Rat Life Records is back with more music to accompany the end of the world. Here are six tracks by Roman citizen Alessio Di Mezza (also known as Religius Order) that make you feel like it’s the Fall of Rome all over again. Excellent timing, considering the state of modern civilization on this planet right now. Luci Nere is the perfect soundtrack for your Apocalypse Afterparty.
Serial Error was founded as a New Beat project when Jacob Korn was asked for a submission to the ‘Our Beat Is Still New’ compilation series on the Belgian We Play House label in late 2014. Knowing the retro-experienced skills of his label mates from Uncanny Valley, he teamed up with Credit 00 & Sneaker and they produced Drum Abuse, a track that finally became the cue for their first full 12” maxi single in 2018 on Rat Life Records; a label curated by Credit 00. Now they keep on malfunctioning with a 4-tracker featuring the bizarre title Afro Gothic. The eponymous track was the first shot when they got together for a second EP in Jacob’s studio in now demolished premises (the typical daily Rat Life). The slow, steamy roller captures the amateurish live percussion skills of Credit 00, while – on the other hand – he played one of the manuals of Jacob’s ‘Son of GX’ organ along with Sneaker playing the other manual of the leading voice synth. On top, they added a classic acapella – a sudden strike of genius – ‘perfectly matching the solemn vibe’ (in their opinion; artist quote). A2 ‘Unter den Helmen’ is ripping off the same organ’s preset drum patterns run through a brutal EQ. Talking of the 70s – a duet by two anti-nuclear activists from the German Sponti movement of the time became the theme of this politically charged protest song! Oh yeah, somewhere I had to paste the striking fact that all is mastered & sent via reel-to-reel at our TailOut studio. Check! B1 and B2 are two versions of the same song who share their lyrics drawn from school days. To be precise from the tacky Dresden art academy they both – Sneaker and Credit 00 – visited. The B2 of ‘Art Academy Talk’ features the typical Sneaker vocals on a 4/4 beat, while – due to Credit 00’s lean towards electro – the B1 got the vocoder treatment while Jacob and Sneaker went for lunch. As Jacob came up with the bass riff on his Chroma Polaris, Credit fiddled the knobs of his Ensoniq ESQ1 like a rusty raver. The freaked out FX-sounds we can cherish thanks to the Pearl DRX drum machine; modded and played by Jacob Korn. Due to the odd look also fondly nick-named ‘the VCR’. The Pearl, of course, not Jacob.
Greetings from Sucksonia! This is Rat Life number 17 – straight from the arse end of nowhere called Saxony. Westlake & Hayter dedicate their debut EP to this not so special part of Germany. Moving here voluntarily from the western sector pissed off their parents and friends, so they had to join the local freak music underground. Apart from this, what other option do you have as a free spirit, in a place that is controlled by crazy old men and their weird ideas? Right! You deal with the messed up reality by making some beautiful messed up music. And the two did very well! Spreading their Mutant Freak Funk over four tracks that will make your nice little suburban homestead collapse, this way it will fit in perfectly with the industrial ruins in the neighborhood!
Rat Life Records presents Various Rats. A compilation of ultimate Party Hits for the downfall of society. Happy Doomsday everyone. If there is a rat there is life.
From Conrad Schnitzler in the 1960s to the pioneers of Detroit techno in the 1980s, experimental sonic artists were often inspired by the metallic noises of industrial factories. Schnitzler wanted to recreate the sounds he heard in his apprenticeship as a locksmith with musical instruments, and the sons and daughters of the midwestern automobile-industry generation programmed the motown soul into Japanese electronic music equipment. With his new piece The Metal Beat EP, Credit 00 wants to get in line with this tradition of transforming factory sounds into music. Each of the three tracks reflects on the role of the human being in an industrial environment. The never-ending movement of the machine becomes the rhythm, while the melody embodies our forlorn voices in the vastness of the factory site. The blues played by machines–modern work songs for a post-industrial society.
Rat Life Records presents Serial Error a Project by Credit 00, Jacob Korn & Sneaker. This outfit was brought to life in 2013 when Red D called for some New Beat style tracks for his “Our Beat Is Still New” Compilation. Flying a bit too low under the radar ever since Rat Life decided to reissue Drum Abuse on a Super Sound Maxi Single. The Track was made in Jacob Korn’s headquarter studio / synthesizer museum. The task distribution was hit quickly: Jacob squeezing the acid out of his huge Formant modular system, Credit 00 beating the drums on the Boss DR 660 and Sneaker throwing his unique vocals on top.
Rat Life is back with more unheard material from the hidden bedroom studios of East Germany. One Day In Metropia – is a project that was active around the year 2008 – operating out of the concrete suburbs of Dresden. Its main focus were live appearances in the citie’s underground electronic music circle. Just a few signals of its enormous creative output were published on various sound carriers to this day. So it was time to release some more of this large bulk of data that has been lurking on storage devices for years. Rat Life’s operator Credit 00 is proud to be allowed to contribute a remix version to this sonic document.
Little is known about Konstantin Tschechow, the first and last time we met was around the turn of the millennium in the small city of Koenigsbrueck in the far east of Germany. It was during one of my regular night strolls through the countryside, when I ran into him accidentally. He was standing there in the middle of nowhere leaning on the fence of a train yard where he was, as he said “recording silence”. I found that very interesting and we got to talk to each other. After a long conversation about everybody and his dog we found out that we were both Grandsons of Afrika Bambaataa. We planned to hang out more often so we exchanged phone numbers and he gave me a CDR with some of his recordings before he disappeared. A couple of weeks later I called him up to ask if we could meet, but he told me that he had to leave the country because the local authorities found out that he illegally immigrated from Aldebaran. Before I could say “to hell with this fascist state!!!” the connection was interrupted. I tried to call again, but he must have dumped his phone to make sure nobody could track him down. That was the last time I ever heard from him. A few years ago, there were rumors of him being the sound man for reincarnated John Lennon on various tours around Galaxy Mt23, unfortunately I could never afford tickets to find out. One lucky day in 2015 I found the CDR that he gave me on our first and only meeting ever. I discovered 5 tracks and instructions to release them in the year 2016 during a Penumbral Lunar Eclipse.
Mono Junk delivers four pieces of pure Finnish melancholia for Rat Life’s 7th release. This guy is a true European techno originator and like no one he reflects the darkness of the long, cold and lonely winters of suomi in his music. While listening to these tracks you will find yourself wondering: are these voices coming from the speakers or are you listening to your own morbid thoughts? Perfect soundtrack for your winter depression. Can’t understand what you say!
Sneaker is going deep with his interpretation of Rai music on RAT 6. “Rai is a type of Algerian popular music that arose in the 1920s in the Algerian city of Oran, back then known as “little Paris”, it was a melting pot of various cultures, full of nightclubs and cabarets, it was the place to go for a bawdy good time. Out of this milieu arose a group of Male and Female Muslim singers, who rejected the refined, classical poetry of traditional Algerian music. Instead, to the accompaniment of pottery drums and end-blown flutes , they sang about the adversity of urban life in a raw, gritty, sometimes vulgar, and inevitably controversial language that appealed especially to the socially and economically disadvantaged.” sounds like the definition of Rat Life! Put some drum machine patterns on top of it and here we go: long overdue Sneaker solo EP on Rat Life Records!
June Records presents Concept 1210, a collaborative project between We Are Monsters, Ratlife Records, Nation and June Records. Represented respectively by All The Wild Eyes (Solar), Credit 00, Naughty Wood, Traxx, The Pedestrian, Villan X, Trenton Chase and June. Concept 1210 is a contemporary take on DIY electronics, made with the original rhythm machines, synthesizers and sequencers that became available between the period of late 1970s to mid 1980s.
Leibniz and Credit 00 team up for more Basement Toolz on RAT5. Three home made Bangers to rock every party like its Octoberfest all over again.
Rat Life returns with The Pagan Rites on Catalog Number 4. Little is known about the band from Sweden, first Signals were received in 2010 when they submitted their track 03 to the IFM Demo Contest. In October last year Rat Life sent out a submarine to search the Swedish coast line for the small Hut where the duo records their songs (Apologies to the Swedish authorities at this point, who confused our research with a Russian military threat). All four tracks are packed with bittersweet melancholia, reflecting the neverending darkness of cold Scandinavian winter, still the midnight sun is always in sight on the horizon.
Three is the number, Basement Toolz the titel. Once again Rat Life Records is taking Mickey on a night out to the sewer. Here are two tracks made by Credit 00 with a borrowed TR 909 drum machine. Side A is called Korg the Groove, as the title already reveals, it’s inspired by Aril Brikha’s classic Detroit Techno cut. On the Flip side you will find 909ish, one drum machine and one synthesizer, which is not much but all you need and more, plus there is extra noise on the clap to amplify your face slapping pleasure.
Imagine the early 80ies, cold war is on its peak, you are a young lad in american occupied Germany and don’t feel like joining the army. What you gonna do? There is not much choice. you could crash your dads car into the next bridge and get invalided out or you just move to the island of west berlin and buy a drum machine. ”Neue Wohnkultur” is one of those bands started by renegades hiding from military service in the american sector of the german capital. Writing songs about what its like to be a soldier is definitely more fun than taking extended field trips with the comrades to the country side. “Wir sind Soldaten, Wir sind Soldaten!” M.o.m.O. Cut it! So here we are, decades later, the wall came down, east and west germans are shopping peacefully together, you are reading the press text of some record label called Rat Life. Does all this make any sense? Well you are the customer, it’s your choice, you could click your mouse now and skip to the next item before i tell you about the flip side of this record which is nothing but a repetitive loop goin on for 9 minutes. You might say “Enfant Terrible (M.W. Cut)” is not a big pleasure for home listening but its on you to make it interesting, you could mix it with your dads old records or crab a mic and rap over it (please don’t rap over it.