
Awaiting VoX LoW EP finally out on Astro Lab Recordings, 3 originals tracks came with a Remix by Ivan Smagghe on the B side.

Awaiting VoX LoW EP finally out on Astro Lab Recordings, 3 originals tracks came with a Remix by Ivan Smagghe on the B side.

New master piece by the two young guys from Lyon where the label is based. This time they’ve let all their great inspiration take over, to deliver a strong piece of Chicago oriented House with tribal and japanese influences, the 707 is never too far, and a sexy male voice brings you into the moist backroom of this club named ‘Boxboys’.

Miruna Boruzescu, DJ and producer from Bucharest, presents her first EP on Comeme. The film-score like house is filled with enormous drums and ever climbing synth arpeggios.

Opening track In Spirals is an unabashed ode to funked up baselines and sparkling Italo melodies. Agamous pulls us in to sensual acid territory by taking 808 beats and 303 beeps into unchartered sexy locales. Go South continues the sexed up and synthy motif, and throws some electricised jungle drumming into the mix, making this the most intense and darkest track on the EP. Don’t Push Me, begins its journey with a more grooving disco percussion line and then heaps on some Chicago pads, ultimately blossoming into a full blown hands-in-the-air synth-exercise.

Bastedos returns with more signature weirdo disco not disco (but disco) cut-up cuts. This time the painstaking editing comes from A.M., Last Waltz, and Bastedos themselves.

Rinder & Lewis – Lust, The Alan Parsons Project – Mammagamma (instrumental) and an 120 BPM rhythm track.

Especial celebrates the upcoming release of it’s 2nd compilation mix CD to highlight the recent music of the label , with another Sampler 12” of unreleased tracks, remixes and versions for the heads, collectors and discerning.

Bastedos returns hosting two disco objects lovingly versioned by Nad. One side features the vocal talents of a mystery man with low riding balls imploring those gathered to hear him to ‘join his party’…if you look at his backside, so to speak, you will head off down to sunny rainbow filled Castro for a happy sing along and dancing tune versioned from vaults of Moby Dick.

Paul Cottam was diagnosed with Encephalomyelitis disseminata, or multiple sclerosis, just as his first records were released in 2009. The symptoms can come and go, one day you can feel OK and the next day a relapse can floor you. The last 2 or 3 years the relapses have become more frequent and aggressive. Both these tracks were written in the depths of a relapse; constant severe pain, couldn’t walk or even stand for long enough to play some records. He was housebound, and cabin fever was setting in. So he sat at his computer and let the way he felt influence the music. The A side ‘Breaking through the pain barrier’ is the soundtrack to a late night chemist run, with a deep brooding bass and a tension that builds like your mind working against the disease. The B side ‘Encephalomyelitis disseminata’ has warm bass and a lively percussion groove twinned with a killer acid line and mournful strings. These tracks helped Paul through the worst of times, kept his mind off the pain and focused on something, and thankfully something positive came out of it.

Maneuvers out of Dresden for Sneaker DJ under his Dunkeltier alias, with 4 cut’n’pastes library, EBM, industrial and proto groove for Bahnsteig 23 imprint.


Bordello A Parigi is returning to where it all began. Four years ago DJ Overdose inaugurated the label under his masked Model Man moniker. Now he’s back. Missile crisis and intercepted communique, Hidden Waves collects six underhanded secret music documents of Cold War espionage. Screaming out of the frost-biten night comes the mean and fast new wave inspired “Peeking Through The Blinds”. Softer encounters lurk, “Hidden Waves” and “The Plot Thickens While Pangea Cracks” being silver screen steeped soundtracks. Twist after twist are added to this narrative. “Burning Bed” smoulders with rich synthlines whilst “Antidote” ducks down an alley and dons a bleaker punk-wave mantle. The final late night exchange arrives with “Flying Knives”. Cool and smooth the track takes its cue from velvet lined wine bars and strong martinis. Model Man rising from the shadows to, again, show how things should be done.

Giallo disco playboy Antoni Maiovvi and horror synth dealer Slasher Film Festival Strategy team up for a very limited 12″ EP.

Hindustani singer/songwriter Lata Ramasar’s “The Greatest Name That Lives” has long been considered something of a pioneering voodoo disco/proto-house classic. In a bid to beat bootleggers, Invisible City have rushed through this official re-edit – produced with the cooperation of the Ramasar family – backing the original version with Alessandro Adriani’s infamous, previously unreleased remix on the flip. While that version, blessed as it is with additional analogue drum machine hits and dub effects, is rather fine, it’s the druggy simplicity of the chugging, synthesizer-heavy original – on which Ramasar’s vocal sounds particularly haunting – that’s the real killer.

After a promising start like “Night Drive” The Caribbean House is finally introduced by his creator/curator Billy Bogus through this four tracks EP. The Caribbean House is a live project that finds Bogus teamed up with Federico Bologna, from seminal Technogod and Ohmega Tribe collective, and Cristiano Santini, from legendary italian act Disciplinatha. Straight from electronic Italian suburbia of the nineties, skilfully mixed with Bogus uncommon approach, this is an outstanding blend of new wave and slow motion disco, strictly for midnight vultures. Let’s begin Very DJ friendly, “Ivory Pagoda” hits with a catchy rhythm which evokes some sort of deep techno vibes but with house-disco flavours and jazz aftertaste. “Il nuovo Dragone” sounds like an afro spin cycle with gluey synths and a hidden sick atmosphere. On the b side: “Haitian Party” is a lively piece that can also be crepuscular and “Ivy” comes full circle with a hypnotic afro-wave with a premonition.. This EP aims to break the rules through a bizarre idea of temporal continuity which may look like a bit of a paradox : from the dark vibes/atmospheres of the 80s via the glacial synths and the warm sampled beats of the 90s to the vaporous present day disco. If you are a DJ who knows history on the dancefloor but also like to experiment with the unusual you are definitely going to love this one!

With tickering hi-hats leading the first tracks on both side A & B Skymax enters a familier Finnish sounding disco (and part rock) sphere with kraut elemtents, synth-bass, a DJ Sotofett dub, a tango-fied slow machine ballad and a beatless 80s soundtrack conclusion to round it off. It has that utterly great and little-bit-hard-to-swallow Finnish quality stamp.