
Very early production by Vince Lawrence, only beats here

One of Larry Heard’s most under-rated albums finally remastered and available as full vinyl release for the first time! Known for his classic early house releases Larry Heard’s productions always hinted at deepest outer space, but his 1996 Alien album was his first actual science-fiction record. It’s almost as polished as the most mainstream dance production, but just as sublime as any Detroit producer. Heard’s house roots often show themselves, while the chords and shimmering production make this an album almost on par with Heard’s mid-’80s peak. The project was a recording & sound-development experiment that was mostly constructed around a Korg O1/W workstation keyboard that was left at Larry’s studio to check out by Victor melodious myles Houston along with some of the staples of his studio, including the Roland d550 and Oberheim Matrix 1000. Mr Fingers magic touch can be heard all over the album, and this showcases the incredible musical talents of the man, who’s name by now cant be left out from any hall of fame when you’re talking music innovators from the last century.

Reissue of Terrence Parker’s fantastic EP from 95′ on his own Intangible label remastered and sounding fresh as ever. Classic Detroit house music that is both timeless and essential.

3rd Part of the tribute to Spencer Kincy’s ‘Gemini Traxx’ series, bringing his legendary 1997 album fully remastered.

Lassigue Bendthaus is the electro-industrial project of Uwe Schmidt aka Atom or Seor Coconut from Germany. Uwe Schmidt began making music in the early 1980s, first playing drums, then switching to programming a drum computer after he had heard a Linn Drum on the radio. In 1986 he co-founded the cassette label N.G. Medien, on which his first musical work under the name Lassigue Bendthaus, ”The Engineer’s Love”, was released. Soon after, he started to work on what would become his first official record release, the album ”Matter”. The recordings and production began in 1986 and took almost 4 years, until the album finally came out in 1991 on the German Parade Amoureuse label. Musically somewhere between late ”Industrial” and ”Electronic Body Music”, yet already anticipating ”Acid” and ”Techno”, this production managed to cause quite a stir, due to its advanced production techniques. Songs pay strong homage to Kraftwerk, approaching the early industrial dance scene with a softer sequential approach than most of his contemporaries. ”Matter” is a hermetic reflection about the relationship between perception, nature, science, technology and labor. This reissue comprises the entire 1991 ”Matter” LP, as well a bonus 7” record containing 2 tracks never before released on vinyl.


Repress of this amazing Spencer Kincy 1998 release on Earth Recordings. Pure & honest house music as they don’t make it anymore.

Larry Levan classic that was played in its entirety at the closing of Paradise Garage – September 1987. Larry played both parts for over 20 minutes… yet it was never officially released at the time. Finally saw the light of day in 2007 this is an official repress using the original artwork on King Street Sounds sub label Nite Grooves.

Reissue of essential Chicago vocal house classic from the 90ties. b/w with sinister haunting instrumental jackin track “I’m So Deep”


Valuable set of sought after tracks for those who know.. From the early days, before techno was techno.. Programming (original 12-inch version), Joy One Mile (original 7-inch TP version), Techno World (previously unreleased on vinyl), This Is My Beat (original 12-inch version). Discogs insanity so to speak…

Copies found of this repress of 1986 Chicago 12 – delightful stringwork on top of a bassline and choise drumprogramming, it can be so simple.

The original 12” vinyl releases of Stomp The Beat and 1990 were two “Holy Grail” releases of Chicago House as they were only available for a short time before Gherkin Records went into inactive status in around 1991. At the time Larry Heard chose to not disclose the fact that he was the producer behind the Gherkin Jerks EPs. The two releases were a concept of experiments where he dove deeper into the equipment and do some creatively different tracks from his Mr. Fingers sound. These two legendary EPs have been heavily influential on other artists to this day. Often sampled or referenced they are true house classics and still amaze 25 years after their creation. Also on this album three bonus tracks, which are from the same Gherkin Jerks sessions but never released as such. Psychotic Fantasy was on the Dance 2000 pt. 2 album and Ecstasy is the full original take which makes its first appearance here. Reznaytor is an exclusive track for this release, never available before.

Bam, here’s some sounds from Danny original dirty rotten meek meek boys. In case you were late to the party and missed this one the first time around, here’s a second chance to nab this timeless piece of Ghetto House that’s being caned by some of your favorite DJ’s left and right of centre to this very day. A decade old and this shit’s still off the chain. Eight deep and rough jacktrax by Danny Wolfers aka Legowelt! Very minimal & obscure. Nice for Chicago house lovers.

Dario Zenker comes, on his own Ilian Tape, with some Old D tracks remastered. Aero was first released in 2011 on the Transzendental compilation, while Cafu was released on 3 Years Ilian Tape in 2010.

Dark Entries re-issues the debut cassette by British duo Nagamatzu for the first time ever on vinyl. Expanded with five bonus tracks, “Shatter Days” is a collection of nine songs recorded between 1983 and 1988. Featuring Andrew Lagowski (SETI, Legion, Terror Against Terror) on synths, guitar, and programming and Stephen Jarvis (Pure Motorised Instinct, Terraform) on synths and bass with Andrew Fleck (synths, occasional vocals). Nagamatzu self-released their debut cassette “Shatter Days” in 1983 after messing around with old tape machines, drum boxes and effects. All the songs were recorded onto a TEAC reel to reel in the dining room at Andrew’s parents’ house. Some of the backing rhythms and sequencers were recorded first and then the band played along live during overdubs. These instrumentals combine stuttering bass, guitar bursts and funeral keyboards draped over a dragging drum machine beat, calling to mind Clock DVA, early New Order or Cocteau Twins. Their sound is full of complex rhythm patterns and dark electronics.

Thirteen years ago the Nurture label released upekah, the one and only single to come under the son.sine alias. It’s an alias of a New Zealander who released only a select few EPs under different monikers, and one that sounds as good today as it did back then given all its dub infused techno glory. It’s always been hard to come buy but now Delsin are remastering and rereleasing it into the world once more.

The mythical Transedance from UK duo Night Moves is given a much needed official issue by Domestica Records and the Barcelona label have spared no expense. Despite the paucity of Night Moves discography, it’s clear the duo of Michael Guihen and John Davis have had an everlasting effect on the canon of synth music with their much admired debut. Transedance was originally released as a limited 12″ white label in 1981, finding favour on the dance floors of Europe and New York City yet never really gained the wider exposure it richly deserved.

Echovolt records begins a new series of official re-issues, shining light on productions that formed the label’s identity. First up is the underground NYC house smash ‘Give Ya Luv Show Ya Luv’ by Vil-N-X originally released on Island Noyze Records back in 1992. Two essential mixes from two highly sought after gems from the golden era of deep house remastered and pressed LOUD.