“Over one hundred artists from all over the world and various disciplines joined forces to raise funds for Red Cross Ukraine and help the innocent. After three days of no sleep, we are proud to present you WhyPeopleWar Vol. 1 and 2. fundraisers with more than 100 tracks! We want to thank all artists who participated and the studios that helped us master the tracks in record time! Let this symbol be the message we send out there with this fundraising compilation. Let this music uplift the human condition and do its part in dragging us out of this situation. From Lithuania with love! Slava Ukraini, Heroyam Slava!
Sunday morning we were eager to come back as early as possible to the Utopia 126 for the last day of the festival, so we managed to arrive by midday again. At the Ombra Stage, Vinilette was about to finish her vinyl set for the Frigio showcase.
Ombra is a project born from the hand of agency Ombra Agency and label Oraculo Records with the aim of creating a meeting place for lovers of analogue and avant-garde sounds that do not fit in the current cultural offer. The first edition was held in May 2018 in a club format, bringing together musical styles such as EBM, darkwave and industrial/experimental sounds.
In 2019 the festival took place in different areas of the city with industrial aesthetics. The idea is to combine heritage with music by creating a circuit in different spaces that can accommodate different offers. We’ve been at the festival in 2019 and definitely it was one of the best experiences for us.
Italian DJ and producer Gianluca Pandullo a.k.a. I-Robots has chosen six of his favourite Electronic Emergencies tracks to reconstruct. The second part of a collaboration after a digital-only compilation of EE tracks by the founder of Opilec Music in 2020, the six rigorous reconstructions on this double 12-inch are long, luscious, and full of energy. “Move Like Rays” by Machinegewehr was injected with a high-energy vibe, while Das Ding’s “Want Need” was transformed into an electro classic. Skeleton Head’s queer anthem “Beaten, Bloody, Bruised” was given the percussion treatment, “Danza Obscura” by Borgie got an Italo Wave twist, and New Wave legends Chris Davis and M/A/N/O/S had their tracks worked over by dubby electro and minimal techno. Electronic Emergencies reconstructed by I-Robots consolidates the label’s frontier electronic underground reputation.
This is the second selection of recordings from Intergalactic FM Streaming Festival 2021, which took part at the end of May. This was is just a part of the recordings that were run continuously for more than a week.
You would think that a small country like the Netherlands has very few isolated places, but buried in the south-west corner you will find the region of Zeeuwsch Vlaanderen. Just before the Westerscheldetunnel was built in 2003, the area was only reachable by ferry or over land through Belgium. By the late 1970s, in the region’s small city of Terneuzen, a group of like-minded music lovers were inspired by punk music and formed a series of bands together. A number of the musicians first met in high school, and it is here where we find Danny Bosten (Das Ding) and his label Tear Apart Tapes. If you played music you had to have a label to release it and because you had a label you needed to make music. It was a logical and circular process, and despite being isolated, nothing stopped them from bringing new music to Terneuzen. Up till today the label releases cassettes just like in the olden days as well as a string of 7-inches with new music by Das Ding, Les Yeux Interdits and Ian Martin. Each of these releases carries a similar visual aesthetic to the label’s early 1980s output. All of them sold out quickly, but luckily they are now collected here on this LP.
Continuing our past year briefing, after the readers top 3 and best giveaways, we present a list of our 20 favorite albums from 2020.
We have four albums more on the electro side coming from DMX Krew, Men With Secrets (Donato Dozzy and Retina.it), Nullptr and The Exaltics & Heinrich Mueller, while on the industrial/EBM side we have albums by A Civil Terror, La luna sotto il ponte and LBEEZE and impressive works from Black Meteoric Star, Ian Martin and Trenton Chase.
On the synthier side of music we have four albums coming from Das Ding, Linea Aspera, Newclear Waves and Jake Schrock, while for the Detroit lovers we have two Detroit influenced album by The Beneficiaries (Jeff Mills, Eddie Fowlkes and Jessica Care Moore) and The Nightstalker (Dan Piu and Martin Akeret).
Closing the list are the debut album of disco-don Franz Scala on Slow Motion, Obergman‘s acid album on Furthur Electronix, Anthony Collins with his album on Lobster Theremin under the Grant alias and Shifted with his first album on Avian.
The list is compiled in chronological order.
Another exploratory and bulletproof data delivery by Das Ding, returning for his second record in the Mechatronica White series following ”I Am Not A Robot” from last year – this time assisted by Heap’s radiant interpretation on the flip.
3 years after the original vinyl press, Pinkman and Tear Apart Tapes (Das Ding’s own imprint) join forces for a fresh take on ‘Industrial Universal’. The cassette features the re-release of the 4 tracks from the sold out EP on the A-side, and 4 new productions on the B-side. Industrial Universal 1.1 adds an extra turmoil and energy into the already time tested cocktail, delivered in Das Dings style.
Early 2020, while the Covid-19 crisis was taking over the world, I-Robots was introduced to Electronic Emergencies. Calling it a magical parallel world, I-Robots immediately fell in love with the retro electro and disco noir feel of the label from Rotterdam. It was a nice surprise to discover that the guys of Electronic Emergencies have been fans of I-Robots since the early days. I-Robots and Electronic Emergencies have found each other in their eclectic taste in electronic music. While their friendship evolved, they started discussing ideas on how to collaborate. As a first step in this collaboration, I-Robots has curated this digital compilation of 14 of his favourite Electronic Emergencies tracks. These reflect the deep melodic eighties atmosphere of the label and the elaborate and sophisticated taste of I-Robots.
“Whilst the world is on pause, we thought it be a good idea to showcase some works that have been moving us months before the lockdown kicked in. We wanted to share and replicate the same amount of electric vibrational emotions it initially had on us upon first listening to them, so the best way we could describe that feeling was by calling this VA series, Currents I. In this compilation theres some faces you know from the Power Station roster intersected with some soon to be Power Station release inductees, once this mess clears up obviously.”
Emotional welcomes Kris Baha with ‘Barely Alive’, his first 12″ for Especial. Remixes start with Timothy J Fairplay who laces his trademark echoplexxed wash for a cold wave mover. Next, prodigy Job Sifre builds on his acclaimed debuts with a remodel that goes straight to ‘that’ basement, mixing his love of electro, new wave and industrial. To close, the legend of Das Ding creates a re-alternate remix, fusing his unique fuzz with Baha’s ode for a brittle finale.
Essential supplies of lethal dancefloor munition on the first release on Artificial Horizon label. Opening up the compilation is Antoni Maiovvi’s android lullaby ‘The Wolf Void’ followed by the pulsating analog rhythms of Das Ding’s epic (almost) 9- minute synthetic trip ‘Insect Apocalypse’. On the flip, Itako carries forward the sinister momentum leaving us in a dark state of hypnosis with its spectral synth and acid lines. Last but by no means least, Timothy J. Fairplay closes off the release in classic Fairplay style with an FX laden soundtrack for dystopian dreams that ascends to ethereal heights.
The bandcamp includes a free download of a Mick Wills cut for M Track.
The third release from the Pubblicazione series is out on the Italian label Hiroshima 45. Chernobyl 86. Windows 95. 80s EBM Mexican band Interface went digged, contacted, then re-edited by Sneaker Dj. The unique slow industrial marchs signed Raw Ambassador strike again. Rawmance: 3AM when the walls sweat. Addictive dance. Dutch master Das Ding hosted here with a progressive storm, rougher than ever.
Splattered vinyl with a silk screen printed cover and a huge poster inside. Lustpoderosa`s eclectic lifestyle continues with its very first various artist compilation. A clash of generations in sonic form, ranging from slow and heavy industrial beats to gloomy minimal wave. Four contemporary tracks and two reissues from 1984.
Rotterdam fuses with Berlin, as Das Ding lands on Mechatronica for the third record in the label’s White series, dedicated to limited vinyl-only pressings of EBM, wave, synth, electro, italo, industrial and experimental sounds. ‘Alien Insane’ opens the record with a relentlessly progressing piece of dark machine music, followed by the dazzling cosmic journey of ‘Idiomatic Transnominator’, both tracks vividly blending Das Ding’s signature sound with classic Dutch electro, synth and italo styles.