Traxx @ Strange Sounds from Beyond (Amsterdam) 26.06.2016
soul
VA – Synthesize The Soul: Astro Atlantic Hypnotica From The Cape Verde Islands 1973-1988 [OST002]
In the 1980s, that feeling transpired across Lisbon, Paris, Rotterdam, and Boston, as one the largest waves of migration from a single country, propelled by political instability and economic uncertainty, sent thousands of Cape Verdeans to the West’s cities. Through 18 diverse tracks, this compilation reveals how immigration from the Cape Verde Islands to Europe and the United States gave us an alternate history of the electronic music that dominated hearts and minds across the world in the late 1990s. But the story doesn’t start in a major Western cultural hub, rather in the small cluster of islands 400 miles off the Senegalese coast, and offers an unparalleled insight into the longterm cultural splendor catalyzed by migration.
Teakwood – A Distant Star [MSLP9053]
It is a rare occurrence, especially when you consider that we are writing this in the year 2017, that an unreleased soul/disco album from the 1970s surfaces after 40 years. The Tramp crew first heard about the album while discussing the re-release of Teakwood’s sole 45RPM single release “Can You Dig It” with former band leader and founding member of the group, Fred Forsh. It was in 1972 when two new Berry College freshmen met and realized that they were both music majors which led to an impromptu jam session in the lower level of the student center. This was the beginning of what would soon become Teakwood. “Those two original members, Ralph Moore on saxophone and me on piano, along with five others went into the studio in 1976 and recorded two songs for our first and only single”, remembers Fred Forsh. Unfortunately, shortly thereafter, Moore and Forsh parted ways but Teakwood continued with four remaining members plus two new ones and with this new lineup, went into the studio in 1977 to record nine songs under the collective title “A Distant Star”. However, for some obscure reason the songs were never released but luckily the reel-to-reel master tapes survived. The tapes were sent to the head quarters of Tramp Records in early 2016. In the end it took several attempts at three different recording studios to transfer them successfully.
The Beginning Of The End – Funky Nassau LP [ALSTON77001]
Seminal early 70’s Bahamian Funk of the highest order. The debut LP from the Munnings brothers legendary outfit. “Funky Nassau” is one of the most sought after Soul/Funk records ever with it’s highly original blend of US black music styles and Bahamian roots. A very famous band in their native Nassau, the group only had 2 full length albums under their belts along with a slew of 45 singles but have managed to stamp their name on the ears and minds of record lovers since they first burst onto the scene. The obvious track to reference here is the title track “Funky Nassau” a breakbeat fuelled monster dance cut that has supplied hungry samplers with sounds for decades (everyone from The Prodigy & The Roots among those who have used the cavernous drum break!), the rest of this excellent LP also includes the amazing Funk of “Come Down” and a whole host of other brilliant sun-drenched tracks. Absolutely essential. Here’s your chance to own a true classic! You’d be hard pressed to find another well rounded debut LP, this one is pure joy from start to finish.
VA – Galaxy Vol.7 [GSC45007]
Galaxy Sound Co. know how to repackage lost and rare soul 7″s, and this new two-headed funk bullet from Thelonious Gillespie is just painfully on target. The first edit is of “Soul Food” by Frankie Seay & The Soul Riders, a moody, dusty percussion bomb brimming with breaks and a grainy guitar accompanied by fine brass waves. Lyn Christopher’s “Take Me With You” is pruned and reshaped into a glorious soul ballad with a hard edge, and a driving rhythm led by gliding electronic guitars and an inimitable bassline.
Nomade Orquestra – Nomade Orquestra [FARO189]
Nomade Orquestra came together in Sao Paolo in the year 2012, though they could just as easily have emerged fully formed into our world from a mystical land where spaced out jazz soundtracks daily life and the passing of time is rhythm and groove… such is their elusive, ethereal yet highly accomplished and deeply funky otherness. The time is ripe for ten of the most talented and daring musicians working in Brazil today to deliver their fully formed debut. Effortlessly weaving through the disparate sounds of Brazil’s diverse musical diaspora, the group describe themselves and their shared project as ‘the point where different musical expressions and strands meet and interact in a unique way.’ From funk and soul to Afrobeat, Ethio-grooves, dub and hip hop, their sound remains firmly anchored in the world of jazz while taking off to the cosmic stratosphere and incorporating electronic elements, alongside traditional Brazilian styles along the way
Jimi Tenor – Order of Nothingness [PH45006]
Finland’s Jimi Tenor is simply a great musician, a true visionary when it comes to dance – and non-dance – experimentalism, and one of the few truly imaginative minds left; yes, we know that’s a bold statement, but it’s what we truly believe. Here he is on Philophon with a deeply explorative 7″, starting with the psychedelic hymns of “Order Of Nothingness”, a song that seems to be drenched in 70’s mysticism, but that somehow also sounds utterly contemporary. “Tropical Eel” is more left of field, where digitised Eastern melodies bleep to a steady, jazzy rhythm that simply calls for a head-nod.
Eddie Hazel – Game, Dames And Guitar Thangs [BEWITH011LP]
Among guitar aficionados, they don’t come much heavier than acid-drenched enigma Eddie Hazel. A founding father of Funkadelic and responsible for the blazing ”Maggot Brain” solo, he released just one album. A concentrated dose of guitar-driven psychedelic soul and loping funk-rock, Game, Dames And Guitar Thangs(1977) was co-produced by George Clinton and features the full Mothership crew. Despite impeccable credentials, the album sank and dropped out of print for years, becoming a sought-after collector’s item for funkateers ever since. Mercifully addressing the dubious legitimacy and quality of previous reissues, Be With Records present a worthy and welcome 180 gram edition, limited to 500 copies. Eddie Hazel was a pioneering guitar genius, but his troubled lifestyle led to a dearth of recorded material that demonstrated his strengths. It’s a wonderful thing, then, that this lost classic is available on vinyl again. Possibly the finest slice of P-Funk you’ve never heard, it’s a record that will make your brain dance and one every funk fan needs.
Thesda – Spaced Out [LER1004]
The Left Ear label hit that sweet spot once more, diving into the archive and coming back for air brandishing a veritable slab of private press jazz funk history. Originally pressed in 1979 in a run of 100 copies, Thesda was the brainchild of Thomas Crawford and Eugene C. Hagburg, backed ably by a handful of like-minded musicians, and existed for brief moment of sublime expression, captured in its entirety on this gorgeous LP. “Spaced Out” takes us on a cosmic journey through jazz funk, soul and disco into that far out dimension of groovesome psychedelia inhabited by Mandre and Dexter Wansel. Fully licensed and reissued for the very first time, this Left Ear pressing is your best chance to own this forgotten piece of jazz-funk history without having to remortgage the house.
Moodymann – DJ Kicks [K7327]
Following a year that saw the 50th entry in the long-running series released to wide acclaim, DJ-Kicks returns in 2016 another landmark edition. Iconic Detroit DJ and producer Moodymann is at the helm for his first ever multi-artist DJ mix compilation. Born Kenny Dixon Jr., Moodymann is a one-of-a-kind electronic music icon, hailing from, and wholly synonymous with the Motor City. He is an outspoken, impossibly charismatic artist who has been putting a distinctive and soulful stamp on house and techno since the early 90s. Melting together jazz, funk, soul, blues and rock in captivating ways, he is responsible for some of electronic music’s most definitive tracks, EPs and LPs on labels like Planet E, Peacefrog and his own KDJ and Mahogani Music imprints. As able to serve up the sweetest and most sensual sounds as he is the darkest and most depraved grooves, his own unique voice and stream of conscious musings infuse expertly sought-out samples for music that is decisively alive and authentic.
Scott Cunningham Band – Morning Madness [BH99202]
This is the second 45RPM single release from Praise Poems 3, and what a monster it is. Although both songs are not necessarily new discoveries in the soul and jazz collectors world, it is the first official re-release of these two 1975 recordings. Hopefully the record buyers appreciate the work which was necessary to accomplish this mission of doing a legitimate re-issue. Mr. Cunningham and his music definitely deserves it.
Philou Louzolo – Philou Louzolo Presents Afrifuturism [TINKMSC007V]
Doc Severinsen – DJ Harvey 12″ Cuts [PBRC1501]
”Back in 2009, DJ Harvey came knockin’ at PBRC HQ to deliver a special project he had in mind. Having a long and healthy relationship with the dudes at Pacific Beach, Harv essentially produced a couple of edits that could’ve well been next in line on his revered Black Cock label. Eventually released in 2010, the 12” cuts caused a stir as some will recall. Doc Severinsen is an accomplished American jazz/pop trumpet player, and as a band leader gained considerable notoriety on The Tonight Show with Johnny Carson. Like most musicians in the 70’s, Doc took his shot at the disco and funk sounds of the time, gathered stellar musicians, and released impeccably sounding works. Two of these cuts, ‘Be With You’ and ‘Shine On Me’ are featured on this release. Harvey’s unfailing magic touch has yielded two DJ-friendly edits with a lot of punch and galactic energy, yet with a velvet undertone. Staying true to the mission, the label took great care throughout the production process in order to preserve the quality of the original recordings. Proprietary equipment was created to transfer the original cuts from the source. The mastering was conducted at Bernie Grundman in Hollywood, CA, known for its work on the greatest albums of all time, such as Michael Jackson’s ‘Thriller’ and Steely Dan’s ‘Aja’. The 2015 edition is noticeably different on the exterior. The cover art, having been designed by Harvey back in 2009 for the original release, commands attention. At the time, however, the prevailing design had been already put into play leaving these amazing creative elements put aside for a later time – and so here we are.”
Tim Deluxe – Love Is [SRNYC018]
Dropping ahead of the release of Tim Deluxe’s new studio LP The Radicle, ‘Love Is’ is the next single taken from the album, presented here in its original form as well as an additional dub version. A jazz-fueled, bluesy masterpiece with a heart wrenching vocal , sublime live instrumentation and incredible production values.
Dego – The More Things Stay The Same [BLACKLP004]
The More Things Stay the Same is Dego’s sophomore solo LP – a collection of soulful, mid-tempo melodies laced with warm synths, impeccable beats and masterful musicianship rooted in Jazz Fusion, classic Funk and Electro. In making the album, dego digs deep into his life experiences. From the first track to the last, his sonic signature inscribes his impressions on the duality of life. Dego says: The More Things Stay the Same is about the state of play – truth can bring despair as well as hope. The two sit side by side. Like history often repeating mistakes, but also bringing learning and progress. For the LP, dego leads a team of stellar musicians and trusted co-conspirators: multi-instrumentalists Kaidi Tatham, Mr Mensah and Matt Lord, as well as vocalist Sharlene Hector of Basement Jaxx fame. Hip-hop artist TY also makes an appearance on The Middle Ground. With The More Things Stay the Same, dego carries out the vision of his influential 2000BLACK label and collective, formed in 1998 to continue the legacy of black music and to contribute to what makes soul, boogie and dance music great.
Sarr Band – Double Action [BOOM7002]
Super hot reissue of the original Portuguese Boom Records release of the Sarr Bands sought after 1979 Double Action LP. The title track, a heavy chugging Cosmic gem, is a bit of a holy grail among disco aficionados, but the rest of the LP is equally as good. Other standouts include dark slo-mo instrumental Soul Machine, a wonderful cover of Vince Montanas classic Nice & Nasty, the dirty drugged up disco groove of Mefisto Boogie and not forgetting the highly in-demand Magic Mandrake, a great slice of off-the-wall dancefloor madness with pumping bass, searing horns and sleazy vocals.
Johnny Hammond – Gears [M9062]
Top quality remastered reissue of one of the holy grails of the Jazz Funk scene, the incredible Gears LP by organ player Johnny Hammond. Originally released in 1975, this masterpiece is considered to be possibly the finest moment from legendary production and arrangement team the Mizell Brothers and its easy to see why as this wonderful LP just oozes timeless perfection with every track. Boundary breakers at the time, they all manage to still sound as fresh as ever. Standouts include the awesome Loft classic Los Conquistadores Chocolates, a psychedelic sweaty floor-filling dancer which hit big at Ron Hardys Chicago Music Box as well as in NYC; Shifting Gears a seriously funky breaks and block party anthem with all the right ingredients which was heavily sampled in hip hop during the 80s and 90s; plus Fantasy a big DJ Rahaan favourite and the sublime jazz funk groove of Tell Me What To Do.
Skymark – Waves From The Nucleus [MSLP005]
”Waves From The Nucleus” is a mixture of Spiritual Jazz, Brazilian Fusion, Soul, Disco and Boogie, composed, played and recorded by Skymark with his electric piano and old synths. This album is highly influenced by the golden years 70s-80s and the summer breeze from the marvelous city.
VA – Under The Influence Vol.4 [ZEDDCD032]
Given the infamous depth of Nick The Record’s vinyl collection, you’d expect this contribution to Z Records’ excellent Under The Influence series to be packed to the rafters with unheralded gems. Predictably, it is, delivering 22 cuts that should be thrillingly new to all but the most dusty-fingered collectors. Picking out highlights from such an excellent and in-depth collection is tough, but try the steel drums-laden celebration of Boogsie’s “Can’t You See Me”, the synth-laden jazz-funk badness of “Keep Your Shoes” by MC and His Great Googa-Moogas, and the fizzing, melody-rich 808 electro of Ronnie Jones “Video Games”. If that’s not enough there’s also a swathe of DJ-friendly re-edits from Nick himself.
VA – Movements 6 [TRLP9031]
The ‘Movements’ saga started to discover, study, and properly represent great black American music that is at risk of being lost or forgotten. Today, his illustrious label: Tramp Records, proudly releases the 6th volume of this essential series. Though the track listing still contains amazing music you may never hear elsewhere, the series has matured since its first volume. The track selection has become more open minded, compiling ballads and soul-jazz tunes, even proto-disco in addition to the rare funk Tramp fans expect. Tracks are selected in chronological order so that the listener may get an impression of the development of of the art form from jazz to rhythm and blues to rock & roll to soul and of course – funk. As the website states: ”we ain’t going for bootlegs,” so, whenever possible, Tramp sought out and was granted permission to release each track from the original musicians who are very often in their late seventies now. He took that opportunity to interview them about their careers, their groups, and the recording sessions from which these gems arose. The artists’ stories are meticulously published in extensive liner notes which are printed in the included full-color booklet. Their own words illuminate the colorful backstory behind each track.
The Hipodrome Of Music 