Jon Krocker – Monolog [DE228]

Dark Entries presents the first ever vinyl issue of Jon Krocker’s debut album ‘Monolog’ originally released on cassette in 1983. Jon is from Winnipeg, Canada and got his start as half of the synth noise duo Dialog. In 1981-82, while studying for a BA in Film Studies, he would go to the studio and practice. No writing or patch memories, composing on the fly. His set up consisted of a Minimoog, Oberheim Two Voice, Roland RS-202, Roland Space Echo, EML 400, Roland DR 55, Roland System 100 mixer. After playing some of the songs to Impulse Records store owner Roman Panchyshsyn, he agreed release the album on cassette on Contagious Records. Primarily influenced by the German school typified by artists such as Conrad Schnitzler and Kraftwerk, Jon’s music exhibits the cold machine ethic of the neumusik. The 12 instrumental tracks are stark and minimal, at times anxious but overall space orientated and flexible.

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Jon Krocker – Monolog [DE228]

VA – Kale Plankieren: Dutch Cassette Rareties 1981 – 1987 Vol. 2 [KH016]

After last years excellent discoveries from Volume 1, another batch of ‘lost’ and unreleased Dutch (cassette) material is coming back to the future. For this sequel we dug deep into the Dutch lowlands and again found some independent music that’s still relevant today. In the process we met even more amazing musicians and heard great stories from a distant-not-so-distant past. Expect a wide palette of DIY and experimental sounds by artists from Groningen, Zwolle, Arnhem, The Hague, Rotterdam, Tilburg and Deurne.

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VA – Kale Plankieren: Dutch Cassette Rareties 1981 – 1987 Vol. 2 [KH016]

VA – Prophecy & Progress: UK Electronics 1978-1990 [PM24]

Peripheral Minimal presents ‘Prophecy + Progress: UK Electronics 1978 – 1990 LP’, a thirteen-track compilation that represents the burgeoning Electronic music scene in the UK. This isn’t simply another synth pop compilation, or some nostalgic frippery, but an eclectic mix of acts that were experimenting with newly available technology at a time when the punk scene had imploded and the music press was busy coining new genres as an attempt to continue its legacy. In the bubbling underground were a myriad of experimenters recording in relative secrecy in Industrial cities like Sheffield or post-war London, at a time when the Tories came back into power and utterly altered the political landscape, and produced a generation of, ‘Thatcher’s Children’ (selfish, arrogant and materialistic). The antidote seemed to be quiet rebellion in the shape of dark and alienating soundscapes by acts that are now considered ‘pioneers’, or achieving cult status, in a new era of throwaway pop and trite ‘new wave’ impersonators. This compilation is an attempt to rekindle those heady days of experimentation and to encourage new generations to rebel and forgo the fashionable posturing that comes with anything vaguely ‘interesting’.

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VA – Prophecy & Progress: UK Electronics 1978-1990 [PM24]

Max Vincent – Beograd [DCM006]

One of the biggest sampling innovators and the pioneer of electronic music in Eastern Europe, Max Vincent initially played in Belgrade’s Max & Intro band. “Beograd” is a lost LP album which consists of 8 previously unreleased tracks made in period 1986-1999 which Max wanted to use in a single concept album. This is ultimately an intriguing album, dark, cloudy, with unpredictable solutions and transitions between rhythm, paths, synth textures, vocals and other layers. One of the records that every fan of the 80s electronic must have.

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Max Vincent – Beograd [DCM006]

Zmatsutsi – Hookep Up [MMLP1001]

Discover the sex-appeal of Leeds with the trio Joe Gill, Heidi Armitage and Tim Hutton aka Zmatsutsi. They deliver on this mini-LP a mixture of s’mazing slow beats tracks, a bit like Rimini was meeting Dusseldorf in a Golf VR6. ‘Hooked Up’ is a hazy and psychedelic trip into druggy, slo-mo disco territory. Built around head-nodding drum machine rhythms, undulating arpeggio lines, trippy synthesizer motifs and breathy, poetic spoken word vocals, it’s a hugely atmospheric and enjoyable affair. There are occasional forays into more boogie-inspired territory, but even these outings tend towards the throbbing, pulsating and hypnotic. Of course, we expect little less from the inspired Macadam Mambo label, but we were still surprised by the dizzyingly high quality threshold throughout.

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Zmatsutsi – Hookep Up [MMLP1001]

Muziekkamer – II – Popmuziek [CYRE01]

Left of centre experiments from the Dutch underground of yesteryear. Muziekkamer was the name of the home recording studio that gave birth to the twelve tracks on ‘Popmuziek’, an intriguing document of sketch arrangements and primitive, fairytale sampling wave cuts. This is music which excels due to its inherent naivety; the limitless ambition of ‘Black Box’ almost sounding like a precursor to the 90s ambient techno of Likemind or Stasis. On ‘Being Home Tonight’ we can hear an early form of what the likes of Tolouse Low Trax have been bringing to the forefront of contemporary club culture whilst the erratic art-rock of ‘Walkman’ mirrors what Leven Signs & co were doing over the pond. In trying to create something which represented ‘intrusiveness’ as a contrast to an earlier ambient tape the trio incidentally blurred the lines between various musical fashions to come. An amazing snapshot of time and place.

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Muziekkamer – II – Popmuziek [CYRE01]

Colin Potter – The Where House [DE214]

Colin Potter is a sound engineer and musician currently based in London. He has worked within the fields of electronic and experimental music for over 35 years. He started the esteemed ICR (Integrated Circuit Recordings) label in 1981 releasing a clutch of wonderful home recordings of his own, over half a dozen small run cassette only releases. ‘The Where House?’ was recorded in 1981 at IC Studio, a converted wash house in Sutton on the Forest in North Yorkshire. The album was self-released on cassette that same year via ICR. This expanded double LP edition features all 13 tracks from the original tape on vinyl for the first time plus 4 bonus tracks. ‘The Where House?’ is a prime example of early UK post-punk/industrial electronic music.

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Colin Potter – The Where House [DE214]

Violent Quand On Aime – Violent Quand On Aime [KH015]

Coming from different regions in France, Violent Quand On Aime’s members have joined forces to canalize their energies into something truly essential. Far away from hype and expectation they have created their own peculiar world. Expect a certain electronic griminess with hints of 90’s hiphop, postpunk alienation and an affinity for Musique Concrète. The overall experience is similar to the excitement one feels when hearing something genuinely original. This mini-album is the follow-up to their very impressive 7” on Le Syndicat Des Scorpions.

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Violent Quand On Aime – Violent Quand On Aime [KH015]

Book of Life / Knickknack – Verlorene Seelen / Freudlos (M​.​W. Cuts) [AH004]

Mick Wills makes magic again with his cuts and transforms two tracks of the past in two superb master pieces. From glorious Italo-disco to a hypnotic Industrial, one track by side on this new release on Aspecto Humano.

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Book of Life / Knickknack – Verlorene Seelen / Freudlos (M​.​W. Cuts) [AH004]

VA – Dutch Wave: A History Of Minimal Synth & Cold Wave In The Netherlands [OS036]

First chapter on Onderstroom digging into the history of Dutch minimal synth & wave. Comes in a gatefold sleeve with metallic finishing and pressed on 180gr. vinyl. Who needs a big, expensive recording studio with all those fancy high-tech machines that only make your weary head spin when you can do it all by yourself at home in your (teenage) bedroom? Way back in the early eighties all you really needed was an idea, quite a bit of guts and some rudimentary equipment. You could basically do whatever you wanted. The means were limited, yet the sky was unbounded. It was the time of the cold war nuclear threat, social unrest and mass unemployment but at the same time it was an era of infinite possibilities. The future was just around the corner. A lot of music that was being produced sounded just like that: a brave new world of sound and rhythm. Music was simply put on cheap cassettes, easily duplicated and swiftly distributed in limited quantities into the big world outside.

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VA – Dutch Wave: A History Of Minimal Synth & Cold Wave In The Netherlands [OS036]

VA – Outer Himmalayan Presents [DE205]

Dark Entries and Sacred Bones team up to release the early discography of UK synth-punk and Deathrock label Outer Himmalayan Records. Between 1979 and 1982, Nick Blinko and Martin Cooper’s Outer Himmalayan Records released 7-inches by three short-lived bands – The Magits, Soft Drinks, and S-Haters – who would nonetheless cast a massive shadow on the UK’s burgeoning post-punk/anarcho punk scene. Outer Himmalayan Presents collects all of the music found on those original records, along with rare and unreleased tracks by all three bands. It’s a snapshot of a period of frenzied creativity by some of the UK’s most thrilling experimental punks.

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VA – Outer Himmalayan Presents [DE205]

Sterk Water – Marie EP [CCR001]

This is Cobra Club Records with their first ever release. The Marie EP, featuring two originals by The Hague youngsters Sterk Water sporting repetitive minimalism, Dutch lyrics, early 80’s electronica and lo-fi minimal wave on Marie and Zonder Te Voelen. Legowelt and Betonkust are on remix duties. West-coast legend Legowelt obviously closed his curtains for this pitch dark mix for Marie and Betonkust makes you want to put on your ugliest pair of sunglasses with his trancey translation of Zonder Te Voelen.

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Sterk Water – Marie EP [CCR001]