
Mike Dehnert is back with his 4th release on the Clone Basement Series. Ice cold grooving techno cuts. Machine grooves sounding so cold and so damn sexy at the same time.

Mike Dehnert is back with his 4th release on the Clone Basement Series. Ice cold grooving techno cuts. Machine grooves sounding so cold and so damn sexy at the same time.

Acid, hypnotic and industrial are the three components that close the circle of Anubis EP, an EP that combines the elegance at the old school groove above 130 bpm. Arnaud Le Texier remix is a mix of refined pad, dark and deep sound.

Electronic Body Techno with a touch of cosmic-retroesque Axis atmosphere by Liverpudlian Binny. “Rotate” not only features all the usual hallmarks of the early Purposemaker sound, such as overdriven kick, clattering/rusty high-hats and grinding SH-101 basslines: it even features improvised snare rolls that you’d hear The Wizard himself playing live! “Spirit” matches the icon’s new found love of the 303, but no doubt Binny’s own take on the sound, that’s a given. On the flip “TG-33” sounds like another segment from Live At The Liquid Room complete with DX7 organ stabs and more epic 909 drum rolls. Some pretty epic stuff on here that stands out from the rest of the current tributes.

Italian pair Nico Vascellari and Nicolo Fortuni have only put out a limited amount of output under their Ninos Du Brasil moniker. The A-side’s A Magia Do Rei displays of rolling techno variant kinked with polyrhythmic shuffles, darkside synth strokes and swooping subs, superbly rounded off by Neel’s mastering work. Turn over, and Algo Ou Alguém Entre As Árvores hits a rather different groove accentuating their tribal influences in a roiling, humid swamp of churning bass, scissoring syncopation and layered voices sounding like an extended offcut from the Cannibal Holocaust OST.

Blood is thicker than water and eventually long time friends Bordello A Parigi and Knekelhuis pageant a solid piece of music together. Alessandro Parisi also known as Hesperius Draco from Portenone – Italy – and London based Timothy J Fairplay found themselves in the middle of an ice cold world, opening their wintery project with the “Romance” soundtrack. The warm synth lines will single handedly set Moscow’s frozen red square on fire. The Italian soundtrack synthesisers will touch the trans-siberian world and end with a slow burner named “What Is To Be Done”.

Signs of Decay: Acid Compilation with dirty and hard acid cuts by Ekman, The Exaltics, Helena Hauff, Perseus Traxx, Drvg Cvltvre and a artwork made by Godspill. A powerful collective statement on the desiccation some “hard and dirty acid tracks” can do to a dancefloor. Don’t come here looking for any lofty concepts, this is just five of the best banging their boxes in the name of all that is grotty and lysergic.

A year after his last outing on the label, Gunnar Haslam is back on Delsin with four more tracks of idiosyncratic techno. Opening up this EP with the title track, Haslam cooks up a spangled brew of erratic synths and spinning hi hats and ties them together with a heavy rubber kick drum. Followed by ‘Sarsi’ which is then completely different, it’s a beatless and emotionally forlorn cut that still manages to take you somewhere special. Deep dancefloor business taking over on the b-side. Scurrying alien sounds closed by a frenzied techno trip. Each track here is different from the last, and each track here is a refreshing proposition from one of the most interesting guys around.

Solarism is the result of a common fascination for landscapes and a passion for contemplation. The first release comes with two Arno E. Mathieu’s pieces of music and a Juju & Jordash remix.


The 13th Skudge White release, and a welcome return of Daniel Andréasson. Going a different route than his previous 12″ for the label, this time it’s four melodic/braindance tracks.

The new DYFR containing one mighty electro / acid bomb by Xaf, member of the Ghetto Gem project. Baz Reznik takes it upon him to deliver a very dance floor effective acid remix. As usual DYFR is very limited experimental series.

Originally recorded by Marc Moulin, Vincent Kenis and Marc Hollander in 1977 Brussels. Leapfrogging over style and genre boundaries, the LP shuffles between improvised jazz, minimalism, imaginary ethnic music, classical and even proto-techno (‘Saure Gurke’ foreshadows characteristic Detroit techno riffs by a good ten years). It became a cult album in its own right and a few decades later Parisian dj / producer Krikor spontaneously decided to rework two tracks for his dj-sets. Ensemble brings his remixes with the kind permission of Crammed, Marc Hollander / Aksak Maboul and Krikor.

Twin Paradox is a special series in Fundamental Records where two different artists with a strong connection release a double album, one from each artists/band. So what we have here Two different albums, from two different artists, with a connection in style or maybe conceptual… in this TPS003 Luke Eargoggle for example is part of the Faceless Mind project.

Cultivated Electronics’ colab series continues with an EP from MMT-8 a new alias from Sync 24 and Ed DMX/DMX Krew. 4 raw analogue electro jams for the dancefloor and mind.

Banlieue return with their second release. This various artists EP is an eclectic mixture, drawing on different strands of the electronic spectrum. Booming, funky and dark, these four tracks are sure to spark a fire.

Special limited cassette of I.B.M. aka Hieroglyphic Being’s ”Eat My Fuck” which was originally released on vinyl in 2014 & is out of print. Limited to 100 numbered copies worldwide. Includes 2 stickers. A demented sonic painting of rhythmic cubism & synth expressions.

For its sixth release, Points Records invited Jamal Moss who drops an awesome B-side here. Great underground acid track featuring a twisted Hieroglyphic Being rework.