
Mind Fair with a four tracks EP on Golf Channel Recordings.

Nacho Patrol is Danny’s travels towards African Space travel. Where earlier Nacho Patrol records spent time exploring cosmic Ethiopia, this current incarnation adds a more sci-fi element to the mix, taking influences from Chicago house to Sun City Girls, this is purely original sounds from one of the best producers out there.

Robbie M, from the Midnight Express Show Band “Danger Zone” fame, finally releases tracks from his extensive RAM MUSIC PRODUCTIONS catalog. 10 titles total featuring 5 lost instrumental synth funk riders, and 5 classic club multi-tracks. Over 40 minutes to smooth your evening, lay back on and vibe. Robbie’s mood is infectious and delivers with every chord and melody. Prepare yourself for “Let’s Groove”.

Synth funk album by Atlanta Georgia artist Moon B released on Peoples Potential Unlimited. There’s a strong boogie presence across the 11 untitled tracks, but it doesn’t stop at your usual sleazy fare. There are also plaintive moments of refined introspection, and a constant display of production skills, albeit draped in the crust and charm of those archaic music-making means. If you’re a fan of the likes of Dam-Funk and can’t enough of that heady 80s funk flex, then this record should have you bumping and grinding for months to come.

Diamond Rec present the album “In Memoriam” by Italian artist CCO aka Cantamos Saltamos. The album includes 6 original Broken Beat/Nu Jazz/Nu Soul/House tracks and 2 remixes by Vincenzo Battaglia & Vinicio Melis and Tommy Ro.

Few can match BBE when it comes to the funk and disco compilation stakes – the label’s been issuing killer compendiums curated by some of the finest and most eminently knowledgeable DJs and diggers since the mid 90s. Soul In The Hole sees them hand the controls to Sadar Bahar, Chicago based DJ described by BBE as the city’s “best kept secret”, one of the most sought after DJ’s in the world of soul, funk and disco. Together with Lee Collins he selected 12 tracks for this compilation, all rare treasures, traversing through a colourful range of funk, soul, disco and boogie, with Frederic Mercier’s “Spirit” a real gem.

Although he started his career back in the early 2000s and has links with Moodymann’s Mahogani Music label, Andres’ profile has increased of late thanks to a string of brilliant EPs for M1 Sessions and his own La Vida . The time is surely right, then, to drop his first commercially available mix CD. As you’d expect, it’s firmly rooted in soul, effortlessly joining the dots between disco-funk, jazz, slow jams, global beats and summery Latin flavas. Opening with the Universal Robot Band’s impeccable “Dance and Shake Your Tambourine”, Culture Shock sits somewhere between a particularly good radio show and a dancefloor-bating mix-up, making it perfect for home listening. It also includes Gilberto Gil’s disco era samba classic “Toda Menina Baiana”, which is never a bad thing.

3 edits on african/percussive and more straight funk cuts from Diskoking Burnhart McKoolski on the label Edits Des Amateurs.

Created in 2011 by drummer and arranger Slikk Tim, DopeGems is a five piece band dedicated to that gritty, raw instrumental sound of the 70s music lovers. That special blend of jazz, funk, and classic soundtracks, but so rarely performed live: there comes the idea of DopeGems. By combining vibraphone, guitar and vintage keys on top of a rock-solid rythm section, the band is able to sound bigger than the sum of it parts, enabling the unit to be very versatile, from searing improvisations to heavy, deep grooves, all the way to full-on symphonic movie charts. “Journey To The Shore” is paired with an equally inspired rendition of “Quasar”, originally recorded on Herbie Hancock’s The Crossing but rather taking its cues from the 1977 version by Bennie Maupin, featuring its sophisticated arrangement by Onaje Allen Grubs. DopeGems manages to squeeze out a darkly shimmering diamond of tune from this sacred rare groove nugget, while respecting all the details of the symphonic original with only 5 musicians.

A side is a little bedroom jam that has never been released. Drums by the mightful Matt Rex, hand claps and finga snaps by Tom Noble. Flip is a gently reworked version of “Music Engine” from Tom’s “In Liger Vision” EP.

Continuing their forays into the world of yesteryear grooves unabated, Lumberjacks in Hell are at it again, this time drafting in O Boogie and Red Greg for some disco funk finesse for the smoothest get-downs. O Boogie lords it over the first side, leaning heavy on a rich piano hook that hammers lower register chords over an incessant disco tick, while evergreen track “Papa Was A Rolling Stone” gets re-versioned in such a floor-burning fashion you’ll need asbestos boots just to get out alive. Red Greg’s “Inner Rhythm” plies familiar tropes into a sweet instrumental groove that makes all the right moves.

Four new tracks from boogie funk ambassador Dam, recorded in Ladera Heights, California. “I Don’t Wanna Be A Star!” from the forthcoming album Invite the Light. Includes a cover of Prince’s “17 Days”.

The Trash Company released its first single in 1979, the follow up didn’t come untill earlier this year. Hot on the heels of Pluto comes this 5 song 12″ EP, containing both sides of PPU 036, along with three new tracks: “Having fun”, “Bigga Man”, and the summertime anthem “I don’t mind”. perfect as days begin to grow shorter and nights are getting longer. Fall will bring a full length Trash Company Lp on PPU / Steady Sounds, collecting unreleased material spanning the late ’70s through the early nineties.

Slamming remastered reissue of über-rare Detroit electro gold ‘Mill-Due’ by T.Mack on tiny label Megas. Incredibly hard to come by, this underground 12” from 1985 oozes funk, soul, boogie and delicious groove with a huge slice of time-defying electro chic. With a super-squelchy analogue bassline, sexy guitar licks and killer beats, it is topped off with Detroit style space-age deep vocals which conjure images of early Juan Atkins productions – this record is a collector’s wet dream! An on-air favourite of The Electrifying Mojo, this is Motorcity electro at its very peak. Essential for fans of electro and techno alike! Do not miss out on this true holy grail of Detroit electro funk.

Japanese group Quasimode are rightly lauded by the world’s jazz and electronic music cognoscenti, with their productions flitting elegantly between the two genres. For their third release on Japanese label Flower, the foursome present the Hi Tech Jazz EP. “Hi Tech Jazz”, as you may have guessed, is a cover version of one of the finest tracks in the Underground Resistance back catalogue, bobbing along with jazzy piano keys, swooning saxophone solos and an undisputable sophistication. Once we flip over, “Seven Colors” featuring Kazufumi Kodama brings a hint of the electronic with a dub tinged rhythm in its pallet to showcase why Quasimodo are so highly regarded.

Out from the skies arrives Reiterate Music Group, offering 4 older cuts with new interpretations. A side is on the Afro percussive tip, B is more on the disco funk side w/edits by DJ Qu.

Official release of the previously unreleased album of the famous 12” classic. ASSO the alter ego of italian producer Victorio Pezzolla is something like a Italo Disco one hit wonder. The Do it Again / Don’t Stop 12” has original been released in 1983 and is meanwhile one of the most sought after 12” releases from Italy. Unfortunately the related album hasen’t been brought to the market back in the 80’s. Victorio Pezzolla and Private Records rediscovered the original analog master tape some months ago in an archive of an Italian publisher. The absurdity that the music has never been commercially released leads to the fact that this masterpiece, a complete unreleased original 80’s album, will be brought to you fresh and unspent in 2012. Italo Disco, Space Funk and balearic grooves are combining to an unique Italo Disco release.

Long Island Electrical Systems presents two very sick house jams from a mystery ‘super group’ of Brooklyn based producers.