Good News @ We Are Radar (Kraków) 15.12.2017
minimal synth
Solid Space – Space Museum [DE190]
Dark Entries presents the first ever official vinyl reissue of Space Museum by Solid Space. Solid Space was the British duo of Dan Goldstein (keyboards, vocals) and Matthew ‘Maf’ Vosburgh (guitar, bass, keyboards, vocals) formed in 1980. Amongst collectors of post-punk era cassettes, Solid Space’s sole album, 1982’s Space Museum, has long been a sought-after item. While scarce and hard to find, the demand is largely down to the music contained within. Combining bright and spacey synthesizers with cheap drum machines, fuzzy guitars and vocals musing on science fiction and isolation, the British DIY duo created something surprisingly magical and alluring despite its lo-fi creation.
Post.23 – Whispers [STILLATON1]
The first release of the Swedish label Stilla Ton comes in the format of 6 tracks pack from Post.23.
Sneaker – Viscera #19
Benedikt Frey – Digital Tsunami 134
Juanpablo – DW Podcast 36
Josh Cheon – Dark Entries: RA Label of the month
Trisomie 21 – Chapters IV [DE195]
Trisomie 21 is a post punk band formed in 1981 by Phillipe Lomprez (vocals, drums) and Hervé Lomprez (guitar, electronics), two brothers from Abscon, in the North of France. They began composing songs at the age of 16 while studying at school. Their music consists of lush soundscapes that do not easily fit into any one category. Lyrics are sung in English because in the north of France the duo sought to contradict the trend at the time for everything to be sung in French. Since 1983 they’ve recorded 15 albums and appeared on numerous compilations and remain active to this day. For their fourth album the Lomprez brothers spent September and October of 1985 recording nine new compositions. In January 1986 ‘Chapter IV, Le Je-ne-sais quoi et le presque-rien’ was released by PIAS sub-label Scarface. The title came from a 1957 book by French philosopher and musicologist Vladimir Jankélévitch. The songs on the album, including the emblematic The Last Song’, were captivating, original and without concession. This record further opened the door to new opportunities, and the band’s music spread further internationally. Sadly some of the songs had phase related problems and caused partial cancelation playing back monophonically, so the band remixed and re-recorded the songs and reissued them on CD only in 1987.
Group A – Group A [MNQ117]
Berlin based Japanese industrial synth duo group A make their debut on Mannequin Records with a killer 3-tracks self titled EP. Tommi Tokyo (synth, drum machine, vocals) and Sayaka Botanic (violin, tapes and sampler) released 2 studio albums and 1 live album in Tokyo, before to move in Berlin in 2016. With their mixture of dark minimal synth, avant-noise, striking visuals and performance art, the duo still carries on the very breath of early industrial pioneers such as Throbbing Gristle, Die Form, Klinik, Cabaret Voltaire. The EP was recorded in Tommi’s bedroom and later mixed together with Mannequin Records head Alessandro Adriani in his own studio in Berlin.
Dollkraut @ Dekmantel Selectors 28.08.2017
Traxx @ Masonic Temple Theatre (Detroit) 03.11.2017
Daniele Cosmo @ Katakombe Bergfest (Zürich) 25.10.2017
Intergalactic Gary @ Dekmantel Selectors 26.08.2017
Mick Wills @ Positive Education Festival (Saint Etienne) 09.11.2017
Interstellar Funk @ Dekmantel Selectors 24.08.2017
Dream Weapons – Phormix Podcast #105
Nocturnal Emissions – Nocturnal Emissions [MNQ102]
Nocturnal Emissions has been one of the best kept secrets of the industrial genre since the 1970s. Led by Nigel Ayers, the band was one of the first to use tape cutting, avant-garde art, and underground video works to create a stage experience that was being cultivated by like-mindedartists like Throbbing Gristle and Cabaret Voltaire. The band moved on to using samplers and electronic noise in their early 80’s work, creating a twisted funk sound that would go on to influence everyone from Foetus to Negativland. They still utilized their former tricks, upping the ante with extremist performance art and more professional video displays. The group avoided signing to a major label, instead focusing on releasing their own music more effectively. They followed this path into the 90’s when they started http://www.earthlydelights.co.uk, an incredibly detailed website that promotes their various ideologies (they are strongly against the British monarchy and believe that citizens should have unlimited access to space travel) and constant release schedule. The band has released countless tapes and CDs of their material, and continues to unleash their noise through their website.
June – Mannequin Records Podcast 3
Greek born recording artist known for performing and recording live electronic music using pre-midi synthesizers, sequencers and drum machines. Along with Trenton Chase, they are running their own record label, June Records that was established in 2010. Apart from his solo project, June has appeared under the alias Πρόσωπο (Prosopo) and he is also one half of the group Manie Sans Délire.
Credit 00 – Computer Music Mix (716 Exclusive Mix)
O Yuki Conjugate – Scene In Mirage [ERC053]
Emotional Rescue returns to the music of “dark ambient” pioneers O Yuki Conjugate (OYC) with the reissue of their debut album, ‘Scene in Mirage’. Released in 1984, it’s post-industrial; cold wave overtures mixed with an ambient oeuvre created a compelling album that has gained cult status. Quickly selling out in its original pressing, inexplicably their record label decided not to re-press, so an expanded cassette version called ‘Scene In Mirage/Soundtracks’ was re-released on the band’s own Final Image label with an accompanying video. Here, Emotional Rescue’s re-issue combines the best of both versions in a lovingly recreated sleeve taken from the original design templates. Based around original members Roger Horberry and Andrew Hulme, OYC is now returning in its fourth incarnation with live shows and hopefully, new music to come. Watch the horizon.
The Hipodrome Of Music 