
Mowgli @ Intergalactic FM Festival 2023



“For the 2nd chapter from The Definitive Articles of House Music, Traxx plays from the early 80s, 90s and today from vintage and out of print bootlegs and record labels housetime, precision, nbasement and street sounds to productions from Carlos Berrios the Latin rascals, Bobby Konders, Edward “Get Down” Crosby, the Williesden brothers and a secret alias known as Genius At Work with new material from Modern Analysis, Deep Concentration and musical blueprints of Chicago and New York’s timeless heroes we admire, honor and inspired by their education with this 2 hour and 48 minute selection.
We hope this will give people the chance to listen to music many may have never heard on this side of sound that provides a provocative and thoughtful musical workout in your mind..
This musical timeline is literally all over the rhythm 🎵 scales ⚖️ with vinyl turntables, a vintage mix console…effects box and cd players.”

L.I.E.S. Records founder, Ron Morelli, makes a rare appearance on his own label with his eagerly anticipated double LP, “Heart Stopper”. Heart Stopper is undoubtedly the “dance” record that reaches back to the early days of his L.I.E.S. Records label where artists such as Delroy Edwards, Steve Summers, Traxx, and Svengalisghost all came together digging into the primitive, foundational sounds of original Chicago, New York, and Detroit House music putting it through a contemporary lens. Recorded between 2019-2022, this LP is the culmination of many years of Morelli honing his craft, from digging and studying old records, to focusing and sharpening his production techniques, the L.I.E.S. boss has delivered an album that is a testament of his true love and obsession of the genre, with “Heart Stopper” being the record to cement the now iconic L.I.E.S. legacy even further. In the often shapeshifting world of modern dance music, “Heart Stopper” is what a House record should be. Full of passion and unfiltered emotion, uplifting at moments, pensive at others; with raw, jakin’ drum programming, big basslines, and anthemic synths driving the release throughout.

This 3 hours and 45 minute selection showcases musical blueprints of all rare Chicago and New York like the days of old mostly from the radio shows with disc jocks playing music mixes.
The 1st chapter is from the definitive days of house music from Traxx playing from the early 80s, 90s and today from vintage and out of print record labels Trax, Jes Say and Dancemania to multiple Boyd Jarvis and Timmy Regisford productions but also material from Delroy Edwards, Steve Summers, Modern Analysis and new material.
Many thought this type of sound would never come again but we’ve been giving hints over the years that we hope this will give people the chance to listen to music many may have never heard on this side of sound that provides a provocative and thoughtful musical workout in your mind.

The venerable Dark Entries celebrates it’s 300th release with “Panoramic Coloursound”, a triple LP from The Creative Technology Consortium. Traxx, Andrew Bisenius, and Jason Letkiewicz forged the CtC during the depths of pandemic isolation. Drawing from film and television music of the 80’s/90’s and armed with a mighty array of vintage analog and digital synthesizers, they set out to explore heists, vices, and catastrophe. Panoramic Coloursound collapses sound and image into a neon blur throughout its 25 tracks. While retro scores were the starting point for the CtC, the project does more than pay dutiful homage — these notes are warped and skewed, devolving into decaying digital soundscapes. EBM-inflected basslines pop up on tracks like “Catastrophe” and “A Retro Vice”, menacing numbers that recall Traxx and Letkiewicz’s legendary work as Mutant Beat Dance (a project also featuring Beau Wanzer). “Follow Our Kode” pairs heroic synths with funky bass, striking cosmic chords akin to the material that Traxx and Bisenius have released as An Anomaly. Krautrock-esque guitars slide along anthemic pads on “Beautifully Polluted Sunset”, which comes across like an alien Miami Vice closing theme. The CtC channel corroded VHS vibes while making music for the future.


Nation presents 4x LP and Zine (ft. photos, historical text and track narrations by the artist) set. An essential delve in to the retrospective works of SSPS.


Squirrels on Film with a new 12″ vinyl record, featuring 4 cuts for the floor by Mummy Lord (Justin Aulis Long & Grey People), Religius Order, Steve Summers and a collaboration between C.L.A.W.S., Bill Converse & Tyrel Williams. Black hand stamped vinyl with Red Jacket.

Real Jakbeat from thE kiD. With sum Bugg on top. Pure Chicago flavor, not for the weak or fake. No repress, don’t miss out, don’t sleep.

Natural Sciences Recs marks its 60th release with a split 12″ from Beau Wanzer and Hieroglyphic Being: two cult names from Chicago’s underground releasing on record for the first time, with Wanzer’s hybrid industrial rap alongside Jamal’s wired space ritual.

“The recording of what was heard the morning of October 22nd 2022 at Have A Nice Day, Berlin. Much love and respect to Nation for making this possible.”

This 28 minute documented performance will be released on Nation as the next level sound of Jakbeat in passionate craftsmanship as Kindcaid recorded in one take using a sequencer, with improvised keyboards, electronics & metallic percussion, and guitar playing LIVE!

The Jak has returned with 2 new Dirty bLends in extremely limited quantity. Introducing nU cOhort to the label: The Falcon (a silent assassin). This new artist alias to the label has contributed to the further effort of maintaining the sound from the early inception of chicago tracks like the days of old that still lives and breathes in us today that honors and treasures enriched essential dance music history.
DirtyBlends Edition 7 both sides IZ straight HEAT!
The Jak kicks the A-Side into madness with a Jakbeat blueprint of energetic electronics and various bass lines on this obscure creation honoring Ron Hardy, Frankie Knuckles and Farley that resonates a confrontational question repeatedly saying “Who said i can’t beat U for the title track ‘An Offbeat Formation of Control’.
The Falcon Flys fiLthY iLL on the B-Side wit a whiPLash idea influenced from Chicago’s south-side of rhythm styles Paul Johnson and Chip E!!! made 2 Jak 4 Crazies that is truly Definitive Jakbeat.

“The Jak has returned with 2 new Dirty bLends in extremely limited quantity. Introducing nU cOhort to the label: Rudy Rugar(a wild bandit). This new artist alias to the label has contributed to the further effort
of maintaining the sound from the early inception of chicago tracks like the
days of old that still lives and breathes in us today that honors and treasures
enriched essential dance music history.
DirtyBlends Edition 6 is Underground Bizniss!
The Jak kicks the A-Side off with A Lost Religion… an offbeat rhythm with furious undercover drums, an atomic boom effect triggering energized strings fusing an artistic tradition of early basement style production of The Muzik Box re-igniting the past to the present into the future for education.
Roughneck Rudy Rugar beAts the B-Side with 2 tracks that is the 1st time we’ve ever done for any of our releases that both tracks are absolutely true examples of house heaven done DiRTy with: Pazuzu and Back To Enterprise .”


Underground hero Bill Converse returns to Dark Entries with Take Parts, perhaps his most muscular and floor-focused work to date. Converse has honed his analog craft since the early days of the Midwest rave scene, absorbing lessons from luminaries like Claude Young and Traxx. His skill as a producer has been established with releases on labels such as Dark Entries, Fit Sound, and Obsolete Futures, and his prowess as a DJ has been witnessed on floors the world over. On Take Parts, Converse peels away the layers of acidic gauze that have characterized much of his work, revealing his sharp grasp of dancefloor dynamics and DJ functionality. While the 808’s, 909’s, and 303’s are on full display, Converse does not indulge in retro-fetishism; he channels the future forward impulse of the originary rave ethos.

The fourth collection of cuts from Various Artists of The Black Lodge multiverse. The first sound offering on side A comes from The Poetic Painter M of Nation Records. A2 comes from Chilean born sonic explorer Pablo R. Ruiz, who resides in the sacred lands of Detroit and has a number of releases on Portage Garage Sounds. The flip side begins with an acidic banger from Midwest producer/ engineer Grey People who has numerous releases on great labels such as Frigio Records, Valcrond Video, Public System Recordings, and others. B2 is an experimental mind-bender from Bay City, Michigan artist Fashion Flesh aka John Talaga, a true gear head who makes his own electronic equipment, oscillators, generators, sound toys, and modulators and has released on cult labels such as Unknown Precept and Fit Sound (Est. 83’Records), among others. The EP ends with a beautiful piece defying genres from Fauna53, a collective of electronic artists from Italy, headed by Asymmetrical who runs Raw Culture Records.
