Here are some plain and simple cuts by yours truly Credit 00 that push just the right buttons to make people move. The tracks were made exclusively for his live set but they are too good to keep them back. Without superfluous frills these four bangers scream “Party” in every note but as usual with Credit 00 there’s also a melancholic side somewhere behind those tricky beats.
Liverpool label Scenery Records continues to shine a light on local talent by next turning to Mark Forshaw for a new four track EP. Remixing is the singular Autodidakt Records boss Daniel Andréasson and once again the release showcases a gloopy, analogue heavy house and techno sounds with influences of acid and beyond.
Antoni Maiovvi makes his Tusk Wax debut with this four tracker of neon tinged sci-fi soundscapes made for high speed chases, robot showdowns and replicant love scenes. Treating fans and newcomers to a sound they’ll surely love, Maiovvi balances between some kind of tech lounge and danceable electro on this soon-to-be sought-after two track vinyl.
“A recontextualized hybridization of that which is familiar to create the foreign….
Using classic Chicago, Detroit and New York as a reference, I sought to explore new sonic possibilities while limiting myself to the classic machines and sounds of the era that inspired me to dedicate my life to this art-form.
Revivalism was not my intent. Perhaps neo-futurism if any ism’s must be assigned. That, and a strict code of minimalism. I aspire to use time, space, and absence, as well rhythm and sound, all in equal measure to create suggestive music (pun intended). Defined as much by what is not there as by what is. Music for travel. For Dance. For Contemplation. In a club among hundreds, or at home in bed.
An album. Along player. A fantastical voyage through the soul and mind via abstract, minimalist etudes exploring the range of emotions that are joined to a particular year in my life. Using as few elements as possible to create the most emotive material I could, these studies are recorded documentation of one student’s pursuits to master the craft of creating raw, yet elegant. Rich and sonorous, yet stripped down modern electronic music. For the club, at home, and everywhere between. Modern music for modern living.
I hope to contribute to the progression of the form and create excitement in the next generation so that some of them will also be inspired to expressively create and add on to the culture. Peace”
The secret to John Heckle’s impressive productivity is probably his admirable commitment to jamming with analogue hardware. Certainly, there’s a loose, all-action immediacy to this outing on Midnight Shift. Tinged by acid throughout, and with more than a few nods to both Detroit futurism and vintage British “intelligent techno” (most obvious on the early Orbital style, stargazing shuffle of closer “Frozen Planet”). The title track itself is particularly potent, offering a surging combination of stomping techno drums and intoxicating acid lines, while the bleaker “Alpha Deux” sounds like the musical foretelling of some kind of post-apocalyptic future.
First release in a series of two by the bad boy from Saarbruecken, Roger 23, bringing 3 crystal clear future jackers and deep & deeper techno tracks.
Raw and 90’s influenced effective house tracks on this Wilson sublabel from London. Including cool acid cut on the b2.
Marvin & Guy with 3 tracks that push boundaries between disco culture & techno spirit. Ranges from hypnotic warm analog bass to pumping Italo-disco to obscure trip built around psychedelic synths & rolling bass topped w/spooky vocal samples.
LAB.OUR 05 showcases tracks by 4 different artists, displaying a diverse spectrum of deep sounds. Lab.our Music co-owner J-UL’s first ever release, Tempest, is a moody, beat driven track with layered synths. Maxwell Church returns to the label with Elastic Ban, a rolling rhythmic journey with tense strings. Newcomer, and Toronto native, Xavier Gonzalez drops Praise, a dancefloor burner with a barrage of beats and energetic vocal snippits. Last but not least, veteran Chicago Skyway brings us Vase Mix 3, an atmospheric and melodic jackin’ track.
Barcelonian underground BLD hits us with a new EP straight to the Club. Two versions of the monstrously acid and beautiful dub building track Crawling on the A side and the epic break beat Twisted on the flip side.
Inaugural release on the new imprint Gnosis comes from Myriadd. This four track EP remoulds the template of vintage Chicago house, acid and deep house into his vision of modern house music.
Ron Wilson’s 777 label delivering a strong EP with 3 spaced out techno tracks with layers of deep strings and warm bass lines. A fierce jacking rhythm with a rolling bassline and a contrasting atmosheric synth on top.
Cosmic Club 16 in the house, and for this one Skylax have delved deep into the mystic universe of the ever enigmatic Violence FM with a four track EP quite simply out of this dimension… Etoiles EP is an inconceivable work of art from Violence FM that will leave listeners stargazing for more, not to mention an extraterrestrial remix of Chez Damier’s ‘El Fin Esta Cerca’ on the flip.
Black Booby is back on it with the Disco NoT Disco Summer release. First up on the A-side there’s ‘Sun Lab Export’ from Richard Rogers’ mystery partner, an edit of the super-unknown ‘Laxton Superb’ by Dutch 80’s electronic outfit Spectral Display. Next up is ‘I Need Somebody Raw’ a new take on disco’s campest hero Sylvester’s ‘I Need Somebody To Love Tonight’. Then moving on to the B-side, we have ‘Jungle Booby’ which is already attracting some underground heat, as this reworking of late 70s French disco group Kikrokos’ track ‘Jungle D.J.’ sees Rogers take the original’s intro for a long session on the dancefloor in its own right. Finally, ‘And She Walks’, a take on Kazino’s ‘Binary’, sees them revamp the original B-side (of Around My Dream) by highlighting its darker sonic sensibilities.
Sophisticated deep and athmospheric techno by Les Enfants Terribles. An extra fine release number one to start this fresh venture by Dutch dj/producer JP Enfant. These terrible kids all ready made name in their local scene and are now ready to step over the border.
The first release on Kristina Records, featuring four tracks by Frawl aka Cian Frawley. Nice deep, meancholic house tracks with fragile melodies and a lovely flow.
Laid down with authority by L/F/D/M are four no nonsense cuts blasting fresh air into that perennially en vogue phenomenon known as acid house. Opener ”Spare Ribs, No Napkin” is meaty and greasy with abandon, as rude and distorted as it is irresistibly syncopated. ”Cutting Fingers” contrasts with a slow burn with a deep kick anchoring shifting rhythms and unsettlingly hypnotic riffs. Flip this treasure over and get pummeled by the rolling stomp of ”Heavy Clouds with its massive 808s and just-off-the-nose acid cycles. Closing things out is the bright paranoid jack of ippos In Slumber” with its muted chords adding freaky color to steady and heady 707/303 workout that charms and overpowers with an electric stink that lingers long after the needle has reached the lead-out groove.
The Hipodrome Of Music 