“Challenger was the debut and unique album from the iconic and unique italo disco band Baby’s Gang. Although officially it had only two singles (Happy Song and Challenger), some other labels found extra tracks to be released as single (America) when Memory Records decided to focus on new releases. Produced by Anfrando Maiola (KOTO), Stefano Cundari and Alessadro Zanni, ‘My LIttle Japanese Boy’ is one of those tracks so it was worth buying the album. The album did not neither included the original version for Happy Song, but a ‘Remix’. Probably someone back in the days should have made this EP including both track…now we have done it. This 12″ included the original versions plus two Razor’s Edit to make it more DJ Friendly.”
Audiotech is one of the many visionary aliases of Juan Atkins, the Detroit pioneer widely recognized as one of the originators of techno. Originally released in 1987 on Express Records, “I’m Your Audio Tech” captures a crucial moment in the evolution of electronic music – when raw machine funk and futuristic minimalism merged to form the Detroit sound.
A well-timed remastered version of this killer jacking electro cut from Aaron Carl on the legendary Metroplex label, featuring none other than Juan “The Man” Atkins. The release includes four versions. Dirty, essential Detroit electro.
Ajomasé is the groundbreaking debut album by legendary Nigerian percussionist Gasper Lawal. Originally released in 1980 on his own label CAP, Strut are proud to now bring this unique album back to the racks. Lawal’s style was forged through decades of high-level percussion work with the likes of Stephen Stills, Barbra Streisand, George Clinton & Funkadelic, Manfred Mann, Alexis Korner, Vangelis and Ginger Baker’s Air Force band. Dissatisfied with existing genre labels and production norms, Lawal began recording his own album in 1976 at Vangelis’ own studio in London’s Marble Arch before switching to long, drawn-out night shifts at Surrey Sound Studios, using downtime between The Police’s sessions for Outlandos D’Amour. Lawal meticulously self-produced, composed, and overdubbed the album over four years, assembling an elite group of musicians from both Nigeria and the UK. The instruments used were often hand-built, including a powerful one-of-a-kind drum carved deep in the Nigerian bush. “This music is not about trends, about what is commercial or a “sound” of a particular moment,” explains Lawal, “it is about music to be felt, that gives pleasure. It is nurturing and meditative.”
Bangkok Impact – alias of Finnish producer Sami Liuski – helped define the early-2000s Italo-disco and electro revival. ‘Missionary On Mars’ became an underground club hit across Europe with its spacey synths and retro-futuristic vibe, earning cult status among DJs. With Caro and La Musche his reputation for sleek, hypnotic grooves that bridged classic Italo influences with techno energy got cemented. Remastered repress for a new generation.
From the crypts of Parisian funk obscurity comes the long-lost Halloween holy grail, Disco Frankenstein from Ice AKA Lafayette Afro Rock Band. A teasing album of horror-disco oddities originally released as a compilation—a misnomer cloaked in mystery, as the tracks themselves hail from the group’s playful experiments in the mid-to-late ’70s. This album unearths a twisted treasure trove of grooves, originally scattered across obscure side-projects and international pressings, brought back to life by Strut on blood-soaked vinyl exclusively for Halloween 2025.
New release on Rawax Motor City Edition with a special re-issue of Rick Wade’s “Deep House Monster” called “Night Trackin” which came out originally on Elevate, the label from Daniel Bell in 1997.
Finally, the pioneering first album from the group Newcleus that epitomized the spontaneous, simultaneous and glorious emergence of the Hip-Hop and Electro Funk genres is back on vinyl. The song ”Where’s the Beat” has been extracted due to it’s not actually being made by the group, but every other note and beat is included as it was originally released, from the opening narration and the sound effects joining the songs to the classic Hip-Hop and Electrofunk in-between. Also included for the first time anywhere is the previously unreleased track “Disco Kryptonite”. For 40 years following the release of “Jam On It”, one of the most common requests Cozmo had received was to actually do a song called “Disco Kryptonite”. For the rerelease of Jam On Revenge on vinyl, Cozmo figured it was time. Everybody knew that in the Superman battle in the song “Jam On It”, Jam-On used a song called “Disco Kryptonite” to win the battle. So, this new song had to be worthy of the name.
If we think about what’s the best italo disco label considering the number of release and success, Hole Records would be on the top three of each italo disco lover. Aimed by Mikki Chieregato and Roberto Turatti, every single release on the label is a gem. Joe Yellow, Den Harrow or Stylóo started an succesfull carreer on the label but also Fred Ventura. He was the vocalist of Flexxy-Ball. Produced by Chieregato and Turatti and bring it to light at the Manlio Cangelli studio Love Theme From Flexxy-Ball, Love Theme from Flexxy-Ball is a record that can be missed in any italo shelf.
Directly from the Many Records files, an iconic italo disco track from early 1985 written and arranged by Enzo Vallicelli (the man behind great hits from Cruisin’ Gang of Max-Him). No remixes or updates are needed for this track, it still sounds as fresh and powerful as the day it was released.
The Electro boss from Schagen returns with yet another classic in the rebound. After ‘I Don’t Care’ Dexter presents ‘Intruder’ from 2001, remastered for 2025.
Official reissue of one of the most enduring anthems of Spanish synthpop with a respectful Luisen remix of Ivan’s classic ‘Fotonovela’. Instead of reinventing the piece, he works directly from the original stems – preserving its neon-soaked melodies and romantic vocal while subtly enhancing the framework with crisp new drum programming with synth flourishes and light tempo corrections.
Reel By Real’s “Surkit” is a Detroit Techno classic that has gained mythical status since it first appeared on a limited white label release on Juan Atkins’ Metroplex offshoot, Interface in 1990. Giving a spotlight back to this highly sought after 12″ EPM Music teama up with French vinyl specialists, Yoyaku and present this timeless record, remastered and remixed for 2025. In keeping with the track’s early Detroit roots this edition features remixes from Motor City legends Keith Tucker (a.k.a. DJ-K1) and Strand, with added dubplate pressure provided by DnB lynchpin, Calibre. Further remix support also comes from a UK-Detroit triumvirate of EPM’s Oliver Way and Ben Long (Space DJz) and Jon Dixon (UR).
J.E. Movement’s groundbreaking ‘Ma Dea Luv’. Toward the end of the 1980s South Africa’s recording industry was booming. Searching for a sound that could cross over to all in the country’s segregated society while also eyeing international success, a new duo emerged that quickly rendered its ‘bubblegum’ predecessors obsolete. Drawing on international trends and crafting lyrics for local ears, J.E. Movement – a duo made up of James Nyingwa and Elliot Faku – exploded onto the local scene with their debut album, ‘Ma Dea Luv’. The future had arrived. The six tracks on J.E. Movement’s 1988 debut give firm nods to UK Street Soul, New Jack Swing and Stock Aitken Waterman’s ‘Hit Factory’ sound and infuse them with an African rhythmic flair and homegrown lyrical sentiment.
An electrified meeting of minds, Candy Girl is a lost 1975 session by jazz pianist Mal Waldron, recorded in Paris with core members of the mighty Lafayette Afro Rock Band, the American funk unit who had made France their home and whose deep grooves would later be mined by generations of hip-hop producers.
By the end of the 1970s Linval Thompson had cut out a successful dual career for himself as both singer and producer. Naturally he moved in the dub field as well, getting further use out of rhythms he used in his other works. Dub had begun strictly as an album format with limited pressing runs for scene insiders, but it had swiftly gained the interest of the rank and file reggae buffs. ‘Negrea Love Dub’, originally released in 1978, is a cornerstone in the reggae dub scene. The sound of the ten dubs featured here is hypnotic and its effects are euphoric to say the least.
“The Techno Wave” was the debut single released in 1990 by the iconic project founded by Jens Lissat and Ramon Zenker (Hardfloor). It quickly became one of the defining anthems of the so-called Frankfurt Tekkno scene that swept across Germany in the early ’90s, capturing the raw energy and rebellious spirit of the movement.
WRWTFWW Records releases Swiss cult band Grauzone’s recording of their April 12th 1980 live show at Gaskessel in their hometown of Bern. The 9-track album, documenting the very beginnings of the group, is available as a limited edition white vinyl LP in heavy 350gsm sleeve with special artwork by band member Stephan Eicher. Experience the early Grauzone days, live from Bern, Switzerland, with a concert recorded at legendary local venue Gaskessel, with Martin Eicher on guitar and vocals, Christian G.T. Trüssel on bass, Marco Repetto on drums, Stephan Eicher on synth, and Claudine Chirac on saxophone. The performance is a true time capsule of the early 80s underground, showcasing the punk side of Grauzone with renditions of songs that were never officially released, as well as future fan-favorite “Moskau”. A piece of Swiss music history, This limited release is a must have for all Grauzone fans and DIY archivists.
A cosmic fusion of deep funk, interstellar jazz, and avant-garde soundscapes, On Jupiter stands as one of Sun Ra’s most iconic releases. Recorded in 1979 during a prolific period at Variety Arts Studios in New York, this album captures the Arkestra at the height of their creative powers, blending futuristic improvisation with infectious rhythms and otherworldly textures. Sun Ra’s Variety Arts Studios sessions (1978-1982) were legendary—he recorded there two to three times a week, often after a late-night concert, gathering his musicians on West 46th Street at 10 a.m. for marathon sessions that stretched into the early morning. These recordings featured a core group of John Gilmore, Marshall Allen, Danny Thompson, Michael Ray, Tyrone Hill, Craig Harris, Luqman Ali, and Samarai Celestial, alongside rotating contributors, including guitarists Skeeter McFarland and Taylor Richardson, as well as bassist Victor Sproles and a young Knoël Scott on saxophone and vocals. Originally released on Sun Ra’s Saturn label, On Jupiter is a masterclass in cosmic jazz-funk. The album features the irresistibly funky “UFO”—recorded before the Sleeping Beauty sessions—alongside the hypnotic, groove-laden title track and the expansive “Seductive Fantasy”, a mesmerizing journey through space and sound. By the late 1970s, Sun Ra was embracing an even broader musical spectrum, incorporating soul, funk, and electronic fusion into the Arkestra’s evolving repertoire. As disco, punk, and hip-hop reshaped the cultural landscape, his “sub-underground” approach connected with a new wave of listeners. On Jupiter exemplifies this era—where deep basslines, swirling horns, spaced-out synthesizers, and Afro-futuristic chants collide to create a truly singular sound.
The Hipodrome Of Music 