoon club style tribal on “Trip Pop 2020”, followed by his Inslaved mix of Kid Machine’s “SDM” getting some vintage Italo vibes in effect. Over on the flip, you’ll be ushered aboard the acid express on the strobed-out groove of Marcus Paulson’s “Wrecked In Utrecht” followed by the classic Chicago house throwback vibes of Ste Spandex’s “Examples Of You”.

Manchester’s Red Laser Records returns with a four track various artists EP curated by label chief Il Bosco. 12 features Mark Wilkinson aka Kid Machine returns to the label with the neon-lit ’80s mood of “Only Machines Allowed” going for that Axel Foley vibe, followed by Count Van Delicious doing his best impression of the Centre Neptune man on “I Wonder How Flemming Dalum Is Doing?”. Over on the flip, things get pretty Balearic on Ste Spandex’s “Edit 2” (2021 Re-Pop) and Ernesto Harmon gets stuck into some electro beat synthpop on the infectious “Search For”.

Hassan Ideddir’s 1989 single “Atfalouna” sees an expanded repress courtesy of Dark Entries. Born to Berber parents in Morocco, Ideddir began making music at the age of 10 after being discovered singing in the stairwell by his school’s headmaster. Encouraged by his peers, he began playing concerts, and his status grew. In 1987, he played a string of sold-out concerts in Casablanca, Rabat, and Marrakesh, in support of a children’s charity. The success of these concerts secured him a record deal, and he went to Paris to record his debut single “Atfalouna” in 1988. Released in 1989 on WEA, “Atfalouna” is a dense slab of multi-genre pop. An opening wash of digital synths and reverberant vocals quickly falls away to a cascade of orchestra hits and pulsing electronic drums; the monotone chant-rap of a female chorus collides with Ideddir’s soaring melismatic vocals, pleading against the injustice and hunger in the world. While Hip-Hop and New Beat borrowed tropes from Arabic music, “Atfalouna” inverts the gesture, resituating orchestra hits and sampling techniques within a Moroccan music framework. A shorter instrumental version follows, which preserves the female vocals. Also included are two tracks not on the original 12”. “Ibina” is a moody, downtempo instrumental that sounds like a cult Italo B-side. The record closes with “Ydouchababe”, an electro number driven by funky guitars, electronic claps, huge horn riff. Here, Ideddir sings of a youth festival honoring Hassan II, former king of Morocco.