
Big time stompin’ and ultra rattling disco. Sex Tags Ufo with trademark disco cuts by DJ Fett Burger and DJ Grillo Wiener. Trademark disco for the heavy buglin’ percussion mixes.

Big time stompin’ and ultra rattling disco. Sex Tags Ufo with trademark disco cuts by DJ Fett Burger and DJ Grillo Wiener. Trademark disco for the heavy buglin’ percussion mixes.

A side is a little bedroom jam that has never been released. Drums by the mightful Matt Rex, hand claps and finga snaps by Tom Noble. Flip is a gently reworked version of “Music Engine” from Tom’s “In Liger Vision” EP.

Continuing their forays into the world of yesteryear grooves unabated, Lumberjacks in Hell are at it again, this time drafting in O Boogie and Red Greg for some disco funk finesse for the smoothest get-downs. O Boogie lords it over the first side, leaning heavy on a rich piano hook that hammers lower register chords over an incessant disco tick, while evergreen track “Papa Was A Rolling Stone” gets re-versioned in such a floor-burning fashion you’ll need asbestos boots just to get out alive. Red Greg’s “Inner Rhythm” plies familiar tropes into a sweet instrumental groove that makes all the right moves.

The first release of the new Dutch label Pinkman contains four great tracks from Drvg Cvltvre, formerly known as RA-X. His music is slow, doomy, with broken disco and house elements, focusing on on hypnotic repetition and percussion. The first track is the cult hit “Offender Status”, deeply doomed disco that will hypnotize the dance floor as soon as you put that needle on. Next is the slow melodramatic track “Quasimodo Predicted All Of this”. On the flip you’ll find “Lingettes Humides”, a typical westcoast-ish electro disco track with a theme that will be stuck in your head forever. The final track “Dakar” takes you on a voyage through the Mediterranean Sea, raw submarine house with a middle east theme.

Sent from the future to save the world from a possible quasi-cosmic tragedy, the duo Casetofoane (Tape), landed in 2012 after a failure of Discobolului Temporal 5000, is forced to adjust to these times. Using electronic beats and spacial instruments to mesmerize the audience, but also as a means of communication with intergalactic posterity, these two deviants are secretly working to save the music from superficiality and hypnotizing people from these times with retro rhythms, extracted directly the time machine.

This latest missive from the Lumberjacks label features a mixed bag of reliably groovesome oddities. There’s the disco-jazz madness of Jamie 3:26’s “Can You Feel It”, and three wide-eyed bangers from the unknown Boogie Nite. Of these, the most obviously upbeat is the loopy funk/soul strut of “Do Your Thang” and James Brown-ish “Sexy Sexy Sexy”. Most interesting of all, though is “Earth Calling Mickey”, a Balearic disco weird-out that sits somewhere between oddball house and head-nodding disco.

Previously only available as part of his subscription 12” series ‘Mixed Fortunes’, these two 12”s heralds the first original material from Rory Phillips, following a 7 year run of well received remixes for the indie and dance elite. Named to reflect the stylistic range of the series, Mixed Fortunes channels the same spirit of musical adventure heard in both Phillips’s remix work and in his genre-hopping DJ sets, with tracks both by Phillips alone in his well stocked analogue studio as well as some undertaken with a range of top secret collaborators.

Shock is a passionate dance and pop group from the Bay Area, CA. “Heaven” is Shock’s debut single, which features a hypnotic house groove, a primal bass line, and shimmering guitar layers. Terri Loewenthal’s mysterious and seductive vocals are complemented by novel production from Dan Judd and the alluring guitar work of Michael Taras. Sleek and inviting, “Heaven” is laced with a romantic melancholy reminiscent of the classic disco and house eras. The “Heaven” 12″ features remixes by Shock’s friends: The Beat Broker, Hatchback, and Steve Moore. These versions perfectly compliment the original and expand the music into complete universal harmony.

Disco Bloodbath Recordings’ third release drops with synth-beat duo G&S (Nadia Ksaiba and Matt Waites) turning in ‘The Green Man’ EP featuring a remix from Capracara. The unmistakable punch of a Roland TR808 drives ‘The Green Man’ while jabbing tones add to the gritty foundation that slowly opens up into a stirring, electro-disco cut characterised by soaring strings and light chords. Capracara delivers a buoyant, skipping house take on ‘The Green Man’ which stays true to the originals vibe but toys with the energy playfully via some nifty arranging and subtle atmospherics. Finally, ‘Dirk Bogarde’ cuts an imposing yet bright figure. Cascading white noise, juddering toms and delayed crescendos all add to an already brilliantly melodic track that shows off countless influences.

Free Magic and JKriv team up again for the third release from the Brooklyn party and label, Discovery Recordings. These tracks capture the developing mood of a party – from the early night grooves to peak-hour proper house.

After 2010’s ‘Tuning Echoes’ Mock & Toof return with their second album entitled ‘Temporary Happiness’, featuring the young Swiss artist Ghostape who features on half of the 10 tracks, the remainder being instrumentals. Their sound isn’t easily pigeon-holed & this album continues in the same tradition. Stylistically there are the occasional nods to today’s & yesterday’s myriad of electronic genres, but it is concocted in such a way that the resulting tracks can’t be easily slotted in with this gang or that scene. ‘Temporary Happiness’, as the title suggests, is darker, deeper & perhaps a little less accessible than its predecessor, but it does have its moments of light where the energy & drama of dance tracks ‘Snowball’ & ‘Walking the Streets’ shine through, contrasting with the murky & more melancholic ‘Confusion Time’ & ‘Don’t Work, Don’t Care’. There is also plenty of space and a dub-funk mottled vibe running through a good number of the tracks, which could be said to be a bit of a trademark. At its core ‘Temporary Happiness’ is made by a combination of old machines & new computers, where Ghostape’s vocals and the emphasis on hooks & melodies constitutes the more human side.

Endless Flight presents the first the first two tracks from the upcoming debut album by true Italian disco artist Marcello Giordani. Classy & smooth disco house tunes from Marcello.

Late Night Audio Records presents “Rose” EP, Das Volt’s new work on the label, which includes 4 dangerously hot tracks, as well as a remix by Mark E. Das Volt’s musical influences and background vary from house to boogie, helping his sounds change playfully from track to track. Combined with precise sound engineering skills and his great taste of rhythm. DJ/producer Mark E also adds his touch of class on this EP, with a dreamy and essential remix, aiming to satisfy all your senses.

Mock & Toof are back with a new album “Temporary Happiness”. The first material to emerge from the new album is called ‘My Head’& it features vocals from young Swiss artist Ghostape. In a nutshell it’s one little catchy chugger with a heavy analog sound. The beats of the Boss DR-55 & the inimitable bass of the TB-303 lay the foundation. Clavs, bell lines and synth sweeps combine with Ghostape’s repetitive dubbed out vocals for a unique sounding electro-dub-funk inspired cut. Juju & Jordash take snippets of the vocal & weave them into an amazing raw, deep, techno remix that only they seem to be able to do at the moment. Lauer takes on the album track ‘Confusion Time’ and transforms it into a killer deep house number.

Lauer’s “Macsat Ring Down” follows an elliptic pattern fit for infinite play on any space floor. On “Mascat”, analog space junk flies in and out of an orbital framework built upon nearly nine minutes of bubbling bass and peripheral percussion. Space boogie at its finest. An anti-gravity exercise in repetition, Lee Douglas remixes “Macsat” for the flipside. Reaching a zen state through mantra-like looping, Douglas reworks Lauer’s sounds from a delicate and pensive place to a muscular and propulsive groove. Most if not all of the synthesized glitter from the original is eventually forgone in favor of blasted percussion and an unrelenting bassline.