
A favorite cut from Egypt’s ”1986” album, now pressed on 12” with an extended version not available on the album. Also includes a previously unheard track, ”We The Freaks”. Featuring Brian Ellis on keys.

A favorite cut from Egypt’s ”1986” album, now pressed on 12” with an extended version not available on the album. Also includes a previously unheard track, ”We The Freaks”. Featuring Brian Ellis on keys.

Sound Synthesis with a new 4 track EP of the finest acidic electro on the second Ancient Technologies release.

Konerytmi is who gives name to the seventh reference of the Madrid label Industrias Mekanikas, which continues betting on this new mini-LP featuring 6 tracks that will shake the dance floors, broken bases and dark bass lines that will hypnotize you and will not let you stop dancing.

100% analog sounds where any modern computer is unnecessary. Redray’s sound on Cosmic Knowledge is the result of endless jam sessions on his TR drum computers and various synths which results in six dancefloor orientated tracks strongly influenced by the 90s Detroit and Chicago scene.


Athenian label FERMA announces the first Vinyl release coming in the form of a VA compilation. “Rites of Passage” is hitting the dancefloors with a variety of different tools and club styles combining deep grooves, electro sounds, rolling basslines and sinister synths. On the A side we see Jack Roland and Serge Geyzel, while on the flip side we have Vilnius based 5ZYL and synth-lover Extase Urbaine.

Strange Submissions from an extraterrestrial breed. Half Dog, Half Human, Half Racketeer. Hayter and Milium, the ones to first witness these outlandish sounds, present Dog Balls – Tell It To My Dog. A 6-track EP made by and for the shapeshifter in each of us. Dark and bittersweet hymns of loved ones long lost, robotic odes to fetching and synth-laden dialectics on shoplifting. A once in a lifetime offer. Be quick for their ship will come.

Fringe Society makes a return to Wrong Era with his the album ‘The Art World’. We are invited into his delicately sculpted soundscape through abundantly transcendent tracks. This release transports you to one of Fringe Society’s mesmerising live sets and a dimly lit Mullholand overlook. ‘The Art World’ embodies his consistently slick approach to production and breathtaking sonic atmospheres. A true force to be reckoned with.

Blackploid has become one of Central Processing Unit’s stalwarts in the past couple of years. Martin Matiske’s project contributed a trio of EPs to the label across 2021 and 2022, with each of them showing off the kind of electro chops and production sensibilities that made Blackploid an ideal fit with the Sheffield imprint. Now, for CPU’s first release of 2023, Matiske levels things up with the debut Blackploid LP Enter Universe. Across these twelve tracks, Matiske leaves us in no doubt that he’s a prime mover in the world of modern electronic music. Enter Universe does not let up from start to finish, delivering a dozen pieces of leftfield electro that draws from the sound’s greats while also showcasing an unpredictability and flair that is all of Blackploid’s own.

Re-issue of Drexciya’s 4th storm! Another seminal work of 6 Futuristic deep & Drexciyan Electro/Techno tracks. Hypothetical questions translated into music by the visionaries of contemporary electronic music. ”Music beamed through Dimensional Waves by Abstract Thought…” First released in 2003 on Kombination Research. Remastered from the original session tapes.

Colorado based DVS NME debuts on Tiger Weeds with a solo EP, delivering his signature sound with four straightforward Electro cuts.

The Argentinian producer SAIGG signs the reference number 33 of Mars Frequency Records. Industrial and metallic sounds mixed with aggressive basses and vocoders, flow over broken electro and techno rhythms, to make you vibrate wherever you are.

Too Many Cars Records from north of France is back with four electro tracks from Betonkust and Franz Scala & Malkut.

New releases have been a little sporadic from Ali Renault in recent times. The Cyber Dance and Vivod boss was last spotted out with a EP in 2021, but he’s back in full force with this outstanding EP on Nocta Numerica. Ali Renault conjures up some spellbinding atmospheres from his synths across the whole EP, proving his place at the forefront of stripped back synth gear for those who like it a little darker.

Shapes of the Roots is a two piece project by D_Roots. On Part 2 the Italian producer shows the deeper side of his production skills with 4 beautiful, driving Detroit electro/techno tracks.

Dark-driving electro anthems by Der Panther and Die Gestalten. The record is made from recycled vinyl. Many different colored records have been recycled so each copy has a slightly different color. There are also a few easter eggs hidden. The cover is made from recycled cardboard and printed with vegan ink. the inner sleeve is made from a used inner sleeve that is in mint condition.

Texas based Electro artist Cygnus arrives on Science Cult with a timeless cyberfunk 4 track EP. Expertly programmed beats and bass lines mixed with lush synths and vocoders make for an unforgettably smooth sound. Rounding out the EP is an energetic stomper of a remix by The Exaltics.

The Spy debuts on Mechatronica with a dark, cosmic and hypnotising collection of tracks. On Snakeskin, the Dutch DJ and producer dips into electro, wave, techno, industrial and UK bass to mold an album that distinctly showcases his variety of styles and musical output, from gloomy slo-rollers to futuristic floor anthems and beyond.

Scorching EP from Dead Channel alum and acid master, TLXCO. Stripped down, but dense and tense, this 4-tracker is filled with huge delayed 303s, booming gained-out drums, and desolate atmospherics. Literally translated as ‘Every Day Towards Death’, this bleak acid masterpiece brings you one step closer.

Following the re-release of Drexciya’s essentials ‘Neptune’s Lair’, ‘Hydro Doorways’, ‘Harnessed The Storm’ and ‘Digital Tsunami’, the reissue series continues with Transllusion’s ‘Opening Of The Cerebral Gate’ and the ‘Mind Over Positive And Negative Dimensional Matter’ 12”. Produced by the late James Marcel Stinson and released in 2001 via Supremat, a short-lived sub-label Tresor dedicated to a more abstract and experimental electro sound, ‘The Opening Of The Cerebral Gate’ was conceived as the second part of the so-called Drexciyan Storms – a whopping stack of seven albums by the Detroit pair released under di erent monikers within a single year. This phase marks a groundbreaking time for the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music production. All this is deeply reflected in Transllusion’s first album. This phase marks a groundbreaking time for the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music production. All this is deeply reflected in Transllusion’s first album.