Vakula – Cyclicality Between Procyon And Gomeisa [DKMNTL040]

Vakula has been a Dekmantel label member ever since the very early days. The Ukraine based producer now drops his album Cyclicality Between Procyon And Gomeisa on the label. ‘This album is about cycles, repetition and interaction’, says Vakula, whose Cyclicality between Procyon and Gomeisa is the third of a series of albums and reflects a dashing experimental record that evokes the endless and captivating potential of electronic music. It creates a mesmerizing journey through various music genres, exhibiting a singular sonic experience, whilst he works through a process of improvisation and refinement. Once again the mastermind proves to be capable of creating complex, yet diverse musical pieces beyond genres and trends. The result: an audio adaptation of his fascinating mind. ‘There are two parallel processes that come together in my work: me writing music and working on the sound I want to achieve, and the energy from outside that flows and transforms into thoughts, correlations, and actions.’ The track titles relate to the source of Vakula’s inspiration and connect the dots between his obsession for the vastness of our universe and electronic music. ”To wonder about the universe and to dig into mythology and scientific research discovering at least some of its secrets is what keeps me endlessly motivated as a producer.”

vinyl / CD

Vakula – Cyclicality Between Procyon And Gomeisa [DKMNTL040]

Fred P – Sound Destination [SPMBLP002]

Sound Destination is a project that crosses genre to find its own space. Soundscapes, downtempo, ambient, and house music all find a place in this aesthetically complete project. There’s a simmering, hovering quality about the whole album, as a pastoral ease settles over the listener. The record flows like a vague narrative, a non-specific sort-of journey album, a meditative jazz-house trip. Fred Peterkin shows yet another perspective of his expression. bursting out of the style-box, to draw you in to his own dimension.

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Fred P – Sound Destination [SPMBLP002]

Afrikan Sciences – Means & Ways [DBRV006LP]

Bursting out of Oakland into the ionosphere, a hot pocket of free jazz, house, blues, African & Latin rhythms, a fully shuffled deck of everything that might expand your head, all fed into the MPC, and hot-wired right into your heart. Some five years after it was released digitally, Aybee’s Deepblak label revisit the wonderful Afrikan Sciences LP Means &Ways to grant it a double LP vinyl edition. For those unfamiliar with the album, the 11-track set showed Eric Porter refusing to stand still, variously touching on polyrhythmic IDM, dusty jazz-hop, dense post-techno wonkiness, hard-to-pigeonhole madness (see “Alpha Male Syndrum”), sparkling aural experiments (“Ways & Means”), and pleasingly off-kilter dancefloor fare. Amongst this category you’ll find deliberately out-of-time deepness, slipped broken beat, and dense drum workouts (“NanoRock Skank”). As usual, Porter’s tunes are bizarre but brilliant.

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Afrikan Sciences – Means & Ways [DBRV006LP]

Leonardo Martelli – Previsto [ATN029]

Electro kicks, raw textures, ominous choirs: L’ immaginario, Previsto’s opening track, ties a bound between Martelli’s two releases on Antinote, giving us one last glimpse at the uninhabited post-apocalyptic landscapes drawn in Menti Singole. However, this time Leonardo Martelli explores a more urban universe, as the use of rap samples on Negli abissi and Lo Schema suggests. Martelli exploits their aggressiveness in a way that somehow reminds us of minimalist rap tapes from Memphis. The third track’s title makes it even clearer: called Leggende Metropolitane, the song is a trip into the darkest blind alleys of the city, an invitation to wander among human wastes, driven by its light kick. La Luna, is the most contemplative moment of the album, offering us a meditative break before the nightmarish Il registro, Martelli’s brutal come-back to raw electro with a tune which depicts us a hellish engine room for expiating souls. Finally, the record concludes with Previsto, a haunted title track, filled with wailings that give us to contemplate a cruel vision of the urban misery we’re stuck in.

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Leonardo Martelli – Previsto [ATN029]

45 ACP – Graveyard Shift [LIES083]

From scratchy ambience to dramatic slow tempo bpm cuts to melodic house tracks, 45 ACP shines on this ep showing his versatility and reinforcing his reputation for strong song writing and composition. Once again diverse enough for club or home listening, warm up or peak time…let the djs make the choice.

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45 ACP – Graveyard Shift [LIES083]

Dino Sabatini – Concentrica [OUTISOPERA002]

After inaugurating the ‘Opera’ sub-series of his Outis Music label with the ‘Omonimo’ double LP, Dino Sabatini has invited some choice allies to help define the vocabulary and expand the vision of the new imprint. The aforementioned album, which wove together Sabatini’s atmospheric conjuring skill with the piano flourishes of Antonello Salis, already exhibits the label’s commitment to dismantling the ‘either-or’ logic of contemporary genres by successfully merging a variety of supposedly irreconcilable styles, talents, and worldviews (e.g. both mythological and the technological perspectives). The follow-up EP, ‘Concentrica’, draws on the material from ‘Omonimo’ and delivers it into the hands of additional remixers in order to continue the Outis Opera voyage.

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Dino Sabatini – Concentrica [OUTISOPERA002]

Kneebody & Daedelus – Kneedelus [BF058]

Two members of Los Angeles’s alternative music scene, beat freak Daedelus and instrumental quintet Kneebody, team up for a collaborative album on Brainfeeder. Titled (amazingly) Kneedelus, the album articulates the notion of technological singularity – the idea that humans and computer technology will increasingly blend together – in its straddling of jazz, rock, and electronic production.

vinyl / CD

Kneebody & Daedelus – Kneedelus [BF058]

Dmx Krew – The New Age Travellers [EKS009]

This record can easily be classified as Library. Listening to these tracks moves your senses back and forth through time, from 80’s sci-fi back to Raymond Scott’s early 50’s experiments. The perfect soundtrack for bedrooms, late night dinners and greenhouses Ed Dmx contributes to a tradition in musical history, a richly vivid trail in which composers influence each other’s harmonies and ways of writing tunes, like an endless ping-pong game between minds and individuals but at the same time between continents and places throughout the world. Unlike many of Ed Dmx’ electro- oriented productions, ‘TheNew Age Travellers’ shows a more intimate side of his work. A story told through short synthesized conversations and electric piano improvisations is reminding us to cry, dream, remember, feel, live … and love.

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Dmx Krew – The New Age Travellers [EKS009]

Huerco S – For Those Of You Who Have Never (& Also Those Who Have) [PRB018]

Proibito presents “For Those Of You Who Have Never (And Also Those Who Have)”, an album by Huerco S. Nine of the densest ambient and meditative music pieces since the dawn of music!! Sounds both extremely of this time, and of no time whatsoever. Monolithic and stark but extremely warm, intensely personal, and for every one in every which way.

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Huerco S – For Those Of You Who Have Never (& Also Those Who Have) [PRB018]

Roger 23 – Extended Play [ITX008]

ROGER 23 - Extended Play

Roger Reuter has only one previous album to his name, the woozy, edge-of-reason ambience of 2015’s Mensch 001. Extended Play is its’ follow up, and sees the experienced German producer appear on Ilian Tape for the first time. Rooted in his usual brand of unsettling, otherworldly ambience, the six tracks variously draw influence from early IDM, drone, dub techno, industrial and experimental film soundtracks. Despite these nods to familiar experimental styles, it’s an album that can easily be listened to in a variety of situations, and never drags. It’s strongest moments, such as the mournful ambient throb of “State IIX Interlude II”, are particularly beguiling.

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Roger 23 – Extended Play [ITX008]

Templeyard Studios – Messages From A Better Destiny [EVR021]

Echovolt expands its remit with the launch of a new series of mini-albums with the first edition coming from Templeyard Studios, a recently formed project of Berlin-based Greek artists Miltiades and Goolyk. Met for the first time in Berlin in 2014 and pretty soon started sharing sonic ideas and researching how they could affect the human brain, using hardware sound equipment.

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Templeyard Studios – Messages From A Better Destiny [EVR021]

In Æternam Vale – Pink Flamingos [DM3D013]

In Æternam Vale, long the best-kept secret of the french synth punk scene, has been revealed many times now. This is about writing a new chapter of that 33+ years story, that begun in Lyon in 1983 as a band, whose leader Laurent Prot – an electronics pioneer and maniac – took over as a solo act since 1985. This new album explores another side of ‘IAV’, that echoes how Laurent sounds now – a ferocious take on techno, post-punk rhythmic elements and drone soundscapes, planted with unrestrained improvisation, and getting closure with a song time after time. This record is not a compilation of tracks that would stick to a particular time period or subgenre. On the contrary ; there is a definite common thread, that had been found while losing oneself in the intensity of his spectacular live performances lately. Being carried away by his drone improvisations and smothering bass bins, and hearing him play his music, both old and new, there is a singular feeling of both freedom and transcendence that emanates from his music. Some of his lives have lead audiences to become completely silent, and taken away by hypnosis, some other have caused a riot, leading the audience to ultimate excitement. IAV stands for a whole-hearted involvement in the making of his music, and despite the cold and electronic textures, there is a sense of intimacy that we’ve tried to reflect through the choice of the closing song “La Pluie”.

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In Æternam Vale – Pink Flamingos [DM3D013]

SHXCXCHCXSH – SsSsSsSsSsSsSsSsSsSsSsSsSsSsSs [AVNLP003]

The Swedish Techno experimentalists SHXCXCHCXSH return to AVIAN with ‘’SsSsSsSsSsSsSsSsSsSsSsSsSsSsSs’’ album. This album is wedded to the Avian aesthetic : monochromatic & wrought with tension. It’s powerfully dynamic and thoroughly organic in execution. An unbound, rolling matrix of white noise & wrought iron percussion, replete with disembodied choirs that pan uncomfortably in and out of the sonic hinterland.

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a-v-n.com

SHXCXCHCXSH – SsSsSsSsSsSsSsSsSsSsSsSsSsSsSs [AVNLP003]

Vester Koza – OTR [HTH061]

Almost a year after his last outing, London-based Vester Koza is making a welcome return to the fray with a new EP entitled OTR. Featuring four atmospheric cuts, for the first time it finds him step away from his own Maslo label to join Houndstooth. Fusing elements of dub, ambient and IDM into moody sound worlds with you right at the centre, he has a subtle but seductive touch that has always marked him out. An on-going interest in security, technology and privacy characterizes his work, as does a passion for the vintage and modern gear he uses when producing. All of that is evident here in his most cerebral and conceptual release yet.

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Vester Koza – OTR [HTH061]

Severed Heads – Stretcher (USA Stretched Version) [MR060]

Medical Records presents it’s 60th release with the much needed reissue of Australia’s Severed Heads and their 1985 release – Stretcher. The Severed Heads story continues with the expanded and Stretched 2LP reissue. After personnel changes in 1985 (Garry Bradbury and Paul Deering left the band), Sev was now down to a 2 piece (Tom Ellard and Stephen Jones). Stretcher was originally released to be a compilation to introduce the band to an American audience, but it was ultimately sold in three versions due to other countries desiring their own version (an EP in Canada and England and an LP in Australia). The name was taken from the sign on the emergency stretcher at the front of every Sydney ferry during that era. This version is based on the Volition release (Australian version) but with all the tracks from the other versions for a full collection of 17 tracks over 2 LPs. A bit more “accessible” than the previous City Slab Horror with a number of dance floor stompers filling out the collection such as the 12″ versions of Halo and Petrol. The collection mostly consists of new tracks written for the multiple releases for each country release but also contains a few older tracks remixed and even a demo version of Harold and Cindy which would be later fleshed out on The Big Bigot. The Heads toured the LP across Australia in 1985 resulting in a lot of “exciting adventures with audiences who wanted to kill us” – Tom Ellard. Two other interesting facts in regard to this collection is that it was the first time Sev used MIDI and a DX7 and every track has some radio signal mixed in there somewhere, always by accident. The original version(s) are all long out of print and becoming rare on the collector’s market. Presented in a beautiful gatefold 2LP on high quality classic black 160gm vinyl with original artwork as well as new gatefold layout by Tom Ellard with extensive liner notes detailing the back story and creation of each individual track. Get lost in it.

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Severed Heads – Stretcher (USA Stretched Version) [MR060]

Africans with Mainframes – K.M.T. [SJRD333]

Jamal Moss, aka Hieroglyphic Being, returns this time under the alias Africans with Mainframes. With fellow Chicagoan Noleian Reusse they have been releasing music under the name Africans with Mainframes for over 15 years now. The K.M.T. LP is the debut album from the group, a collage of apocalyptic Chicago acid meets industrial and transcendental post-house machine funk. Both intense and unique, the album of forward-thinking, experimental, boundary-pushing Afro-futurist electronic music shows why Hieroglyphic Being is regarded as one of the most serious purveyors of experimental electronic music today.

vinyl / CD

Africans with Mainframes – K.M.T. [SJRD333]

Occult Orientated Crime – Just A Clown On Crack [DKMNTL036]

Dekmantel presents Danny Wolfers a.k.a. Legowelt’s ambient project Occult Orientated Crime. It’s for the first time ever that this moniker of the prolific Dutchman will have a physical release. Wolfers: “The OOC sound is an accumulation of twenty years of musical training and research and what effect it has on the brain. Simply put it’s electronic ambient music, which is more advanced compared to the music I’m creating with my Smackos alias. OOC is deeper and more melodic, less loose and vague but perhaps more intense. It can bring the listener into a completely different state of mind, you can almost call it ritualistic neuroscience music.” The six tracks are recorded around the same time, using coherent recording techniques. “Let’s say I was in a flow, or something like that. But I rather think it’s the music itself that gives it a distinctive sound: the way the music was composed, the notes and the sound palette. I haven’t used any sharp sounds for example, but everything is very round so your brains will soak it up as something smooth.” Apart from the track ‘Just a Clown On Crack’, the release lacks kick drums. “Most or nearly all music from PC doesn’t have a beat because it is often unnecessary, it distracts from the melody or what should be processed in the mind of the listener. The melodies, sounds and structure itself are enough to bring the listener into a certain mindset: a beat there would almost sound cheap, tacky. ‘Just a Clown On Crack’ has a trip-/hip-hop feel to it and was craving for a beat. It’s also the last track of the album and, in a rather fluent way, brings the listener back to the misery and tragedy of the normal, everyday world. It’s like returning from the OCC dimension with a soft landing.”

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Occult Orientated Crime – Just A Clown On Crack [DKMNTL036]

Vactrol Park – II [ESP026B]

Vactrol Park, the collaborative endeavor between Kyle Martin (Land of Light) and Guido Zen (Brain Machine), returns to the ESP Institute with II, rounding out the second half of their EP series. For this installment, a sojourn was made to Stockholm to record at the computer music mecca, EMS (Elektronmusikstudion), where the artists had the opportunity to experiment extensively with the legendary Buchla 200 Modular and Serge Modular, two of the rarest and most pornographic modular synthesizers in existence. While both instruments originate from California (Buchla in Berkeley as a commission from pioneer Morton Subotnik, and Serge at the California Institute of the Arts), the music Vactrol Park draws from these machines is far from warm and sunny. Akin to their predecessors on the 2015 debut I, these works materialize a level of taste and measure of craft that’s unattainable by most, each retaining an individual cinematic approach yet working collectively toward one consummate goal—paralysis.

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Vactrol Park – II [ESP026B]

Andy Stott – Too Many Voices [LOVE101]

Andy Stott rarely gets it wrong. To date, he’s release a trio of fine full-lengths on Modern Love, each of which has arrived perfectly formed. It’s a similar story on fourth album Too Many Voices. Rich, spacious and melodious, it draws on both classic and contemporary sounds, channeling Yellow Magic Orchestra, James Blake, Boards Of Canada, Autechre and clap-happy drum machine funk, before twisting these varied inspirations into thrilling new shapes. For all the high-minded experimentalism, Stott’s greatest gift is an ability to create music that’s inspired and entertaining, achieving a balance between boundary-pushing and old-fashioned melodiousness. When he gets it right, as on Too Many Voices, few can really compete.

vinyl / CD

Andy Stott – Too Many Voices [LOVE101]