VA – Bay Area Retrogade Vol.1 & 2 [DE075]

VARIOUS - BART: Bay Area Retrograde Vol 1 & 2

Dark Entries have combined Bay Area Retrograde (BART) Volume 1 and 2 on a single CD. BART is Dark Entries compilation of underground music from San Francisco (and the greater Bay Area) made between 1978-1988. Towards the end of the 70s, San Francisco’s experimental music scene clashed with the aftermath of punk and gave birth to a vibrant underground. By the early to mid 80s the DIY music scene of the Bay Area was a hotbed for experimental and quirky new wave, post punk, and synthpop, quite similar to New York’s No Wave scene and Berlin’s Neue Deutsche Welle. This compilation connects the (transit) lines between these varied musical offerings and tells the secret story of eleven forgotten Bay Area bands. BART Volume 1 features a Korg-heavy assault from Danvilles utterly obscure Nominal State; two little-known left-field electronic dance gems from Batang Frisco and Quiet Room; Berkeleys answer to darkwave, Necropolis of Love; a synth-driven drama fest from drag performance troupe Wasp Women; quirky lo-fi gothic pop from one man band Distant Thunder; a gay Hi-NRG anthem delivered by Danny Boy and the Serious Party Gods; two lesser know gems from SF synth legends Voice Farm and Los Microwaves; and the futuristic pulsing synth-punk of Standard of Living and the Units. BART Volume 2 features slow, dystopian horror from pioneering industrial group Factrix; crushing, motorik noise from acid punks Chrome; amphetamine-driven synth punk from Red Asphalt; an early demo, never released on vinyl, from legendary post punk band Tuxedoomon; chilling atmospheric drone from Ki Di Me; leftfield new wave from Indoor Life featuring Patrick Cowley on synths; Los Microwaves more sinister side project Baby Buddha; gay drag icon Timmy Spence delivering an unknown camp classic, a pure instrumental electro-pop workout from Human Being Men; TR-808 fueled synth pop from Menlo Park duo Wonders of Science, and a poetic yet somber and haunting song from the mysterious Zru Vogue.

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VA – Bay Area Retrogade Vol.1 & 2 [DE075]

Opera Multi Steel – Opera Multi Steel EP [DE067]

Opera Multi Steel was born during the winter of 1983 in Bourges, a city in the center of France. The band started off as a trio with Franck Lopez (Vocals, Keyboards, Guitars), his brother Patrick L. Robin (Vocals, Percussion) and Catherine M. Marie (Keyboards, Vocals). They began to record demos utilizing a Elex Keyboard, Casio VL-Tone, Roland TR-606 drum machine, guitars and pedals. Layering organ-like keyboards over drum machine snares and a woodwind recorder, they created a unique style of Medieval or Baroque synth pop. The result was a 4-song debut, eponymous EP, released in 1984 on their own label Orcadia Machina. The songs range from fast and bright, New Wave influenced by Orchestral Manoeuvres in the Dark’s “Electricity” and slower, brooding Darkwave ballads like “17 Seconds” “Faith” era Cure. All songs were sung in French with lyrics about feeling of nihilism, disgust with life and escaping to a botanical garden in search of redemption. It was a pre-cursor to their darker and classic French coldwave sounds of their debut album “Catherdrale” released the following year.

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Opera Multi Steel – Opera Multi Steel EP [DE067]

VA – Selection 1 [WP001]

The first release by Worn Pop Records, independent label from Kiev, Ukraine, curated by Nikita Mekalin. Tracks by Ukrainian acts Cold Comfort, Aircraft, Geuxx, Londoners Sundaze and Neiv from Italy.

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VA – Selection 1 [WP001]

VA – Rat Life 2 [RAT002]

Imagine the early 80ies, cold war is on its peak, you are a young lad in american occupied Germany and don’t feel like joining the army. What you gonna do? There is not much choice. you could crash your dads car into the next bridge and get invalided out or you just move to the island of west berlin and buy a drum machine.

”Neue Wohnkultur” is one of those bands started by renegades hiding from military service in the american sector of the german capital. Writing songs about what its like to be a soldier is definitely more fun than taking extended field trips with the comrades to the country side. “Wir sind Soldaten, Wir sind Soldaten!” M.o.m.O. Cut it! So here we are, decades later, the wall came down, east and west germans are shopping peacefully together, you are reading the press text of some record label called Rat Life. Does all this make any sense? Well you are the customer, it’s your choice, you could click your mouse now and skip to the next item before i tell you about the flip side of this record which is nothing but a repetitive loop goin on for 9 minutes. You might say “Enfant Terrible (M.W. Cut)” is not a big pleasure for home listening but its on you to make it interesting, you could mix it with your dads old records or crab a mic and rap over it

(please don’t rap over it.

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VA – Rat Life 2 [RAT002]

VA – I Am Enfant Terrible [ETX]

This new compilation is created to celebrate the 10 years of activity of Enfant Terrible. ”I Am Enfant Terrible” makes clear the traditions ET has been working in but at the same time is an album with the broad spectrum of sounds they are interested in. From indie pop to new wave to minimal synth and from noise to elektro and IDM and ambient, from poppy to experimental to dance music. This is what Enfant Terrible is…

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VA – I Am Enfant Terrible [ETX]

VA – Light Sounds Dark [LSD012]

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Light Sounds Dark continue their impeccably curated endeavours this year, with a self titled compilation put together by their ‘International Communication Network’ adding a sense of accomplishment to previous 2013 transmissions such as that collection of archival Mutant Beat Dance material and the superb Dark Matters Too compilation. Those whose pants were charmed off by that latter release will find much to enjoy and investigate on this double vinyl selection. An undisclosed international cast of record diggers from San Francisco, Chicago, London and Manerbio (that’s in Italian province Brescia in case you were wondering) have selected 16 tracks that feature Dutch tape experiments in sound, murky industrial punk, proto techno, abstract synth pop and more. Not quite sure about the fluorescent pink cover art though…..

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VA – Light Sounds Dark [LSD012]

VA – Electroconvulsive Therapy Volume 1 [MR028]

Medical Records is proud to release it’s first compilation LP. Medical has carefully curated a collection of extremely rare and sought after singles and rare tracks. This compilation includes 5 complete A + B sides as well as 2 other tracks that only appeared on obscure compilations in the early 80s. The first 2 tracks are by UK’s The Electronic Circus. Featuring Chris Payne (who also performed synth work on the iconic “Pleasure Principle” by none other than Gary Numan), the track “Direct Lines” is pure synthpop perfection. The second featured artist is Boston’s Psychic Youth who released one lone 7″ in 1982. One of the members, Perry Geyer, was also a founding member of the industrial outfit Manufacture. “Step in Time” and “The Future Is Now” are both dense minimal synth hits. Another excruciatingly rare 7″ is the self-titled single by UK’s Aaah…! “Slip Away” and “Duty Calls” further fit the bill for moody minimal synthpop greatness. Possibly even more rare is the Shazam single released in 1983 in the UK. The 2 “wild card” tracks if you will on the record are “Panic In Your Mind” by N.A. Pop 2000 (UK) and “Maske” by Berliner Strasse (Yugoslavia). Both tracks were plucked from rare wave compilations from the early 80s. The final single featured is the solo outing by Claude Arto from Mathematiques Modernes. Released in 1981 on Celluloid (France), the 2 tracks drip synthetic bloops and blips while being propelled by rhythmic electro sequences.

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VA – Electroconvulsive Therapy Volume 1 [MR028]

Rodion G.A. – The Lost Tapes [STRUT111CD]

RODION GA - The Lost Tapes

Strut, in conjunction with Ambassadors Reception and Future Nuggets, presents the first ever retrospective of fabled band Rodion G.A., one of Romania’s best kept musical secrets of the last 30 years. As a band, Rodion G.A. were a unique phenomenon in their homeland at the time, operating in their own universe during a prolific period of recording from 1978 to 1984 at a time of significant political repression under the Ceausescu regime. Bandleader, Rodion Ladislau Rosca, was an enigma. As half-Hungarian, half-Romanian, he lived near the border in Cluj, a city with a healthy music culture which had spawned important prog rock bands incuding Cromatic, Experimental Quintet and Semnal M. Despite the political conditions, a music scene existed in Romania, mainly within a network of festivals around the country and in seaside towns at restaurants and clubs.

From the start, Rodion was concerned with his own style of composition and set himself apart from the predominant rock sounds that dominated Romanian music during the late 60s. Technically and in his compositions, he was obsessed with every detail. His first sessions were recorded during 1969-1972 – simple, sparse and haunting pieces using reel to reel recorders, based around vocals, guitars and improvised drums. In 1975-6, Rosca formed Rodion G.A., the G.A. comprising band members Gicu Frca. and Adrian Cpraru. Rosca had amassed equipment and became a DIY tech wizard, improvising his own techniques of composing using reel to reels. Surrounded by three or four Tesla tape machines, he would record beats and guitar on one channel of the tape, then stop and add other instruments on the other a raw means of multi-tracking. He would use the other machines to add effects and delays on both instruments and vocals. Other tools in his armoury included an East German Vermona drum machine, a toy Casio VL Tone and a small Russian organ to which he added phaser, flanger and delay pedals. From the start, the band’s sound was incomparable to other contemporaries – dense electronic sounds, raw programmed rhythms, intricate arrangements, prog and classical touches.

Fast forward to 2012 when the myth of Rodion G.A. came to the attention of excellent Romanian production and DJ crew, Future Nuggets, a collective as dedicated to unearthing Romania’s musical past as they are forging new sounds steeped in the country’s traditions.

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Rodion G.A. – The Lost Tapes [STRUT111CD]

VA – Italia Synthetica 1981-1985 [SPITTLE034LP]

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This LP + bonus CD features the entire track listing, plus 5 bonus tracks from the Italia New Wave LP. This album represents the musical mutation that occurred after the post-punk hangover gave way to more frigid emotional shores, in-line with the synth-wave moment that was sweeping Europe and the white cliffs of Albion. This scene flourished in Italy between 1981-1985, and the musicians that came out of it are still revered today (particularly in the US). Robotic rhythms and intuitions that, besides sharing common ground with the electronic movements that had come before, also knew how to fill up the dancefloor! Featuring four previously unreleased tracks by Der Blaue Reiter, along with tracks by Modo, Actor’s Studio and La Maison, as well as the still fresh sounding contributions by true pioneers of the genre Neon and Naif Orchestra.

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VA – Italia Synthetica 1981-1985 [SPITTLE034LP]

The Cult Of Dom Keller – The Cult Of Dom Keller [MNQ037]

Mannequin label is releasing the long awaited debut LP by Nottingham’s finest purveyors of psychedelic noise, The Cult Of Dom Keller. Partially compiled from re-mastered and reworked versions of tracks previously included in the band’s self-released series of EPs, this new incarnation of The Cult Of Dom Keller’s sounds also features three unreleased recordings. This is the absolute first time that these recordings become available on vinyl, a format that perfectly complements the band’s meticulously textured and carnal sound. A collection of fuzzily enrapturing and lysergically tinged compositions with an electronically infused backbone, the band’s debut might appear as a slight deviation from Mannequin’s traditional aesthetics. We have no doubt though that our connoisseur audience will appreciate the novelty and will instantly fall for these stupefying songs.

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The Cult Of Dom Keller – The Cult Of Dom Keller [MNQ037]

Crystal Soda Cream – Escape From Vienna [TWR009]

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“After a self-titled debut EP in March (through which the band demonstrated potential yet), Crystal Soda Cream has released their first full-length album which is called “Escape from Vienna”. Consisting of Theresa Adamski (drums, synths), Philipp Forthuber (guitar, vocals) and Sebastian Ploier (bass), the Austrian trio proposes an intense journey across the shady corners of mind. Philipp’s voice, dissonant and dynamic, going insanely from breathy to harsh tones, guides this exploration of claustrophobic and melodramatic soundscapes. Rooted in Post-Punk and tinged with early New Wave sounds, their music is elegantly decadent, with the forseeable dose of uprooting and introspection, but also enough compelling and varied.”

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Crystal Soda Cream – Escape From Vienna [TWR009]

Loomer – Ceiling [LRR006]

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Lost Race Records with a re-issue of Loomer’s Ceiling album. Originally released on limited edition CD in 2010 and with members going on to join other seminal Australian underground bands including Slug Guts, Lakes and Per Purpose, this Brisbane band went on to influence many of Brisbane’s current crop of noise, rock, psych, etc. bands with their shoegaze x punk hybrid.

Loomer – Ceiling [LRR006]

Especially Good ‎– Foundation [EST83-02]

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“Foundation” is the new EP fromlis’ Especially Good, the most exciting band from Detroit in recent memory. The eight track EP showcases the trios dynamic energy of Julio Dominguez’s vocals, Joe F synthesizers and drum programing and Paul Kiry’s bass – culminating in songs that are equally raw, brutal and honest. The sound of E.G. exists in a space of its own, but one can hear influences of Throbbing Gristle, Factory Records and Detroit Techno in the rhythms and sonic textures throughout “Foundation”. Recorded and mixed in Detroit by Sam Consiglio and Adam Lee Miller (of Adult). Released on Est. 83′ Records, a sub-label of FIT SOUND.

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Especially Good ‎– Foundation [EST83-02]

Q4U – Q1 (Deluxe Edition 1980-1983) [DE040]


Q4U was born the winter of 1980-1981 in Reykjavík, inspired by the British punk movement. It’s original members were Elínborg Halldórsdóttir (Ellý) (vocals), Berglind Garðarsdóttir (Linda) (vocals), Steinþór Stefánsson (guitar), Gunnþór Sigurðsson (bass), Helgi (drums) and Már (synthesizer). Helgi and Már soon left the band and Helgi was replaced by Kormákur Geirharðsson (Kommi) on the drums. By early 1982 they self-released a full length cassette, “Skaf Í Dag” and appeared in the documentary “Rokk í Reykjavík,” which showcased the Icelandic punk scene. This version of the band ended and only two members continued on. In the summer of 1982 Ellý and Gunnþór recruited Óðinn Guðbrandsson (guitar) and Árni Daníel (synthesizer) from the band Taugadeildin. Their drummer was replaced by a Roland TR-808 drum machine they named “Elísabet II”. signaling a change in the group’s sound toward synthesizer-driven post punk. In August 1983 Q4U reinstated Kormákur to record a final set of demos and then called it quits. This compilation collects 16 songs from 1980-1983. SIde A features the original six songs from the “Q1″ EP, plus 2 songs from the “Rokk í Reykjavík” soundtrack. Side B collects 4 demos from 1982 and 4 demos from 1983, all presented on vinyl for the first time ever. Q4U began with a stylish, aggressive punk image before experimenting with drum machines and synthesizers, which almost nobody did in Reykjavík at the time. The later sound had gothic leanings,often compared with Siouxsie and the Banshees and Xmal Deutschland. Their body of work is united by the powerful vocals of Ellý, who mostly sings in Icelandic about controversial, political experiences, much like Ari Up of The Slits.

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Q4U – Q1 (Deluxe Edition 1980-1983) [DE040]

VA – The Thing From The Crypt [DE036]

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Dark Entries is proud to present “The Thing From The Crypt,” a 16-track compilation of UK DIY/Synth/New Wave/Post-Punk originally released in 1981. Showcasing the thriving post punk sound of Watford, a town in Hertfordshire, England, located 20 minutes northwest of central London. “‘The Thing From The Crypt’ neither attempts to sell a ‘Wotford sound’ nor claims to be a comprehensive guide to the area’s best beat bands. Like all good compilations, its essence is variety: some tracks will make you come whilst other will make you vomit.” – original liner notes by Robert Dellar.
This compilation features 8 bands with two songs included by each group.

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VA – The Thing From The Crypt [DE036]

Soviet Soviet – Summer, Jesus LP [MNQ033]

MNQ 033 Soviet Soviet - Summer, Jesus LP cover art

Mannequin label from Rome release the “Summer, Jesus” LP by Soviet Soviet, first released on Tannen Records. This post punk LP includes 6 tracks and is burning mix of new wave and dark geometric linear reflections that are then.

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Soviet Soviet – Summer, Jesus LP [MNQ033]