Second time around for the third and final part of electro hero Gerard ‘ERP’ Hanson’s “Evoked Potentials” series, which first hit stores way back in 2011. A-side “Repose” is (quite literally) classic ERP, with Hanson peppering Egyptian Lover style drums and funky synth-bass with chiming lead lines, starburst chords and deep space chords. It’s tuneful and picturesque, but will also have you on your feet and throwing shapes in no time at all. Over on the flip, Plant43 (London electro veteran Emile Facey) turns in a very Drexciyan take on “Sensory Process”, in the process wrapping Hanson’s bittersweet strings and 33rd century electronic motifs around a suitably deep sea electro rhythm.
Yesterday we presented the preferences of our readers from last year, now this is a list of 20 albums from 2019 that made an impression on us.
We have three pure electro albums from E.R.P., Jeremiah R. and Plant43 and the new electro-synthy album of veteran David Carretta, his first solo album for ten years. On the darker side of the synth palette we have two EBM/synth-pop albums from Boy Harsher and Years Of Denial, the debut album of Kris Baha, the third album of Greek producer June, a new one from Jason Letkiewicz aka Steve Summers under his new moniker Opposing Currents and two more industrial albums from Autumns and Colombian Filmmaker.
On the other had we have two acid gems from DimDJ and Paranoid London, the first ever Gladio album, the second album from Mannequin boss Alessandro Adriani and an experimental/ambient album from veteran Function on Tresor.
So, here it is compiled in chronological order.
Fundamental Records’ interesting electro music project called ”Electric Eclectics” comes with the additional ”Ghost Series”. Each record is a picture of the electro music released in the line that Fundamental Records has us accustomed, each sleeve silkscreen printed by hand in the same color of the vinyl record. Talk about the music itself is something that Fundamental Records try to avoid in each release, if you want to know why you only have to check the project Music for The Other People Place to understand this philosophy.
Plant43 aka Emile Facey, one of CPU’s originators delivers his fourth album ‘Three Dimensions’. Eight tracks of crystalline electro with his signature epic pads and Blade Runner-esque melodies. Facey is one of the most respected electro artists of today and this album galvanises this reputation. DJs will find several weapons amongst this package of beautiful electronic music that rewards both headphone listeners as much as a big room.
Emile Facey (Plant43) has been at the forefront of electronic for more than twelve years. During that time the British producer has released on a host of seminal labels, expanding his style and sound in new directions. Although Plant43 is typically classified as a purveyor of electro, behind those driving rhythms and steely percussion a tenderness has always been present, an emotion expressed in lilting melodies and complex harmonies. It is these melodies and harmonies that come into focus on Plant43’s debut ambient album. On “From Deep Streams” is a rich and textured tapestry of synth work, a soundtrack that organically unfurls from nightime woodland walks and city stargazing to mindful solitude. The eight tracks offer the listener a calming journey into stillness, an excursion through gentle audio currents and a moment to pause and take in an inspiring vista of sound. Recorded over the space of 3 months, this album gives the quiet, the subtle and the sometimes underappreciated centre stage whilst casting light on yet another side of Emile Facey’s ever-evolving music.
Edge of the Wood is the first release on new label Eudemonia. Emile Facey lives in Penge, South East London. ‘When writing this music I became very interested in the history of the area I live in, imagining what it had been like when the ancient Great North Wood was still standing and the now busy urban area was a tiny hamlet sitting at the edge of a vast forest. I read that Penge was first recorded under the name Penceat in an Anglo-Saxon deed dating from 957 and that many historians believe the name of the town is derived from the Celtic word Penceat, which means “edge of wood”. The Porcupine Meadow and a toll gate were important landmarks in the area.’
Following their 50th release milestone CPU celebrate 5th anniversary with a 2×12 LP remix compilation. CPU has been reticent in regards to remixes, with a grand total of zero during its first five years of existence. This all changes with this dedicated remix compilation celebrating the label’s 5th anniversary. The exalted roster have chosen their favourite tracks to remix from the label’s back catalogue and are brought together in a very special 2×12 gatefold sleeve. B12, Jensen Interceptor and Morphology all make an appearance alongside some of the label’s seldom seen artists. There is also a posthumous Microlith remix of Tryphème – Mélodramatique. Electro has again proven its staying power and CPU has played a key role in championing some of the genre’s greatest: bringing new artists to the front line and cementing the status of the established. This five year celebration showcases the diverse tastes and backgrounds of the roster, crossing many genre boundaries – all executed with precision and attention to detail that the label is known for.