‘Mirage’ is a musical phenomenon that arises in the atmosphere due to refraction and total internal reflection of analog sound rays at the boundary between layers of trance of varying density, tribal ambient, and futuristic dub. Thanks to this effect, the observer sees imaginary images of distant objects that are normally hidden behind the horizon, as well as their distorted shapes or reflections.
Echo Instinct is the new AV electronica project from Kat Day and Nicholas Wood of The KVB. Electronic Soundscapes For Post-Industrial Urban Decay gathers a collection of recordings and improvisations made between 2021 and 2025, crafted from a patchwork of synthesizers, drum machines, manipulated samples and field recordings. Inspired by the ever-changing concrete cityscapes of their former home in Berlin and the derelict, overgrown red-brick factories surrounding their new base in east Manchester, the album isn’t a soundtrack for a dystopian future — it’s a journey through the modern ruins of the world we live in today.
A long-dormant signal reactivates from Hamburg’s hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records, their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback. Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn’t invoked through distortion alone, but through method; in the album’s breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa.
Immediate Proximity – Niels Luinenburg (Delta Funktionen) and Diana Napirelly – are unleashing their fourth IMPROX release, a full-on DIY culmination of their three prior expeditions into the wildlands of futuristic electronics, a gloriously unhinged beast landing on digital platforms and gritty cassette tape.
Released in 1976, Teddy Lasry’s Escalade is a jewel of jazz fusion and electronic experimentation, blending cosmic synthesizers, hypnotic rhythms and dreamlike atmospheres. A former member of Magma, Teddy Lasry explores a unique musical universe at the crossroads of space jazz and film music. Long out of print, this cult album is finally reissued on vinyl for the first time, offering a rare opportunity to rediscover this fascinating work, as avant-garde as it is timeless.
Released in 1975, Teddy Lasry’s Action Printing is a fascinating album where jazz-fusion, synthesizers and sonic experimentation intertwine to create immersive, cinematic music. A former member of Magma, Teddy Lasry’s audacious syncopated rhythms and futuristic melodies evoke both film music and avant-garde electronics. Long under the radar, this visionary album has now been reissued on vinyl, offering a new chance to plunge into its captivating, hypnotic universe.
Reaching deeper into poetic vocals and textured sound, Jentlemen invites you into a rich, intimate darkness with their second album, Primitive Objects. Drawing from a background in poetry and influenced by Detroit and Den Haag techno/electro, Primitive Objects is a brain dance for those desiring something between dark ambient and techno-adjacent. Spoken word vocals float on top of deconstructed percussion and delicate melodies, and ask to be savored at the speed of a monologue while in deep space hypersleep. Lyrics hone in on personal experiences with impermanence, change, and the spiritual, calling on listeners to increase their capacity not only for grief, but also for stories of how to be remembered and how to remember. An apocalyptic journey, Primitive Objects offers hope that what we lose will compost into something beautiful. Two remixes from M Parent and Scotia bring Primitive Objects from brain dance to body dance—first, with a guttural and slithery acid experimentation of “Starting Over,” then ending with a cocktail of expansive femme acid and elegant vocals.
Hackney Electronica come to Dark Entries with the Synaptic Shadows EP, featuring 5 cuts of acidic rave-inflected wave. Quinn Whalley (Paranoid London), Unai Trotti (Cartulis Music), and Margo Broom (Hermitage Working Studios) formed Hackney Electronica during COVID era. Trotti and Whalley were spending countless hours digging through records and making music during lockdown. As their sound took shape – heavy and hypnotic – they invited Broom to join, cementing the motley trio. The five pieces on Synaptic Shadows explore themes of altered states, late-night cityscapes, and the fine line between pleasure and paranoia. Each track pulses like a memory from the backstreets of Hackney, where the night transforms the city into an electrified maze of fleeting highs and inevitable crashes. The anxious grooves on “H.E. Nuestro Circuito” and “Whispers from the Depths” channel 1980s DIY electronics onto the contemporary dancefloor, while “Efecto Perfecto,” “The One”, and “Nueva Ola” offer breakbeat-laced electro that will keep you dancing until dawn. Housed in a sleeve designed by German Bardo, Synaptic Shadows is more than just a debut release, it’s a journey through the flickering alleys of the mind, where tension and transcendence intertwine.
Left Ear are delivering two previous unreleased Australian ‘experimental’ electronic tracks from the 80’s and honouring them with a split 12” release. Side A: Features an unreleased full-length version of Tim Gruchy’s Jungles, a solo electro-percussive piece recorded in Tim’s Lab D’Avoid studio in Brisbane. The track is emblematic of his style during an era when he worked extensively in music, both as a percussionist and primarily with electronics, including early analog synths. Side B: Michael Krilich’s Arnhem Land began its journey in 1982 in a shared house in North Bondi. Inspired by Brian Eno and David Byrne’s My Life in the Bush of Ghosts, he experimented with tape loops, cut-ups, and samples, incorporating synthesizers, effects pedals, a drum machine, and an unknown sample from an Australian Aboriginal record.
Ryan Huber, from Dallas TX, with another free downloadable minimal electronic / techno release.
Eduardo Polonio (1941–2024) was one of the foundational figures in the emergence and development of electroacoustic music in Spain. The anthology “Eduardo Polonio: Obra electroacústica 1969–1981” revives his legacy with a selection of essential pieces from his early electroacoustic period. The album includes eight compositions created between 1969 and 1981, spanning from Polonio’s early experiments at the Alea Electronic Music Laboratory in Madrid to his later work at the Phonos Laboratory in Barcelona. From the raw electronic textures of “Para una pequeña margarita ronca” (1969) to the timbral subtleties of “Flautas, voces, animales, pájaros…” (1981), this collection showcases Polonio’s artistic evolution and highlights different facets of his work as a composer and musician.
Yvgoslavia is undoubtedly one of the best post-punk and minimal wave acts from Spain, and they’re returning to Oráculo with their second mini-album, following the highly sought-after “Vertebra”. Their frozen atmospheres and relentless, punishing beats immediately captivate any advanced darkwave enthusiast.
Random Numbers continues its presentation of La Serpiente’s immersive output with Elaphe Dione: The first full-length album of the multifaceted producer and a matured imprint of his distinct sound. The record includes five tracks and a digital bonus exhibiting a sonorous marriage between post-industrial esotericism and club-ready psychedelia; A labyrinth of elaborate sound design coiling around sharp rhythms, adorned by fractured voices spawned in obscure worlds. With sensibility towards granular detailing amidst a powerful cascading flow, La Serpiente’s versatile sonic arrangements coalesce into music that always breathes – A drifting current of enchantment materializing as a release that is both ornamental and symbolic in its vision.
The return of Texas heavy electronics, S.English is back on the label with a new 10 track tape of tense, metallic textured sci-fi slowbeat At this point English has honed in and perfected his own style of reaching some sort of unreal middle ground sitting between muslimgauze, s-core, and seico corp. Absolutely mindbending, headcrushing outsider electronics.
A deep dive into the raw, unfiltered experience of modern life, this album blends Ambient Noise Experimental with the relentless agony and struggle of societal pressure. Yet, through the chaos, a glimmer of freedom emerges—an unapologetic expression of self, breaking through the limits that confine us. A soundscape that’s both haunting and liberating.
Senking and DYL team up again. ‘Diving Saucer Attack’ is the first full-length record by the German artist and his Romanian collaborator, released through the Berlin-based Karaoke Kalk label. The six pieces, two of which were produced individually, both showcase the duo’s shared interests for dub-heavy, adventurous electronic music while also emphasising the productive friction generated by the subtle differences between their respective approaches.
Legowelt worked as a sound designer for the factory presets of Mirror, which ended up as Muse which is an 8 voice polyphonic bi-timbral synth. The entire album was recorded with an early prototype of of Moog Mirror.
The Hipodrome Of Music 