Sao Paulo’s “Vermelho Wonder” (AKA DJ Vermelho and vocalist Ivana Wonder) debut on Mister Mistery, loaded with Italo-disco, New-wave, Synth-pop and House influences, the duo already made a name for themselves locally with a huge and very present fanbase. The EP comes with two dance-floor remixes by Italian Massimiliano Pagliara and Mister Mistery’s ROTCIV.
Besides his busy DJ schedule and far from the usual club circuit routines, Massimilano dedicated himself to intense travelling and exploring the world anew. “I felt like I have lived more than ever,” he states. “Getting to discover all these beautiful places around the world and meeting so many lovely interesting people, has inspired me in many different ways. I feel enriched.” The result of these experiences is Feel Live, Massimiliano’s third full-length endeavour. It was recorded in several intimate, sometimes improvised studio settings between Los Angeles, Portland, and Massimiliano’s homebase in Berlin as well as at airports and on intercontinental flights high up in the sky. Featuring vocals by Private Agenda, Peaking Lights, Kim Anh and instrumental contributions by Fort Romeau, Tim K, and Jules Etienne, Feel Live is Massimilano’s most playful and imaginative work to date. It’s as emotional as sensual, as vibrant as the first ray of light after a thunderstorm has cleared the air.
Massimiliano Pagliara returns to Live At Robert Johnson with a double release titled Devoid Of Dimension.
Gian and Massimiliano Pagliara team up to serve you a sizzling hot Diavolo extra crispy. Hard Swabian Electro gets the delicate Lecce touch with parmigiano sprinkled all over to reach the highest level of piacere.
Massimiliano Pagliara debuts on Ostgut Ton with his new EP, Time And Again. Heavily influenced by classic Chicago House, Electro and early Disco music Massi’s new EP serves as a cross-section of his musical interest as a producer and sonic palette as a selector. Working with vintage studio gear, analogue synthesizers and classic drum machines, his Time And Again EP is as warm and soulful as it’s lush and bursting with strength.
The Violet Hour is the exclusive project of Panorama Bar resident Massimiliano Pagliara and Michael Greene aka Fort Romeau, for Berlin imprint Cocktail d’Amore Music. One Morning In The Future takes over the A side. A total dancefloor pleaser. Treating us with Chicago house-inspired drums and that kind of cosmic pads that make any seasoned raver jump and kiss a nearby stranger. The intensity never stops growing – with new melodic strings appearing unexpectedly, projecting the track to the rings of Saturn. An involving italo-classic bassline characterizes Ultraviolet, together with an explosive layering of synthy melodies. The B2 Prisoner Of Love is a seductive dialogue between synthesizers and classic piano, resulting in a comforting, romantic soundtrack for any space travels. These two tracks illuminate feelings of looking at a violet sky, but with different attitudes: the first pushes into the unknown looking for a happy ending, while the second is nostalgic and tender.
The Healing Company re-release a highly sought original version of Johannes’ Regnier “Hilbert Space”, coming with two stunning remixes by Palms Trax and Massimiliano Pagliara.
For the second part of his “Connection Lost” series Massimiliano Pagliara teaches a lesson in how to translate Disco music in a modern language of sound. Without further ado “Trying To Hide But Then I Cried” comes across as pure dance floor material. Above a drum-fueled foundation various synths swell up and down while the bassline is pumping steadily for an irresistible groove. “If You Were Here” on the other hand benefits from similar ingredients but has a rather dreamy feel to it. Thanks to its elegiac pads and pensive synth melodies. “Ukulele Groove” takes its time to build things up but when the bassline and those distinctive synth stabs come in you can’t help but hope for a never ending summer. The final word here is “No More Love To Follow” featuring the vocal talents of Matthew Morris, a slow progressing, gloomy Disco ode to the ups and downs of love.
Opening track In Spirals is an unabashed ode to funked up baselines and sparkling Italo melodies. Agamous pulls us in to sensual acid territory by taking 808 beats and 303 beeps into unchartered sexy locales. Go South continues the sexed up and synthy motif, and throws some electricised jungle drumming into the mix, making this the most intense and darkest track on the EP. Don’t Push Me, begins its journey with a more grooving disco percussion line and then heaps on some Chicago pads, ultimately blossoming into a full blown hands-in-the-air synth-exercise.
Synth wizard and disco don Massimiliano Pagliara is the latest addition to Uncanny Valley’s roster. From the first bass drum it is clear that “Connection Lost” pulls out all the stops. There is an urgency in its drumming and synth work that shouts “dance floor anthem” right from the get-go. “I Am Running All My Drum Machines At Once And Dancing” plays out like a percussive orgasm triggering pretty much all the drum sounds you could imagine. On the sleazy Disco affair that is “Don’t Give Up On Love” Massimiliano gets vocal support from Sigrid Elliott. This is a oh-so-sexy alliance that would have shined bright even in the heydays of Boogie. Finally, “I Enjoy Myself While I Am Here” shows off once again that when Massimiliano Pagliara is at the keys he creates glorious vibes like nobody else.
As Benedikt Rugar’s superbly illustrated cover art for the recent CockTail D’Amore compilation Nothing Matters When We’re Dancing proved, the Berlin collective proudly celebrate their status as a forum for Berlin’s gay community to fully express themselves. With no releases on the label since that compilation arrived in January, Discodromo and DJ Boris have now unveiled a sister operation with a focus on edits under the wonderful name CockRing D’Amore. The debut release features contributions from label regular Massimiliano Pagliara, the unheralded Trent and founders Discodromo.
A record for dancer and lover and a beauticut through all aspects of dancemusic . The rave must go on.
Live At Robert Johnson presents a second Lifesaver compilation. The label is calling the eight-track collection, which arrives two years on from the first instalment, “another episode of togetherness.” It presents music from the LARJ roster, with Roman Flügel, Portable, Orson Wells, Massimiliano Pagliara, Lauer, TCB and Benedikt Frey all chipping in with a track each.
Massimiliano Pagliara’s second album on Live At Robert Johnson. This second full-length, ‘With One Another’, is mostly made up of collaborations with locally based producers. Norwegian exile Telephones lends a hand on the deliciously Balearic “Long Distance Call”, with one-time NYC resident Lee Douglas recalling his TBD work with Justin Vandervolgen on the murky acid assault that is “Fall Again”. Elsewhere, you’ll find a range of moods, ranging from the enveloping power house of “Native Tribes of Jupiter” (a hook-up with Credit 00), to the dreamy synth-pop of “With One Another”.
Phonica announce the arrival of their celebratory compilation marking ten years of the shop. A triple LP pack, where some of their favourite artists produced a track for an eclectic yet cohesive compilation, which will hopefully go some way towards sonically unfolding the ‘Ten Years of Phonica’. The triple LP features tracks from: I:Cube, Trevor Jackson, Raudive, Discodromo, Joe Claussell, John Morales, Henrik Schwarz, Massimiliano Pagliara, Iori remixed by Steve Moore, Juju & Jordash, Legowelt & In Flagranti.
Apersonal Music introduces a very special collaboration between Massimiliano Pagliara and Jules Etienne that goes by the name of Egyptian Nipples. The songs on “Back but Half EP” were originally composed and produced by Jules Etienne. Massi then proposed Jules to re-work them and add his additional production. The result is an ode to 80s inspired song writing, analogue grittiness and heavenly melodies.
After a string of twenty plus 12-inches, various high-flying mix-compact-discs, other audio-visual eccentricities and even books, she is finally ready to make a collection public that embodies the very character of Live At Robert Johnson and its affiliated club in Offenbach am Main. During this collection of 11 tracks, you will meet old and new companions; hear withdrawn songs and extrovert composi- tions, experience Frankfurt skyline techno-soul, hobo house and divergent disco. Starting off with new kid on the block Chinaski and an extended mix of the fragile “Lunch”, Live At Robert Johnson old hands Massimiliano Pagliara and Lauer are on top of their respective games, Roman Flügel sends warped and gifted droid funk, The Citizen’s Band precedes him, while newcomers Benedikt Frey and Orson Wells set good examples of their own. Not too shabby either: San Laurentino in his state of overjoy, Portable and Lcio bring their flutes of mellow madness, while the Tuff City Kids close of with “People Is A Crackhead” and some blue-eyed steppers business. Modern, old-fashioned, post-nostalgic, history-addicted and future-ridden all at the same time, “The Lifesaver Compilation” is exactly that: a life saving apparatus.