Unreleased themes from Kornelije Kovac for commissioned documentary short ‘Raport iz Sarajeva’, directed by Miodrag Zdravkovic in 1982. This music themes precede the official songs, idents and audio logos for the XIV Winter Olympic Games Sarajevo 1984 opening ceremony made by Kornelije Kovac in his Belgrade based studio from 1982 to 1984. Sourced from the original master tapes with full color artwork by Eric Adrian Lee. Includes insert with photographs from Kornelije Kovac private collection and liner notes by Zeljko Luketic.
After years of reluctance, finally a new album from Dada Pogrom. The Icelandic musician Kenneth Walter Balys has created a masterpiece of elaborated synth passages with wonderful pop melodies. His performances are few and far between, but in March 2024 he had already played some of the new songs in front of a full sold out house at the Kernkrach Festival. The audience was thrilled and demanded encores.
Black Dot lands on Italo Moderni with a cult futuristic gem on vocals by Le Chocolat Noir and hardware wizard Christian Kroupa, three obscure killers bangers ready for the dancefloor, last but not least with an epic remix by the king Marcel Dettmann.
L.F.T (Love, Fist, Tears), aka Johannes Haas, returns to Osàre! Editions for another scorching release. As ever, the German producer’s sonic palette is immediately recognisable as he manoeuvres through 1980s-inspired wave and raw, rugged electro. Equal parts dancefloor elixir and cerebral wonderment, Minecrawler showcases Haas’ flair for freewheeling, chemical artistry, and experimentation. Divided into heavy, vocal numbers on one side and potent, club-orientated material on the other, the EP is unified overall by the frigid crackle of drum machines, primal synths, and goth aesthetics.
Mannequin Records boss Alessandro Adriani returns on his own label with four tracks that were previously available exclusively as digital releases. Known for his unique blend of electro and synth wave sounds, Adriani has made a significant impact on the underground music landscape. With this new vinyl release, Adriani brings his distinctive musical vision to a vinyl audience, offering a tangible experience that digital formats cannot replicate. Each track is a testament to his ability to merge pulsating electronic beats with atmospheric synth melodies, creating a soundscape that is both nostalgic and innovative.
The seductive sounds of Portugal swing to Dark Entries on Rock Rendez Vous: Música Moderna Portuguesa 1985-1986, a compilation of vintage Iberian synth, wave, and postpunk gems. The legendary club Rock Rendez Vous (RRV) opened its doors in Lisbon in 1980, heralding a new era in the Portuguese underground. Although touring acts like Killing Joke, Danse Society, or Echo & the Bunnymen graced its stage, RRV more vitally served as ground zero for a new generation of Portuguese bands, one simultaneously in touch with broader international musical movements while being invested in establishing a national sonic identity. Rock Rendez Vous culls 9 tracks of prime Portuguese indie tunes from the Música Moderna Portuguesa compilations released in 1985 and 1986, documenting the heyday of this movement. Jangly and brooding postpunk gems like “Levante” from Jovem Guarda, Projecto Azul’s “New Sides,” and Essa Entente’s “Festa Final” are well-represented here. Meanwhile, quirky Balearic-laced synthpop gems like D. W. Art’s “Mate” or Zona Proibida’s “Musak” add a subtly regional flare. Rock Rendez Vous: Música Moderna Portuguesa comes housed in a sleeve designed by Eloise Leigh featuring a photo of the club RRV, and also includes a double-sided insert with lyrics, photos, and liner notes.
Meta Moto presents the latest offering of Poladroïd. Drenched in dense, filtered atmospheres and infused with nostalgic echoes of a bygone era, ‘Danse Macabre’ exudes a dark and gritty ambiance, straddling the realms of retro-futurism and melancholic machine melodies. Drawing inspiration from a spectrum as wide as Holderlin’s ‘Hyperion’ and the poetic works of Robert Brasillach and Charles Baudelaire, ‘Danse Macabre’ showcases Poladroïd’s versatility in crafting diverse sonic landscapes while maintaining a signature sound.
Bedroom Talks, hailing from Ukraine, is a gifted solo artist whose music, delves into an eclectic blend of genres including coldwave, darkwave, synthwave, post-punk with touches of EBM. “Call Me Malespero,” produced during Ukraine’s shelling, captures the essence of his art in a unique and moving way. It’s a powerful testament to human resilience and the ability to find beauty even in the darkest moments, evoking a range of emotions from pain and anger to palpable sweetness, all woven into poetic lyrics and enveloping melodies.
Introducing Yarrow Ballet’s V.A. (Volume 01) featuring 10 beautiful tracks. The essence of this compilation its best describes as a listening experience that aligns perfectly with Yarrow Ballet’s musical aesthetic. It captures a balance of darkness and softness, all underscored by a sense of melancholic beauty. The V.A. also embodies a sense of community, similar to that of a close-knit family.
Filmmaker consistently traverses genres from post-punk, EBM, synth wave and beyond to create a unique identity still firmly rooted in film culture. Now he returns to Veyl with Hollywood Cult. Comprised of 13 tracks, the album sees the producer elevate his sound to new levels, conjuring a world of haunting atmospheres and devious directions that take the listener through a journey of unparalleled proportions.
The Hipodrome Of Music 