
From the vaults of Ron Hardy… Nightmoves Transdance (nyc mix), Phuture Phuture Jacks, Sensation (Unreleased mix 1).

From the vaults of Ron Hardy… Nightmoves Transdance (nyc mix), Phuture Phuture Jacks, Sensation (Unreleased mix 1).

Three is the number, Basement Toolz the titel. Once again Rat Life Records is taking Mickey on a night out to the sewer. Here are two tracks made by Credit 00 with a borrowed TR 909 drum machine. Side A is called Korg the Groove, as the title already reveals, it’s inspired by Aril Brikha’s classic Detroit Techno cut. On the Flip side you will find 909ish, one drum machine and one synthesizer, which is not much but all you need and more, plus there is extra noise on the clap to amplify your face slapping pleasure.

Dresden don Dunkeltier (aka Sneaker aka Gino ‘Der Hammer’ Galan) is next up on the Macadam Mambo flex, dipping into his personal armoury of EBM, industrial and post punk favourites for a premium set of edits. If you dug his Rat Life edits this year or got blown away by a Traxx session then you will definitely levitate towards the sounds here as Dunkeltier tweaks Kozmonaut, Absolute Body Control and EM. Do check the mind altering Phase Adjustment of “Tanzmusik” from cult Belgian crew Absolute Body Control which is exactly the sort of fizzing power electronics that will provide a welcome deviation into absolute beat down territory for the more adventurous selectors.

Santos – Beat The Knuckles, Fiona Franklyn – Busted Up On Love, Ron Hardy – Sensation (unreleased mix 1).

Tokyo Matt from the Otaku Soundsystem and Mori Ra & Asn from Tokyo Oyama Edit presenting 4 edits out of this world. All very atmospherics, they are the ideal combination of space disco, Balearic rock, jazz, pop and fusion.

Berceuse Heroique label deliver the second 12″ from the Heroique Edits series, coming form Japan Blues, aka Ethbo Records founder Howard Williams takes an altogether more eccentric approach. Opener “Half Dead Pulse” is dreamy, melodic and, well, rather odd, with vocal chants and fluid melodies riding a skittering drum machine rhythm and long, drawn-out chords. “Baroque Mutiny” sounds like post-punk-meets-chiming synth-pop (with a dubwise beat), but is almost certainly an edit of an obscure new wave track. Finally, “Mysterious Satsuma” delivers an attractive blend of exotic, Eastern synth lines and curious, experimental Italo rhythms.

Ron Hardy is the only man who can test Frankie Knuckles’ status as Godfather of Chicago House Music. Though he rarely recorded under his own name and left little evidence of his life, Hardy was the major name for Chicago’s dance music from the late 70s to the mid-80s. By 1974, he had already effected a continuous music mix with reel-to-reel machines plus a dual-turntable setup at the club Den One. Several years later, Hardy played with Knuckles at a club called the Warehouse and though he spent several years in Los Angeles, he later returned to Chicago to open his own club along with Robert Williams, the Muzic Box. While Knuckles was translating disco and the emerging house music to a straight, southside audience at the Power Plant, Hardy’s 72-hour mix sessions and flamboyant party lifestyle fit in well with the uptown, mostly gay audience at the Muzic Box. A roll-call of major Chicago producers including Marshall Jefferson, Larry Heard, Adonis, Phuture’s DJ Pierre and Chip E all debuted their compositions by pressing up acetates or reel-to-reel copies for Hardy to play during the mid-80s. This CD compilation brings together some of of the classic house and electro-dance tracks he played at the Muzic Box back in the day.

You should know the drill by know… Mr. K Alexi – Don’t You Know, Greg Perry – Come Fly With Me & Drum track 1.

The first installment of a quarterly series takes its cues from the Italian disco scene of the early 80s, reworking Cyber Peoples Void Vision into a Hi-NRG burner fit for the early hours at a former power plant, and JM Bands Computer Monkey into a loopy tool with frills.

Groove Line Records continue with another Patrick Adams & Greg Carmichael produced classic, Lady Bug, by Bumblebee Unlimited, the second in our series of 12 audiophile reissues from the Disco underground. Side A is the Disco Mix by John Morales and Frank Trimarco. A solid kick opens the track before Morales’s trademark percussion is introduced. Then the slick bass, guitar and piano groove play alongside the innovative synth lines and drive the rhythm forward, before the addition of that simple but engaging single note piano groove… the core element of the track, and the synthesized vocal between the Lady Bug in question and the bee who’s chasing her. Side B features the Disco Remix by the legendary Larry Levan. Starting with the full drums and percussion Levan adds each element at an earlier stage than the Disco Mix, so the full track, including the vocal, hits you at just over a minute and doesn’t let go until the fade, giving a more intense dance floor experience.

3 stunning edits made by the master of European Disco: Albion Venables from Sweden. Just a quick description of the tracks, Disco Mambo is as you can imagine, a Disco Mambo track clearly dedicated to the label. Hear The Night comes from an obscure Italian record with some French Vocals in it. And The Mirror Forrest is a beautiful electronic tune coming from an Italian Library record.

Tee Mango rides some seriously wig flipping synth lines over an irresistible tropical groove that just builds beautifully into a bona fide ‘moment’ on the floor. Treating us with two solid gold Soulful extensions: Allenby Chilton takes on a little known Etta jam, amplifies the Funk elements and transforms the song into an altogether more heavyweight workout. Finally Fence take on a rare late 70’s psychedelic Soul tune, again adding some 21st century wide-screen sonics and dancefloor dynamic.

After the immediate sold-out success of Hot Girls of Italo Disco, Bordello A Parigi and Mothball Record have returned with another strictly limited collaboration. Sure to be in high demand with collectors and DJs alike, this is a selection of previously impossible to find cuts, extended for your dancing pleasure by Flemming Dalum and Hysteric. Boasting no less than five different tracks, you can dance from the impossibly funky bassline and sweet vocals of Flavia Fortunato’s – “Se Tu Vuoi” to the dark and haunting hymn “La Notte” by the mysterious Taigher.

Reiterate bounds back in the room with a 2nd iteration, this time with edits by JTC, DJ QU & a remix by New York’s Steve-Oh. Strictly dancefloor reworks of Dinosaur, Rafael Villafane, Bee Gees, & Liaisons Dangereuses.

Imagine the early 80ies, cold war is on its peak, you are a young lad in american occupied Germany and don’t feel like joining the army. What you gonna do? There is not much choice. you could crash your dads car into the next bridge and get invalided out or you just move to the island of west berlin and buy a drum machine. ”Neue Wohnkultur” is one of those bands started by renegades hiding from military service in the american sector of the german capital. Writing songs about what its like to be a soldier is definitely more fun than taking extended field trips with the comrades to the country side. “Wir sind Soldaten, Wir sind Soldaten!” M.o.m.O. Cut it! So here we are, decades later, the wall came down, east and west germans are shopping peacefully together, you are reading the press text of some record label called Rat Life. Does all this make any sense? Well you are the customer, it’s your choice, you could click your mouse now and skip to the next item before i tell you about the flip side of this record which is nothing but a repetitive loop goin on for 9 minutes. You might say “Enfant Terrible (M.W. Cut)” is not a big pleasure for home listening but its on you to make it interesting, you could mix it with your dads old records or crab a mic and rap over it (please don’t rap over it.

Neo Romantico dance music by Shangri & La. Inspired by a club and a scene that never was, we hear rroto acid, bongo boogie, future reggae and candid club cuts that equals the Fantastic Four. Great sounding music for good looking people.

Sir Leon Greg (another incarnation of Perseus Traxx) jams out then reinforces some edits of forgotten classics with a raw & personal analogue treatment for a devastating full effect on the dance floor, that is a far cry from the proliferation of over-produced squeaky-clean software edits. These are basic, raw ideas thrown down quickly and capturing the energy on 1/4” tape.

Volume two in the rare Argentinian grooves, reworked by disco connaisseur Ricardo Piccolo. You’ll never find these joints again.