Storming electronic disco anthem from 1982 on official repress. Patrick Cowley and Sylvester’s megaton bomb of a record is often cited as being one of THE definitive disco records from the dawn of the 1980’s. Influencing everything from the burgeoning house sound to Italo disco, synth-pop and way beyond, ‘Do You Wanna Funk’ is simply a classic in every respect. Released on the seminal San Francisco 80s Disco/Hi-NRG label that Cowley had founded, it found it’s way onto the turntables – and in turn – onto the dance-floors of every self-respecting disc jockey and nightclub for the next few decades. This is it, pure energy, uplift, body shocking electronic funk of the highest order. On the flipside of this very special reissue you’ll find Sylvester’s ‘Don’t Stop’ lifted from the ‘Do You Wanna Funk’ long player, yet another roof raising, slamming and soulful performance from one of the most influential disco performers and figures of all time, an unmissable 12″ for real.
Bologna born Italo Disco legend Celso Valli’s ‘Tantra’ project had one aim; to push the boundaries of disco. Released in 1979 in the vein of Cerrone and Giorgio Moroder, ‘Hills of Katmandu’ is a unique, progressive slice of classic Italo Disco. The pulsating ‘Moroder-on-steroids bassline’, menacing female vocal and warbling synths take you on a trippy disco journey. Patrick Cowley’s “Original Underground Mix” is a work of pure genius that unleashes his skills on the synths and somehow manages to surpass the original. On the flip-side, there is the original 16’20 minutes version of the Jurgen Koppers mix, an extended re-edit of the original Celso Valli version, which appeared first on Disconet in 1979, and in the following year on the US (Importe/12) release of the “Tantra – the Double Album” longplayer.
Dark Entries is humbled to continue digging through the archives of legendary producer Patrick Cowley. While best known for his production on chart-topping cybernetic disco anthems, Cowley, who passed away from AIDS-related illness in 1982, left us with a substantial body of work. Since 2009, Dark Entries has been working with Cowley’s friends and family to shed light on the lesser known facets of this singular artist’s output. ‘Some Funkettes’, the latest addition to this series, is a collection of previously unreleased cover songs recorded from 1975-1977. These raw, unembellished tributes both showcase Cowley’s early musical interests and chart the development of his production techniques. ‘Some Funkettes’ was made possible with help from Patrick’s brother Jim and his former studiomate Maurice Tani. The sleeve is a collage designed in 1975 by Cowley’s former roommate Francesca Rosa that was found covering a reel to reel box. It features a yin-yang symbol and a photograph of a scruffy 24 year old Patrick, to which we added his original handwriting. This peek into Cowley’s formative years arrives just in time for what would have been his 70th birthday.
Dark Entries presents their first digital-only compilation, featuring reissued rarities and new songs from 10 key artists on the label (Bézier, Bill Converse, Billy Nightmare, Borusiade, Doc Sleep, Group Rhoda, Magnus II, Max Mann, Patrick Cowley and Sepehr).
Producer veteran Thee J Johanz from the Netherlands, a master of technology, deepness and a pinch of humor, debuts on Running Back with a 4 tracker that pays homage to the innovators of electro disco: Giorgio Moroder and Patrick Cowley. “Kickin ‘In” is actually a Patrick Cowley cover, the proceeds of which go to the San Francisco Aids Foundation.
2019 is coming to the end so it’s that time of the year when we look back and see what caught our attention the most. As the tradition is on our side, we look first at the preferences of our readers and this is a top 3 of the most appreciated albums, compilations, mixes and other stuff.
Patrick Cowley was one of the most revolutionary and influential figures in the canon of electronic dance music. Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study electronic music at the City College of San Francisco. By the late ’70s, Patrick’s synthesizer techniques landed him a job composing and producing songs for disco diva Sylvester, including #1 hit “You Make Me Feel (Mighty Real)”. Cowley created his own brand of peak-time party music known as Hi-NRG, also dubbed “The San Francisco Sound.” By 1981 Patrick had released a string of his own dance 12″ singles, such as “Menergy” and “Megatron Man”. That year, he co-founded Megatone Records to release his debut album Megatron Man. Meanwhile, Patrick was hospitalized and diagnosed with an unknown illness, which would later be named AIDS. Recovering for a spell, in 1982 he composed two more #1 hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album Mind Warp. His life was cut short on November 12, 1982, when he passed away two weeks after his 32nd birthday from AIDS-related illness.
Mechanical Fantasy Box is a new collection of 13 unreleased songs recorded between 1973-80 released in tandem with Cowley’s homoerotic journal of the same title. What you hold in your hand is a collection of Cowley’s work from the years preceding his meteoric rise as a pioneer of Hi-NRG dance music. This was before drum machines. Before programmable, polyphonic digital synthesis, this is experimental music in every sense. Sounds flows from funk to kraut to psychedelic ambient electronics inspired by Tomita and Kraftwerk. As David Diebold stated in Tribal Rites, “Patrick Cowley parted the veil and entered a dark world of forbidden forces, wondrous musical panoramas and bold, strident, hopeful possibilities. Patrick brought the future to us and laid it at our feet.”
Proceeds from Mechanical Fantasy Box will be donated to the San Francisco AIDS Foundation, who have been committed to ending the pandemic and human suffering caused by HIV since 1982.
Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer. Featuring 70 minutes of music never before released on vinyl.
All the real djs were looking for those for years. Patrick Cowley – “Get A Little’, Harry Thurman – “Underwater” and “Jacks The Boxx” (Basement mix).
Threemore edits from one of the original house music creator Ron Hardy. Patrick Cowley – Mind Warp, King Sporty & the ExTras – Haven’t Been Funked Enough, Strafe – Set It Off (instrumental).
Honey Soundsystem is proud to present an unreleased disco 12” by San Francisco-based musician and producer, Patrick Cowley.
Dark Entries and Honey Soundsystem Records have teamed up again to release another volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the canon of disco music, Cowley created his own brand of Hi-NRG dance music, ”The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time, Patrick, along with his classmates Maurice Tani and Art Adcock, would create radio jingles and electronic pieces using the school’s equipment: first a Putney, then an E-MU System, and finally a Serge synthesizer. He would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.
Dark Entries and Honey Soundsystem have teamed up to release “Catholic”, the lost opus of disco pioneer Patrick Cowley and Indoor Life vocalist Jorge Socarras. Perhaps one of the most revolutionary and influential people in the canon of disco music, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound”. “Catholic” is a genre-bending concept album that ranges from minimalistic proto-techno to synth-driven post-punk. It shows a much broader range than any Cowley or Socarras material available and gives a totally new perspective to one of the most inspiring eras in music history. Patrick forges a unique electronic sound from his collection of synthesizers, modified guitars, and self-constructed equipment while Jorge’s vocals go from hypnotic to camp, singing about gay love juju and tackling classics by Donovan and Stoller & Leiber.
Spacey electronic disco from 1977… Not only was this ahead of its time, but it features the works of two of disco’s most respected, revered studio artists; Tom Moulton and Patrick Cowley. Long-since sought after, West End have done us the good service of reissuing it in all its glory. Cowley’s mega mix is linear, dubbed out and naked in vibe, which gives it a really neat timeless groove sensation. The disco mix is a little more frenetic and of its time thanks to the big drums, overlayed guitars and Michele’s sensuous vocals.
11 track album by Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined The San Francisco Sound. By the mid-70ies, Patricks synthesizer skills landed him a job composing and producing songs for disco superstar Sylvester such as You Make Me Feel (Mighty Real), Dance Disco Heat and Stars. This helped Patrick obtain more work as a remixer and producer. Of particular note was his 18-minute long remix of Donna Summers I Feel Love. By 1981 Patrick released a string of dance 12inch singles, like Menergy and Megatron Man, creating the soundtrack for a generation. Prior to his passing on November 12, 1982, he recorded two more Hi-NRG hits, Do You Wanna Funk for Sylvester and Right On Target for Paul Parker. In 1981 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. John had heard about Patricks music from the legendary Sylvester and proposed he write music for his films. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patricks songs in-sync with the film scene. School Daze is a collection of Cowleys instrumental songs recorded between 1973 and 1981 found in the Fox Studio vaults. Influenced by Tomita, Wendy Carlos and Giorgio Moroder, Patrick forged an electronic sound from his collection of synthesizers, modified guitars and self-constructed equipment. The listener enters a world of dark forbidden vices, introspective and reflective of Patricks time spent in the bathhouses of San Francisco. The songs on School Daze range from sparse prototechno to high octane funk to somber post-punk to musique concrete, revealing the depth of Cowleys unique talent.