Bernard Badie returns to Mojuba for a special catalog number 020 with some pure class chicago house gem from his. His “Bernards Got The Funk” 12″ released way back in 1988 on his own imprint DJB Records as Jackin’ Bernard Badie features the tracks “Come To Me” and “My First Love” and is a visionary example for Bernards interpretation of chicago house music and a very valuable contribution to whole genre.
Mannequin label from Rome release the “Summer, Jesus” LP by Soviet Soviet, first released on Tannen Records. This post punk LP includes 6 tracks and is burning mix of new wave and dark geometric linear reflections that are then.
Reissue of Ceramic Hello’s seminal 1981 LP, ”The Absence of a Canary.” A long-time cult favourite among fans of obscure ’80s synthpop, this LP remains highly sought-after by ”minimal synth” vinyl collectors.
Le Jardin des Chemins Bifurquants is the first full length album of Chicago based electronic music artist, producer and DJ Jamal R. Moss.Gritty futuristic meltdown of House, Free Jazz, New Age and Noise. For this record, Jamal worked with the concept of plants having a religion, and the question of what their way of worship would look like. This resulted in a dark deep-space overture with raw synth stabs, extreme pitch-shifted textures and hypnotic tribal rhythms—somewhat reminiscent of Sun Ra’s interstellar electric keyboard explorations. Le Jardin des Chemins Bifurquants is an unclassifiable tour de force that is oozing with profound cosmic meaning. For those not lucky enough to lay their hands on the genuinely rare full length album of Chicago artist, producer and DJ Jamal R. Moss, here is another chance to obtain this rare artifact.
Terrence Dixon is the man behind sporadic production alias Population One, serving up dark and heavy, intense and ravey records. Delsin’s re-issue arm has sought to get some of the old tracks out there once again on this double a side 10″ outing with ‘Midnight Hours’ and ‘Two Sides To Every Story’. ‘Midnight Hours’ bangs hard and fast with an unhinged melody line squirming about like an untethered hose. Every surface is frayed and rusted, frosty and splintered making this some of the most primeval warehouse techno you will likely have heard for a while. ‘Two Sides To Every Story’ is just as tough and unruly, with myriad synthesized sounds rushing about in side a framework of incessant hi hats and solid kicks like a bee trapped in a bottle. A controlled frenzy, you might say, but certainly the sort of abrasive and arresting techno that works perfectly in the darkest of basements.
Reissue of one of the top minimal synth Holy Grails out of there. ”Tanzmusik” is the first LP from Sam Rosenthal, boss of the historic Projekt Records label and mind of one of the most influential dark wave acts coming out of the US, Black Tape For A Blue Girl. Originally released in March 1985 and completely recorded at home on a four-track TEAC-2340 with a super minimal setup (Korg Poly 61, Realistic Moog, Boss Dr-110 and some effects), the vinyl release was limited to 250 copies. The album continues in the “electronic mood-music” tradition established by Sam on the Projekt Electronic Amerika cassettes, with the added intriques of the drum-computer, exploring the realms of electronic music. Its signature combination of gothic, ethereal, ambient and neo-classical elements has explored existential themes of loves lost and passions yet to come.
Reissue for this super-rare space funk album from 1983, one of the holy grails of the Cosmic scene. Extremely expensive and hard-to-find in the original, this LP was created by legendary French producers Jean-Pierre Massiera and Bernard Torelli (listed here as Areisam and Bernie) and released on French label Savoir Faire. It is a superb example of the duos innovative electronic disco madness, always pushing boundaries while remaining supremely funky. Stand-outtracks are the Italo classic “Challenger” – heady synths, tough bass and astronaut vocals combine in a strange space odyssey, “Cruisin”, a superb electro-boogie style cut with a hypnotic driving bassline, and the fantastic “On The Border”, a tight funky percussive workout whipped by wild space-rock guitars.
Minimal Wave announce a limited edition hand-silkscreened 10” release of Schedelvreter aka Danny Bosten, originally recorded and released in 1985 on Tear Apart Tapes (NL). Danny tells the story of how he recorded these tracks: “I had been making these repetitive, pattern-based Das Ding songs and felt the need to do something a little different. Something more organic, with a narrative structure to it. Reading Shelley’s Frankenstein at the time, and looking at old accounts of Spanish explorers in the Americas, inspired me to make what I imagined as the soundtrack to an imaginary movie: bleak and desolate. I had a Crumar synth that was falling apart, and if you held down a chord and switched it off and then back on, the voltage would drop so the tones became individual blips that sounded like human voices. I made some massive drum sounds by layering noise, used leftover four-track additions in reverse, and included some drums I found on a tape my brother had given me. I just layered it all on the four-track and played along. It made a nice little package of about seven pieces, so I made up a name for it, “Schedelvreter,” which translates as something like “Skull Gobbler.” The tape was released in 1985, but only a few were made at the time.”
20 years after its original vinyl release, the self-titled EP by Lego Feet – aka Autechre’s Sean Booth and Rob Brown – finally lands on CD, with substantial extras, clocking in at a total of 70 minutes. The first ever release on Skam Records, for many this really is the holy grail of British electronica: pre-dating even the first official Autechre 12”, ‘Cavity Job’. Issued in limited quantities in ’91, the vinyl has never been re-pressed and remains incredibly rare – there’s currently an original copy listed on Discogs for £300. Save for a couple of short segments appearing on Skam compilations, none of the music has been available on any other format – until now.
Rush Hour proudly presents an official series of Trax reissues. This third release in the series mostly touches on the magic of Jamie Principle. However, this EP opens with a sublime deep vocal track originally released on Trax sub-label Saber in 1991 by Ace & The Sandman (who are also responsible for the Virgo Four tracks).
The Hipodrome Of Music 