Pure energy shines through the latest Dalmata Daniel compilation, where all producers gathered together for a good cause. Lockdowns and social distancing practices are slowly easing up in the luckier half of the world, yet local producers and clubs are still facing a hard ongoing period of no live shows with a non-existing club culture. As a result, web-based platforms are more important than ever. The Lahmacun community radio is an integral part of our Budapest scene, as they provide a remarkable online platform not only to musicians and DJs, but to local broadcasters, hosts and music enthusiasts alike. Keeping up the spirit, Lahmacun radio is eager to promote and celebrate music from the local Hungarian scene and from passionate labels, collectives and communities, be it anywhere in the world. This 20-track fundraising compilation is therefore dedicated to Lahmacun radio. It is presented by 10 local and 10 international producers, hailing from the Netherlands, United Kingdom, Greece and Israel. All of us worked and participated in this compilation to help the operation of this very important platform. All income we receive from sales of this V/A goes to support their work.
You would think that a small country like the Netherlands has very few isolated places, but buried in the south-west corner you will find the region of Zeeuwsch Vlaanderen. Just before the Westerscheldetunnel was built in 2003, the area was only reachable by ferry or over land through Belgium. By the late 1970s, in the region’s small city of Terneuzen, a group of like-minded music lovers were inspired by punk music and formed a series of bands together. A number of the musicians first met in high school, and it is here where we find Danny Bosten (Das Ding) and his label Tear Apart Tapes. If you played music you had to have a label to release it and because you had a label you needed to make music. It was a logical and circular process, and despite being isolated, nothing stopped them from bringing new music to Terneuzen. Up till today the label releases cassettes just like in the olden days as well as a string of 7-inches with new music by Das Ding, Les Yeux Interdits and Ian Martin. Each of these releases carries a similar visual aesthetic to the label’s early 1980s output. All of them sold out quickly, but luckily they are now collected here on this LP.
We have four albums more on the electro side coming from DMX Krew, Men With Secrets (Donato Dozzy and Retina.it), Nullptr and The Exaltics & Heinrich Mueller, while on the industrial/EBM side we have albums by A Civil Terror, La luna sotto il ponte and LBEEZE and impressive works from Black Meteoric Star, Ian Martin and Trenton Chase.
On the synthier side of music we have four albums coming from Das Ding, Linea Aspera, Newclear Waves and Jake Schrock, while for the Detroit lovers we have two Detroit influenced album by The Beneficiaries (Jeff Mills, Eddie Fowlkes and Jessica Care Moore) and The Nightstalker (Dan Piu and Martin Akeret).
Closing the list are the debut album of disco-don Franz Scala on Slow Motion, Obergman‘s acid album on Furthur Electronix, Anthony Collins with his album on Lobster Theremin under the Grant alias and Shifted with his first album on Avian.
The list is compiled in chronological order.
Onrijn Records invites Ian Martin for a 6 track mini-album. This record releases a rich palette of hybrid electronic music. From new wave, house and electro to neo cocadisco. And is most of all a search for melody, suspense and melancholy. The track “GOD Theme” was the soundtrack of the film GOD by director Edwin Brienen (2016). Ian Martin’s “Heartbeats” is a true emotional rollercoaster!
Ian Martin’s Neo Modernist is an exercise in introspection, where things aren’t always rosy. Confronting your anxieties and fears may not be pleasant but sometimes necessary to escape deterioration. Ian Martin’s music channels these feelings, and gives beauty to something that expressed in words can seem depressing. One of Rotterdam’s best kept secrets comes through with maximum emotion and prowess. Take notice.
There’s no denying that Blackest Ever Black has released some stellar music over the last decade, so it’s rather fitting that the London imprint’s final release is arguably one of its strongest for some time. To say goodbye, label boss Kiran Sande has put together a superb collection of poignant explorations of ambient, electronica and lo-fi pop that includes a swathe of label debuts. A compilation of new and recent music, either previously unreleased or until now unavailable on vinyl, by Bridget Hayden, Carla dal Forno, Lightning In A Twilight Hour, Scythe, Jam Money, Ian Martin, Unchained, The Fulmars, Hypnotic Sleep and Brainman.
“Eux sont de ceux qui trament en accordant desseins sur dessins.” MinimalRome is back with the second volume of Trame compilation. A full lenght 2xLP release gathering Legowelt (as Phalangius), Heinrich Dressel, Alessandro Adriani, Ian Martin, Teslasonic, Polysick, C-34, Iron Blue and David Kristian among others. Traveling through these eighteen ambient cosmic tracks from true heirs of library music, you’ll expand the surrounding space.
Masterful electronics and industrial tinged ambient workouts by expert and SEER head Ian Martin. Some of the darkest vibes this side of Lustmord, some of the wildest electronics this side of PAN…
Ian Martin should be no stranger to people who are into electro and trippy electronics. With releases on Bunker, Panzerkreuz and Strange Life his reputation is quite settled. For Gooiland Elektro he came up with four tracks filled with dark beats. From pounding to spacey, elektro and EBM influenced with industrial tendencies.
A split release by two Rotterdam artists from the same part of town, Das Ding and Ian Martin.
Black magic emo-electro by the dark lord. Follow the path of the left-hand. Limited to 200 copies, silk-screened sleeve.
It’s a first for Pinkman and Lux Rec. Yet the two labels have so much in common that it isn’t surprising they have been drawn towards each other. And The Rosa Luxembourg Files is the result of this collaboration. Rotterdam and Zurich, Ian Martin and Barbir & Nicola Kazimir, exploring different shades of the same black, wandering at the fringes, plunging into obscurity and machines talk. There’s no rest and no comfort, but manic fixation.
Known for his diverse releases on labels such as Bunker, Panzerkreuz, Further or Shimmering Moods Ian Martin has developed his very unique own brand of electronic music. To categorize his music is difficult which adds an immense appeal to his approch on his releases. Clairvoyant is no exception to this. It is an uplifting and beautiful album based around three of Ian’s favourite synthesizers: Waldorf Microwave I, Ensoniq ESQ-1 and Korg M1. Ian describes this album as an emotional collection of tracks with a lot of fantasy.
Rotterdam’s Ian Martin has brought his own brand of dark ambient and unsettling electronics to a stellar clutch of labels. Of these, it is the Bunker/Panzerkreuz crew that Martin has become most readily associated with, perhaps due to the fact label and artist reside in the Netherlands. Wright Seer finds Martin back on Panzerkreuz for his first release of 2016 and features five more untitled tracks of subtle drone-electro hybrids that sound all the more mind-bending with each successive listen.
Flight Recorderl – home to modern interpretations of other European genres of dance music – Italo, New Beat, and EBM, in conjunction with Radio Oscillations, brings together a collection of music by those producers inspired by these ‘krautrock’ pioneers of the early to mid 1970s on Obliged to Space – a heartfelt and beautifully written love letter to those cosmic sounds of the 1970s. Tracks from Rude 66, Phantom Love, Antoni Maiovvi, Alessandro Parisi, Ian Martin and others.
Adventurous electro project featuring a what might be regarded as a who’s-who in the current electro scene, reeling-in names such as DJ Stingray, DMX Krew, Ian Martin, Shemale, Elec Pt.1; with perhaps lesser known talents such as Linear Synthesis, Federico Leocata, Koova and Das Muster. A fine selection of tracks which successfully presents fresh sounds by tried-and-tested names, while simultaneously introducing upcoming and arguably lesser known, but by no means any less talented artists.