Alessandro Adriani – Crow / White Swan [MNQ083]

The new Mannequin Records serie “Death Of The Machines” is launched with their own Alessandro Adriani first up. It features a banging Mick Wills edit of the unreleased ‘Crow’ backed by ‘White Swan’, hypnotsing, and truly psychedelic electro tune.

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Alessandro Adriani – Crow / White Swan [MNQ083]

Trevor Jackson – Feel My Bicep #54

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This mix is a portion of a live DJ set Trevor Jackson did at the New Dance Fantasy Festival at Griessmühle in Berlin earlier this year in July.

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Trevor Jackson – Feel My Bicep #54

Executive Slacks – Seams Ruff LP [DE128]

Executive Slacks began in the hot, humid summer of 1980 Philadelphia by Matt Marello, John Young and Albert Ganss, three bored, broke, anxious art students. Starting out with performance art in subways, they soon took their angst-ridden act to galleries and night clubs. The band found their moniker in a run-down bookstore after seeing an ad for men’s polyester pants. They pieced together sounds that captured the growing paranoia of an age predicted by Orwell and the growing inequalities of the 1980s. They excavated two cassettes that contained their earliest recorded material from 1980 and 1981. “Seams Ruff” is a 13 song compilation from these cassette collections plus a bonus flexi disc featuring a live performance on WXPN from 1980. The tracks were created with the use of heavily modified synthesizers and noisemakers, the broken innards of a grand piano, metal oil drums and a spray painted Harmony Rocket guitar. The Slacks drew their influences from contemporaries like Cabaret Voltaire and Tuxedomoon, as well as Disco and Dadaism. Dripping in nihilism, the song’s lyrics tackle the existential dread of the late 20th century and three of the songs are taken from “Mann ist Mann” a 1926 play by the German modernist author Bertolt Brecht. Executive Slacks’ unique brew of primitive electronics, harsh guitars and aggressive vocals inspired many bands like Ministry, Front 242 and Skinny Puppy.

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Executive Slacks – Seams Ruff LP [DE128]

Jonny 5 – BAH030 [BAH030]

After taking the helm for the label’s inaugural release, Jonny 5 returns to Bahnsteig with more genre-fluid stylings for the leftfield dancefloor freaks. “Deja Vu” opens the set with a space age textures, stadium slap bass and cinematic guitar licks, firing up the wind machine for some coiffured coastal romance. With the linen suit needing the dry cleaners, Jonny 5 steps aboard the “Last Train” for some oddball NDW rock and roll. Imagine if the B52s if their cartoon was redrawn by Frank Miller – dark and deranged machine music. B-side opener “Miami Slice” continues the lunacy but with added wow and future, taking us on a tape mangled tour of post punk history. The grand finale comes in the form of “Slow Bodies”, a 100bpm cosmic bopper retrofitted with Linn percussion, hypnotic arps and the best in zero gravity delay.

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Jonny 5 – BAH030 [BAH030]

Repeated Viewing – Street Force (Soundtrack) [GDLP005]

Repeated Viewing’s soundtrack to the “not totally sure if it’s real or not” film of the same name slinks out of your speakers as if Badalamenti and Goblin had made sweet regretful love one night and created a baby so dark and brooding, only the ‘Trv Synth Fr33ks’ would take it in and raise it like wolves. Following the story of one man’s revenge across 1982 New York, this is Death Wish if we lived in some kind of alternative universe where Lucio Fulci had directed it instead of Michael Winner. From Ballads to Disco to Minimal Synth, “Street Force” is a masterpiece of faux soundtrack bliss and definitely not to be missed.

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Repeated Viewing – Street Force (Soundtrack) [GDLP005]

Nagamatzu – Above This Noise [DE127]

Nagamatzu were the British duo of Andrew Lagowski (SETI, Legion, Terror Against Terror) on synths, guitar, and programming and Stephen Jarvis (Pure Motorised Instinct, Terraform) on synths and bass. Formed in 1982 after messing around with old tape machines and drum boxes, making numerous contributions to international compilations and erratically releasing their own cassettes. Their name comes from a character in JG Ballard‘s “Atrocity Exhibition” and their music reflects his influence. Nagamatzu self-released their debut cassette “Shatter Days” in 1983 after messing around with old tape machines, drum boxes and effects. “Above This Noise” is a compilation of 9 songs recorded in the period between the release of ‘Sacred Islands of the Mad’ in 1986 and ‘Igniting the Corpse’ in 1991. It gathers tracks which surfaced on some of the international compilation cassette releases that the band were invited to contribute to in the 1980s as well as some previously unreleased songs. The band’s working method was for Andrew to first record a backing track, usually rhythm, sequence, samples. Then both members would layer more electronics, samples, guitar and bass over the top, recording the whole piece in one take. These instrumentals combine stuttering bass, guitar bursts and funeral keyboards draped over a dragging drum machine beat, calling to mind Clock DVA, early New Order or Cocteau Twins. Their sound is full of complex rhythm patterns and dark electronics.

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Nagamatzu – Above This Noise [DE127]

All the Madman – Tape Recordings 1980-1983 [VOD145B1ATM]

All the Madmen were Neale James Potts, Michael William Richardson, Christopher Paul Bailey and Richard Roger Weston-Smith from Stoke-on-Trent, UK. They called themselves minimal synthesizer-punks. ATM started in 1980 as an Anti Rock group, believing that the way that music was played and produced should change forever. One track called ”Superior Life” made it onto the LP ”Cry Havoc”.

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All the Madman – Tape Recordings 1980-1983 [VOD145B1ATM]