Ian Martin – Clairvoyant [27DIAM]

Known for his diverse releases on labels such as Bunker, Panzerkreuz, Further or Shimmering Moods Ian Martin has developed his very unique own brand of electronic music. To categorize his music is difficult which adds an immense appeal to his approch on his releases. Clairvoyant is no exception to this. It is an uplifting and beautiful album based around three of Ian’s favourite synthesizers: Waldorf Microwave I, Ensoniq ESQ-1 and Korg M1. Ian describes this album as an emotional collection of tracks with a lot of fantasy.

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Ian Martin – Clairvoyant [27DIAM]

Zandvoort & Uilenbal – Geruis Uit Somberdorp [NW010]

untitled

Geruis Uit Somberdorp’ (Rustlings from Somberville) is a concert for Harmonium, Mixtur Trautonium & Synthesizer, originally commissioned for the dutch classical Concertzender broadcast corporation in early 2016. Zandvoort & Uilenbal are Danny Wolfers and Jimi Hellinga.

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Zandvoort & Uilenbal – Geruis Uit Somberdorp [NW010]

Delroy Edwards – Hangin’ At The Beach [LACR020]

Delroy Edwards has come a long way. 2012 marked his Introduction into the world of Dance Music via Ron Morelli’s Imprint LIES. After offering up essential dance floor singles like ‘4 Club Use Only’ and ‘Heart and Soul’ Edwards’ established himself as a producer with a unique touch and style. With a growing desire to control his own output and make a more significant statement, Delroy set off to start his own imprint, L.A. Club Resource. Creatively directing his own imprint became a platform for him and over the course of two years L.A.C.R. created one of the most palpable musical experiences in the field. The label released music in a range of styles from a span of generations, the only constant was the high output and stellar art direction. Many releases produced by the label head himself, Delroy’s production were lauded for their piercing simplicity, grace and attitude. In his first LP for the label, Edwards’ has arranged a sincerely personal moment. The 30-track effort marks a special moment in his growth blending current interests in punk and electronics into an outsider narrative like no other.

CD / vinyl

Delroy Edwards – Hangin’ At The Beach [LACR020]

Ian Hicks – VIY [CDRTP036]

After crafting the deconstructed synth-pop of Soft Metals for the past 6 years, Portland OR – based synth artist Ian Hicks has resumed his solo output and has delved deeper into exploring the darker, weirder, more mutant alleys of his mind and studio. Inspired by the capricious winter of the Pacific Northwest, early industrial gear experiments, science fiction, horror and the explosion of the modular synthesizer scene in Portland, Ian presents VIY as his initial post-Soft Metals work. VIY is a snap shot of an ever-changing configuration of equipment, textures and moods captured with minimal processing and editing to preserve the original idea in the purest form.

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Ian Hicks – VIY [CDRTP036]

Nick Klein – The Lonesome Dealer [ALT027]

Conceptual beat-maker Nick Klein returns with ‘The Lonesome Dealer’ 12” for Alter. Four disparate, industrial-tinged tracks that demonstrate a rough-hewn synthesis of noise and techno, ‘The Lonesome Dealer’ is born from a geographically transient point in Klein’s life spent between Miami and NYC. Despite this, Klein has turned personal disruption around to make his most focussed statement yet as an artist.

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Nick Klein – The Lonesome Dealer [ALT027]

Convextion – 2845 [ARTLESS2845]

2845 is Gerard Hanson’s first full-length as Convextion in a decade. The new album is made up of seven characteristically spacy techno cuts, and is his first release with the Mojuba-affiliated a.r.t.less.

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Convextion – 2845 [ARTLESS2845]

Crotaphytus – Acanthosaura [FUR104]

Robert Witschakowski takes a break from rewiring the rules of electro with his prolific The Exaltics project to deliver the eerie soundtrack album, ‘Acanthosaura’. Working with Nico Jagiella – with whom he co-runs the Solar One label – the pair have created the soundtrack for a world of flickering shadows, dark ambient textures and ominous bass tones. It’s the first Crotaphytus release in six years and according to Witschakowski, a project stemming from his love of reptiles and movie soundtracks. Like previous Crotaphytus releases on Solar One, ‘Acanthosaura’ is a deeply atmospheric affair. With each track title a reference to different types of lizards, from the death-paced drums of Cyclura Cornuta” to the slow-motion ebm-disco groove of Xenosaurus Platyceps” and the murderous subs of Caiman Latirostris”. In between, the dark ambient passages of Conolophus Subcristatus” and Amblyrhynchus Cristatus” as well as nods to The Exaltics’ spaced out electro in Iguana Delicatissima”. However, Robert insists that the album remains true to the project’s ethos. Crotaphytus is always dark and haunting. The project has no rules and that gives us the total freedom to make everything with it. I make also different styles with The Exaltics, but I have a concrete vision every time. With Crotaphytus, we let it flow and see were we land at the end. For this album, we tried to create an atmosphere like you are in a deep jungle, chased by giant lizards. Ambient has really the power to transport feelings. I guess this is subliminal in us from watching films.”

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Crotaphytus – Acanthosaura [FUR104]

M. Rav – Common Purpose [LIES088]

M RAV - Common Purpose

Max Ravitz has made a name for himself with his hazed dance not dance productions over these last couple of years appearing on a handful of different labels under a handful of different monikers. Here on the 15 track, ”Common Purpose” cd we get Ravitz in all of his different forms as he teams up with numerous artists from his local Brooklyn scene and beyond, serving up unheard cuts from numerous recording sessions done over the last years. Through the record we hear the producer’s versatility from tripped out downtempo vibes, to mid-paced acid, to high bpm dust burners, as Ravitz and Co. explore almost all possible avenues while in the studio. Collaborators include Huerco S., Jahiliyya Fields, NGLY, Terekke, Bookworms, Cloudface, and Josephine.

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M. Rav – Common Purpose [LIES088]

VC-118A – Shift Register [TABR036]

Over the last few years, Dutch electronic misfit VC-118A has delivered a number of killer EPs and 12″ singles, each packed with sharp-edged electro, spacey techno, and industrial-strength analogue house. Shift Regsiter is his second full-length excursion and offers an expansive and hugely atmospheric journey through his trademark sound. Naturally, there’s much to admire across the 14 tracks, from the woozy, spaced-out electro-dub of “Input Mode” and the sparkling IDM of “Serial Data Transmission”, to the ultra-deep throb of “Radiation Curve”, and the hard-wired dancefloor bounce of the Drexciya-like “Apex”.

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VC-118A – Shift Register [TABR036]

Nick Klein + Maoupa Mazzocchetti – BNK007 [BNK007]

KLEIN, Nick/MAOUPA MAZZOCCHETTI - BNK007

Nick Klein and Maoupa Mazzocchetti recorded some wild jams while touring together last year for an Unknown Precept label showcase. Combining noisy sounds with live melodic synth riffs as well as a jacking 808, Klein and Mazzocchetti made some harsh left-of-center techno. With time signature and tempo changes mid-track, this music has a zero fucks given attitude.

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Nick Klein + Maoupa Mazzocchetti – BNK007 [BNK007]

Hieroglyphic Being – The Disco’s Of Imhotep [TCLR015]

Seriously strong Jamal Moss LP under his Hieroglyphic Being moniker. “The Disco’s Of Imhotep is about creating Frequencies and Vibrations for the Listener that are conducive for him or her to Heal The Mind and Body and Enrich the Soul by creating Hemi-Synced Harmonies and music that contains embedded Binaural Beats. We have been made to believe that electronic sounds are just for Movement, Enlightenment, Primal Afflictions and Entertainment purposes, but it’s much more… It’s Sound Healing, but the ancestors would call it Frequency Medicine. Medicine is Healing and this project is dedicated to one of Earth’s first Healers: High Priest Imhotep. The One who comes in Peace, is with Peace.”

vinyl / CD

Hieroglyphic Being – The Disco’s Of Imhotep [TCLR015]

Juju & Jordash – Live at Downbeat night. Madrid, December, 2015 [DOWNBEAT010]

Juju & Jordash again on downbeat, 8 records after, celebrating the 10th release. This is the recording of the live act performance at a Downbeat night on December, 2015. Slow jams with tropical vibes progressing leisurely in both sides.

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Juju & Jordash – Live at Downbeat night. Madrid, December, 2015 [DOWNBEAT010]

NHK yx Koyxen – Doom Steppy Reverb [DIAG034]

Japanese experimenter Kouhei Matsunaga has been quietly building an exceptional discography as NHK yx Koyxen and the numerous variances. With prior NHK yx Koyxen output on PAN, Skam and Raster Noton, Matsunaga’s growing alliance with Powell’s Diagonal label makes perfect sense. A fresh NHK yx Koyxen LP that expands on his fuzzy, texture-laden, leftfield techno blueprint. So, while there’s plenty of industrial-influenced darkness, claustrophobic tape hiss, and redlined rhythms, the Japanese artist also includes quietly beautiful textures and hazy, looped melodies. This is most evident on the foreboding, late night swing of “Y”, where the application of dub delays helps emphasize the skewed, doom-laden mood.

vinyl / CD

NHK yx Koyxen – Doom Steppy Reverb [DIAG034]

Ron Berry – Where Dark Forced Meet [VOD145.RB]

Born in Manchester, UK 1947 Ron Berry became interested in electronics as a child in the mid fifties making radios and other electronic projects. His first musical instrument was a home-made electric guitar made out of scrap wood with pickups fashioned from magnets and coils found in old headphones. He played in his first band at school 1962 and then in various groups as lead guitarist in and around Manchester during the Beatles led Mersey beat era. The “Where Dark Forced Meet” album was first released in 1982 on cassette by Flowmotion label.

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Ron Berry – Where Dark Forced Meet [VOD145.RB]

Clay Rendering – We Are Aware [HOS463]

Clay Rendering, the tortured pop project of former Wolf Eyes member Mike Connelly and his wife Tara, pledge three diverse but unmistakably gothic sacrifices to Hospital Productions. Soused in the spirits of black metal, coldwave pop and shoegaze, their new cuts reflect a black indigo spectrum of tastes with an inflamed desire for proper song structures and the kind of hooks that hearken back to teenaged thrills and what allured them to music in the first place -and it makes for perhaps their most realised set of tracks yet. With Dominick Fernow as producer and effectively acting in a 3rd band member role, they triangulate a sound that’s nostalgic for the gothic undertones of ‘80s and ‘90s darkness, getting into gear with the hearse-cruising coldwave pop rocket We Are Aware, and casting a long, northern-pointing shadow of BM toil and shoegaze anguish in Never Pass Away.

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Clay Rendering – We Are Aware [HOS463]

Space Dimension Controller – Orange Melamine [ZEN231]

While Jack Hamill’s Space Dimension Controller project is best known for mixing colourful electrofunk synths with intergalactic ambient, techno and hypnotic house influences, his earliest musical output trod a slightly different path. His long forgotten, digital-only debut album, 2009’s Unidentified Flying Oscillator, explored IDM and woozy electronica, and it’s these styles that come to the fore on Orange Melamine. Like that debut album, this set – his first for Ninja Tune – was recorded in his bedroom, aged 18, with a collection of “cheap, lo-fi” and “battered” kit. It largely takes its’ cues from the likes of Boards of Canada and ambient-era Aphex Twin, but retains that distinctive vibe and attention to detail that’s always marked out Hamill’s work. vinyl / CD
Space Dimension Controller – Orange Melamine [ZEN231]

Floating Points – Kuiper [FP002]

Sam Shepherd drops a surprise 12” still riding the wave of his impeccable, all-conquering 2015 LP, Elaenia. ‘Kuiper’ that was written after the producer started touring with his live band (Leo Taylor, Alex Reeve and Susumu Mukai), and is “completely different” each time it’s played. Here we have a new version, a riotous, stargazing 18-minute version recorded by the band at 8am. Flipside the B, ‘For Marmish Part II’, meanwhile, is an early demo version of the same track on Elaenia that includes Shepherd flexing his vocals.

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Floating Points – Kuiper [FP002]

Jonny 5 – BAH030 [BAH030]

After taking the helm for the label’s inaugural release, Jonny 5 returns to Bahnsteig with more genre-fluid stylings for the leftfield dancefloor freaks. “Deja Vu” opens the set with a space age textures, stadium slap bass and cinematic guitar licks, firing up the wind machine for some coiffured coastal romance. With the linen suit needing the dry cleaners, Jonny 5 steps aboard the “Last Train” for some oddball NDW rock and roll. Imagine if the B52s if their cartoon was redrawn by Frank Miller – dark and deranged machine music. B-side opener “Miami Slice” continues the lunacy but with added wow and future, taking us on a tape mangled tour of post punk history. The grand finale comes in the form of “Slow Bodies”, a 100bpm cosmic bopper retrofitted with Linn percussion, hypnotic arps and the best in zero gravity delay.

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Jonny 5 – BAH030 [BAH030]

Stephen Cadman – Big Smith Stays in Bed [VOD145B1SC]

Stephen Cadman is a synthesist from Leeds, GB now living in Australia. In late 1980 he produced and released a C60-Tape on his own Big Smith’s Nose Tapes-Label. His synth music and style in the vein of Tangerine Dream and other german electronica bands of the 70’s found interest to Ian Dobson and was then distributed via Ian and also (re)-released shortly after on the Flowmotion-Label.

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Stephen Cadman – Big Smith Stays in Bed [VOD145B1SC]